Bubblescope will be up for grabs from 17th January for the price of ? 50($80) and you can pre-order right now, in the meanwhile you check out product information video. Hailing from the northern region of India, Gaurav has a profound liking for everything upbeat in the cloud and vision to acquaint readers with the latest technology news. When we last spoke with Joe Reifer, he talked about his experience in photographing abandoned places and night scenes. Joe Reifer: Panoramas in 360 degrees can be shot with anything from an iPhone app to a digital SLR. Panoheads for shooting 360s are available from manufacturers including Nodal Ninja, Really Right Stuff, 360 Precision, Bushman, and more. In addition to a calibrated panohead, it’s a good idea to keep the camera level as you rotate around to take your shots. Using a full-frame camera in the portrait position with a 15mm fisheye lens, you’ll need 6 shots around, 1 up (called the zenith), and at least 1 down (called the nadir) to make a full sphere. If you don’t mind a little bit less resolution, you can use an 8mm fisheye on a crop sensor or 12mm fisheye on full-frame and shoot 4 shots around with the camera at 5 degrees up. The moon, stars, and clouds are all moving – so stitching together multiple shots can be a challenge.
I’ll be demonstrating how to shoot simple night panoramas at the night photography workshop that I’m teaching this November at a historic World War II air base called Eagle Field. Taking panoramic shots through your iPhone 5 can be done manually too but the chances of image getting distorted are high due to hand movement in either direction. He likes to observe nature, write thought provoking quotes, travel places, drive cars and play video games when things get too boring. But Reifer is also a pro at shooting VR panoramas – interactive photos where you can navigate a full 360-degree field-of-view. The most common way to get a nicely blended, 360 panorama with reasonable resolution is to shoot with a DSLR and fisheye lens on a panoramic head.


I’m currently using a Canon EOS 6D with the Canon 8-15mm fisheye, which is a very sharp and versatile lens. A panohead keeps the point where light enters the lens, called the no-parallax point, consistent between shots. This can be done with a leveling base such as the Nodal Ninja EZ II, Acratech, Really Right Stuff, and various others.
This method doesn’t require a zenith shot, and you can just patch the tripod area in Photoshop.
Are there specific camera settings we should use, that you haven’t already mentioned earlier? Pano2VR and krpano are interactive panorama viewers that offer lots of options for both Flash and HTML5 output. Getting professional level stitches and solving problems like patching tripod shadows can take quite a bit of work to perfect. If you as a photographer want to shoot panoramic views with pint-point accuracy then Bubblescope is the accessory to have.
Wide-angle lenses can also work well if you don’t have a fisheye, but usually require shooting and stitching more images. This allows special panorama software to merge your images together into a full 360-degree sphere.
Another way to level the axis of rotation is to use a panning clamp on top of your ballhead, such as the RRS PCL-1, Benro PC-0, or Sunwayfoto DDH-02.
Take note of any strong light sources in the shot, such as the sun, moon, lamps, or streetlights. Capable of shooting 360 degree panorama shots in video or photo format, this accessory easily hooks onto your iPhone 5 and then in conjunction with BubblePix app you are all set to shoot some breath-taking panoramas.
While handheld 360s are possible, using a panohead on a tripod or monopod makes stitching the resulting images a lot easier.


Yet a third option is using an inverted ballhead design like the Acratech GP or Arca Swiss p0.
The pieces of the compositional puzzle need to fall into place both horizontally and vertically. I try to align the sequence of shots so that any bright light sources aren’t in an area where the shots will overlap when stitching.
The good news is that the software keeps getting better, and the online pano community is very helpful. I recently did a 360 at an abandoned ski resort where I shot 6-minute exposures at each camera position, and the star trails turned out great! The swivel platform of Bubblescope provides the flexibility to pan the iPhone 5 in left or right direction.
While these panning clamp and ballhead options are great for occasional panoramas, using a leveling base in conjunction with a click stop rotator will save you a lot of time for higher volume 360 work. This ring mount-style panohead works really well when shooting panos on a carbon fiber pole, too! A fisheye lens also puts a lot of space between you and the subject – so how close you get is important. You also want to assess where any tripod shadows are falling, to make sure they’ll be reasonably easy to remove.



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Comments to «How to shoot 360 panorama photo editor»

  1. Ramal on 29.12.2014 at 12:21:28
    Sounds too gimmicky...consider normally a necessity for make-up layer - that does not need any slicing at all.
  2. SANKA_ZVER on 29.12.2014 at 22:30:29
    Soft hazy background keep away from taking lenses perform admirably on the E-M1.