Just as the name implies, music company logos are logos specifically designed for a music company or music store related to the music field, such as a record label or radio station. The music company logo design will be a symbol of your proficiency, creativity and originality and will probably make you famous one day. So now that we found a good fitting color, grab the Paint Bucket Tool (G) and fill the new layer with #166a91. If you already picked some good darker color (or if you have some problems with colors refer to the images below - I showed the specific color used).
Now create a new layer above all and name it "splatter shading." Grab the Brush Tool (B) and change the color to #125361. If you're ready, then create a new layer above all and name it "splatter lighting." Call the selection of the "texture" layer.
Note: Remember that you're able to make changes anytime you feel something is not right, so if you give too much shade or lighting, help yourself with the soft Eraser Tool (E) to erase unwanted parts.
Before we move further, go to the Brush Palette and change the brush settings, as shown below. Now, don't change your brush settings, only increase the diameter a little and change the color to white. Also help yourself with the Eraser Tool (E) and a very soft eraser, something like 0% Hardness and 8% Flow. Next, create a new layer above all, name it "splatter touch ups" and change it's Blending Mode to Multiply.
If you want to put an object in 3D space and place it on the surface, you need to pay attention to where is your light source (or sources). Remember that objects also drop shadows below themselves (refer to the image below, "the shadow between box and desk"). This means that sometimes one object may have fewer shadows depending on light sources and where it's placed. Also keep in mind that the "darkened area" (refer to image below) of objects always remains darker than other parts. And it's the same for the "lightened area," it's lighter than other parts of the lightened object.
We have not specified the source of light in this work so we will skip the shadow caused by the source light. We're almost done with it, but before we move further I want you to look at the third image below. It's kinda hard to explain, sometimes you just need to imagine how it would look like in reality. The second, third and fourth image below are a little show of how I basically planned to do the text.
This isn't necessary in some abstract pieces where for example: letters are flying in the air, as they can rotate.
Before we move on to creating the 3D text, you need to also understand the position of letters: take a look at the second image below. In the images below I indicated some more important options that were used here to generate this text. Before you save your project, go to Shadow options and turn off Shadow (we don't want to be bothered with Xara's original shadow, which looks pretty bad). Then to save the file to a Photoshop readable format, go to File > Export, select PNG format and save the image with the same settings, as shown in the second image below. Next refer to the third image below: grab the Burn Tool (O), set the Range to Midtones, the Flow to 25% and paint a little on the bottom of each letter (later this will help achieve a better shadow effect).
So first grab the Pen Tool (P) and draw a path on the worst looking spot of this text (it's indicated by a red arrow).
The main task is to pick a bright pink color (that matches the color of your text) and cover some imperfections using overlay blending mode. You can do this the way you're comfortable with, although I think the way shown below is pretty cool and fast. Now grab one of the reflection layers, hit Command + T (Free Transform), and rotate it as you see in the first image below. Then change the reflection layer Opacity to around 15-20% and set its Blending Mode to Overlay. Repeat the reflection process around 2-3 times until you cover the whole text (carefully, don't get to messy).
Next create new layer above, name it "additional light" and repeat the same process but this time from the left side of these letters (refer to 4th image below).
Go to the Layers Palette and create a new adjustment layer Gradient Map above all the layers.
Before you begin, remember that it's good to treat shadows with the same color that the surface has but in different tone.

Create a new layer below the text layer and name it "text shadow." Start with a small diameter and add tiny shadow lines exactly below the letters. Next repeat this process but this time create a Gradient Map from dark blue (greeny black) #202930 to a lighter color (even turning into grey) #31505b. This text still looked too cold for me so I decided to create another Gradient Map using the same process.
After adding a few gradient maps I decided to move some light parts (indicated by white arrows).
Also as you can see in the second image below, I lowered the opacity of shadow between the text and splatter.
Be ready for any corrections, after adjusting colors and contrast sometimes you may wanna change something. I am trying to do this but i only have 30 day trial of Illustrator is this why i cant use the create outlines and other various things ??? I?m new with illustrator and I love this tutorial, thanks for explain it in a simple way, I understood every step even though my english is not that good. A FASTER and EASIER way to achieve this effect is to simply find a picture of something gold, create a pattern swatch for it, and fill the word with that pattern swatch. In this tutorial, I will show you the steps I took to Design an Interesting Cloud Text Effect in 3 Easy Steps in Photoshop. We will mainly use custom brushsets and utilise brush options to achieve this text effect. Best stock graphics, design templates, vectors, PhotoShop templates & textures from creative professional designers. Full details of GraphicRiver Christmas Text Effect 14105326 for digital design and education.
Stock Photos, Graphics, Design Templates, Presentation Templates, Logo Templates, Vectors, Textures and Much More. Therefore, you must make sure that you choose the right images and colors to represent your corporation. Then you can make a little adjustment to the size of the graphic image and the place of the text, which can make the logo look more harmonious. There are 680+ well-matched color combinations there which are filtered by color or category. You may use Adobe Illustrator as well, but I strongly recommend you get Xara for this piece.
In the Super Malleable Lines tutorial, the colors of the background were sunny, so this gave us a warm impression. Grab the Brush Tool (B), set the Flow to 5%, Hardness to 0% and make your diameter very big as you see below.
Now with the same brush settings and a brighter color #99e9ea, start painting in the indicated spots (keep a small space from the splatter edge). Then create a new layer above all, name it "lighting overlay." Set this layer's Blending Mode to Overlay, and start painting in the same spots that were indicated in Step 6. We will only take care for the shadow below the splatter (refer to pointer 2 in the previous step). If the letters lay below the horizon line, then remember that you look at them from the top, and this is the way we will create our text.
Create a new layer above the text layer, you can name it "text correction" and change its Blending Mode to Overlay.
You can even go through some random spots of text faces, this will give a nice tonal variety to the text.
Grab the Eraser Tool (E), set its Flow to 5% and Hardness to 0%, then make a small erasing around the gloss of each letter (where the white arrows indicate).
The rest of these letters have a nice light and shade, but the top of the letters "L" and "R" almost completely lack shading.
Grab the Brush Tool with the same settings as previously (Hardness 0%, Flow around 5%), change the color to the some darker pink (#79185d). Select the gradient from Black to White, and you should have something similar to the first image below. So our splatter surface is a light blue color, then for the shadow choose a dark blue color (something like #092330). And it's good to take a fresh look at your piece and work on some details if they don't fit correctly. Select both your text and image using the Selection Tool (make sure the text is placed on top of the image). This is where I share inspiration, tips & tricks related to the web, interviews with other creatives, and business lessons I learn along the way. Just follow this article, you are sure to know how to design a distinct music company logo with Sothink Logo Maker in minutes. In Part I of this tutorial, we will focus on how to create 3D text and the splatter effect.

If you paint in one spot, you're allowed to make some failure lines, as they will be barely visible.
In Part II of this tutorial, we will make this surface more dirty and this will give a stronger shadow effect. The splatter looks like a 3D object, so if you had it in 3D program you could rotate it seeing how each side looks. Grab the Brush Tool (B), change the brush settings to Flow 10%, Hardness 0%, and give it a big diameter.
The main thing about this is to create a soft gradient from the middle of these letters heading to the top.
Go to Select > Inverse and hit delete (remember to select the transformed reflection layer while you're hitting delete). Make sure the reflection stays only in the text faces, so if it goes somewhere to far use a soft eraser to make the touch ups (forth image below). Then switch to the Burn Tool (O), set the Range to Midtones and Exposure to around 20%, and add some depth to each letter (where the red arrows indicate). Create a new layer above all, name it "additional shade" and start painting by the right side of the top of these letters, refer to the third image below. Then change the Blending Mode of this layer to Soft Light, and lower the Opacity to 70% (second image below). Once you do this, grab the Paint Bucket Tool (G), change the color to black and fill the Mask (third image below).
Create a new layer above all, and make a curve or straight line on the top of each letter like you see below.
Now grab the Brush Tool (B), remember to have Hardness set to 0%, and the rest of the options you have got below. So go to the Layers Palette, create a new Gradient Map adjustment layer, select the "Violet, Orange" preset and click OK. You can also play with the Red Channel in Curves to give the text color a more desired look. So in Tutorial Part II you will learn about some nice techniques for achieving glowing effects and creating a creative messy look. Also, if there are other topics you’d like me to cover in the future, let me know in the comments below.
I know it won’t look exactly like a project where actual gold foil printing was done, but do you think perhaps the foil texture in the above example would somehow be captured when printed?
This actually prints quite nicely, and the foil texture is definitely apparent (though, as you said, it won’t look like a genuine gold foil print). I’m trying to create gold foil dots and am having trouble achieving this same effect. If you have any questions about the Photoshop tutorials, feel free to leave a comment and I will try my best to answer it.
Our texture should now dynamically be pasted into the selection, it means you can change its position inside the selection. We're going to create an illusion that the text is reflecting something from the environment.
Of course there area few light sources on this text because the front is also bright, but let's focus on the strongest light source.
Then change this layer's Blending Mode to Soft light and lower its Opacity to around 20% (this will give a little more warmness to this piece).
In order to apply the outlines you need to make sure your word is selected (by using the select tool).
In this piece you will learn how to bring a simple text to life and place everything in fantastic, colored and glowing 3D space. Now change this layer Blending Mode to Overlay and set the Opacity to 70% and your project should look like the second image below. Then switch to a white color, create a new layer, name it "splatter light," then use the same brush settings to add some more light to this splatter.
It's OK, because I planned this illustration from the beginning to create a text in the middle. You don't have to draw these lines like I did in the first image below, just try to imagine where this line should be.
And the thing is no one cares wether the reflection is showing real objects or fake ones, as long as it looks good.
Also, make sure the color profile of your Illustrator document is set to CMYK (print use), instead of RGB (web use).

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