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The Canon 7D has been a fantastic camera for me over the past 5 years and I have travelled throughout the New World Tropics photographing birds in a wide variety of scenarios. Given the lengthy timeframe between the release of the original 7D and the 7D mark II one would have to assume that significant improvements in image quality should indeed be possible. Last week I was in Costa Rica photographing birds and, knowing the specifications of the new 7D Mark II, found myself extremely eager to get my hands on one of the new cameras in several shooting scenarios. Another scenario that had me really anticipating the new camera was when shooting at a dimly lit feeder setup. I returned home on Saturday to find my new camera waiting for me and was anxious to find out if the new Canon 7D mark II is indeed the camera that bird photographers like me have been waiting for.
Ultimately the most important feature of the new camera is its ability to produce clean files at higher ISO values than its predecessor. In the first few days that the 7D mark II has been out the image comparisons that I have seen are largely of subjects shot in bright shooting environments that would not even necessarily necessitate the use of a high ISO. To begin with, the Mark II offers a vast increase in the number of selectable cross-type autofocus points (from 19 to 65). Another tangible upgrade is the increased frame rate of the camera which has gone from 8 to 10 frames per second. One final tangible upgrade to the 7D Mark II is the ability to customize autofocus settings to several buttons based on how you shoot. AF-ON: Used for birds in flight or moving subjects where I want to be able track the subject. In addition to the features of the new sensor and new autofocus capabilities the 7D mark II introduces several other improvements.
The most exciting new video feature of the 7D mark II is that the new dual pixel technology allows aspiring cinematographers to focus on moving subjects.
I for one really enjoy shooting movie clips of the birds that I photograph and am excited to start filming and producing more dynamic movies of birds.
The price point of this camera and its impressive feature set make it a very attractive camera for a wide range of photographers.

It is hard for me to believe that even photographers currently using a 1DX will not see the tremendous advantages that this camera offers.
I think it is safe to say that unless Nikon fires back with a well-equipped D400 the Canon 7D mark II is the new king of APS-C cameras. ISO performance and dynamic range can definitely still be improved (based on the Sony sensors). Jual kamera digital prosumer terbaik merk nikon canon sony samsung pentax olympus fujifilm harga murah terbaru camera digital dslr slr harga kamera prosumer.
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Daftar harga kamera digital slr terbaru daftar kamera prosumer termurah 2013 harga kamera digital dslr terbaru 2014 share. Baterainya pun kini hadir dengan daya tahan yang lebih lama dan dilengkapi koneksi WiFi yang lebih cepat. GoPro Hero 3+ juga dilengkapi dengan lensa baru yang menawarkan kualitas rekam video yang lebih tajam dan baterai yang 30% lebih tahan lama. Belanja online, perbandingan harga, review, info peringkat Kamera Digital untuk mendapatkan . Untuk Anda pecinta fotografi, pasti sudah mengetahui bahkan mengenal tipe kamera yang satu ini. Kamera pengintai tembus pandang kini Menjadi Salah satu Gadge Terpopuler YanG Sedang Digandrungi Oleh banyak Orang.. I make decisions based on what “tools” will allow me to capture better images of the subjects that I covet most – birds. With this said, I will also be the first to admit that there are some major downfalls and limitations when it comes to the original 7D. Several of my clients were using 1DX bodies and I could hear their cameras lock on to the subjects while my 7D hunted for focus.
Practical photographers will realize that there are limitations to what can be achieved in an APS-C sensor and will not be expecting the image quality to rival the 1DX.
Those of us forced in to the upper realms of the ISO scale know that noise really becomes a problem when shooting in low light and especially in the underexposed portions of an image.
Unfortunately the new camera is not yet supported by this software so I was forced to use Canon’s DPP.
There is absolutely an improvement in image quality although I was certainly hoping for a greater improvement in ISO performance.
The speed and ability to track a subject (largely subjective and difficult to measure) and the actual functional capabilities of the camera such as frame rate, number of AF points, etc. These points are distributed throughout the image sensor over a wider area than any previous EOS camera. This too is a welcome upgrade as wildlife photographers are always looking for more frames that could potentially capture the perfect moment.
This is a first for a Canon APS-C camera and means that those of us using super-telephoto lenses now have a whole lot magnification at our disposal. Many bird and wildlife photographers for example have long been assigning “back button focus”.
The camera is said to have better weather sealing, has a higher resolution LCD screen, and the shutter is now rated to 200,000 actuations instead of 150,000 in its predecessor. The digital SLR video revolution has proved that the image quality that these cameras can produce is indeed impressive.
I think that as the video functionality of digital SLR cameras, and the proliferation of sites like YouTube, continues to advance we will see a lot more people shooting videos as part of their portfolio. Between the fantastic autofocus system, impressive build quality, video features and the improvements in image quality it is an incredible value.
The primary question for me is whether this new camera will allow me to capture better images than I could before.
This will be great for moving the focus point around all of those 65 points while shooting vertically. Untuk kemampuan rekam videonya, Anda dapat menggunakan GoPro Hero 3+ Black Edition untuk merekam video hingga resolusi 4K dan menghasilkan foto beresolusi 12 megapixel. Selain itu hadir mode video SuperView untuk pengambilan video dengan sudut yang lebih lebar dan Auto Low Light mode yang secara otomatis dapat menyesuaikan frame rate bergantung pada kondisi pencahayaan sekitar.

Furthermore, I would consider myself primarily a field photographer that rarely sits in blinds or shoots in controlled scenarios where subject distance is under the control of the photographer. Even upon its release way back in 2009 I remember being extremely underwhelmed at the improvements in noise over the EOS 50D (my previous camera). If you throw in improvements to autofocus algorithms, faster frame rate and a healthy set of user interface and hardware improvements what you end up with is a lot of nature photographers like me daydreaming at the idea of getting their hands on this new model. With my old 7D I found myself reluctant to push the ISO past 800 and yet with much hesitation was forced to shoot at ISO 1600.
Not only that, but I was also forced to use the center focus point as this was the only focus point that seemed to accurately lock on in the dark shooting environment. For this reason I set out to test the capabilities of the new camera in a more appropriate shooting environment. To compare the files I applied no noise reduction and a small amount of unsharp mask (Strength of 2).
I am hoping that the ACR update will allow for slightly better image processing and perhaps the true gain in ISO performance will be closer to a full stop. Furthermore, the cameras RAW buffer has been increased from 25 to 31 RAW frames allowing all of these images to quickly and effectively be recorded to the card. The maximum possible magnification is now a whopping 1920mm (600mm + 2x converter multiplied by 1.6x crop factor). This however translates into 105% more pixels on the subject (due to the fact that we are talking about area). Doing so allows the user to allocate the AF-ON button to control the autofocus and the shutter button as the release mechanism. I have also enabled a custom AF scenario that is designed to hold tightly to objects once focus has been acquired (-2,0,0). The new model also incorporates built in GPS functionality and now offers two memory card slots (one compact flash and one SD).
Up until now though movies of birds and other wildlife had to be fairly static as manually focussing on a moving subject with a super telephoto lens is essentially impossible. For those of us bird photographers that demand maximum focal length for the subjects that we shoot this camera is an absolute no brainer! Wedding photographers, landscape photographers and even wildlife photographers who shoot mostly in controlled settings (e.g.
For these reasons effective focal length is the primary concern for me when choosing a camera body. The noise was certainly easier to deal with in post processing but was, for the most part, still there. In my brief preliminary testing I also felt that the autofocus was faster (especially away from the center point) than the previous model.
This setting has the advantage of allowing the user to focus, recompose the shot, and then trip the shutter at the pivotal moment without having to re-acquire focus.
Another great feature of the new camera is that the optional battery grip now features a second joystick controller to make moving autofocus points easier when shooting vertically.
I can hardly wait to take this camera down to Cuba in a few weeks to really give it a proper field test. The APS-C camera bodies have always been my choice when it comes to photographing birds – even given their limitations in controlling noise. Noise, dynamic range and overall image quality has without a doubt been the Achilles heel of the APS-C camera. Finally, a very cool and highly customizable “intelligent” viewfinder is now offered that allows for virtually all of the major camera settings to be immediately available in the viewfinder.
With good control over exposure and solid post processing technique I will take an APS-C body (such as the 7D) over a full frame body (such as the 1DX) any day of the week. Now the AF-ON and AE Lock buttons on the back of the camera can be assigned specific autofocus capabilities. This combination of camera bodies would meet the needs of almost any nature photographer in the world. You can literally configure any autofocus setting to one of these buttons and have two completely different scenarios based upon how and what you shoot.

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