They have pushed the envelope on the D5500 series, but you just don’t seem to care for any of Nikon’s products! If PR involves writing only, I would consider it, but if it involves speaking I am not so sure since I like to speak my mind and be honest, and the corporate elites might not like it.
Anyone thinking that Samsung at this point is a serious player in the camera market is way off base. Actually NL is usually the first country after Japan that gets new Nikon shipments – my guess is that they are coming on a ship trough one of the ports in NL.
Had it been made with a high-impact plastic casing, probably the worst-case scenario may have been a cracked body panel.
So… you can pay an insane $900 to have GPS removed from your camera by buying a D5500.
Americans are travel crazy, so yes, the people who buy at this level would value gps, especially because when you ingest the footage into iPhoto, I believe that it automagically tags your pictures with the location.
Nikon botched the update feature, so you have to manually download the A-GPS file, upload it to a card, insert card into camera and load file into camera memory, whereas with a simple firmware upgrade it should download automatically, when connecting to WiFi.
This D5500 will be another really nice camera capable of taking fine pictures and meeting the needs of the vast majority of people out there.
But my iPhone, I might take it out and take a snapshot of something…maybe even the pic of an item to buy, and then want to reference where that pic was taken.
WiFI is far more important than GPS, especially when you can use your cellphone to geotag images from any camera.
As soon as the price comes down a bit I will buy the crimson version, that way when people ask me how I shoot video I will be able to truthfully say “Me?
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A 3in, 230k-dot LCD screen sits to the camera’s rear for real-time live preview and playback, which is supported by a 95% field of view optical viewfinder just above this. The proven 11-point Multi-CAM 1000 autofocus system as found in the previous D3000 model still features and offers a variety of AF Area modes, including Wide AF and 3D subject tracking. Shooting in low light needn’t be a problem either as the new Expeed 2 image-processing engine means sensitivity is increased to ISO 3200 as standard.
Continuous shooting can whirl off images at up to 3fps whether shooting JPEG, Raw or both simultaneously and the addition of a new Quiet Shutter option (as per the Nikon D300s) separates the shutter sound and mutes all the camera’s beeping sounds for those more discreet situations.
The coveted Guide mode makes it easy for first-time users to read through menus and options in plain English to help their photographic learning along, but the D3100 is far more fruitful than just a beginner’s camera.
Set around this is a quick-access switch to toggle between Single, Continuous, Self Timer and Quiet Shutter.

There’s no dial to jump between the focus types however, nor a Depth of Field preview button (or, in fact, option at all) and although the Fn (Function) button is well placed to the front left of the camera it only permits for the user-assigned adjustment of Image Quality, ISO, White Balance or Active D-Lighting.
A live view switch is to the top right of the LCD screen and there’s a one-touch movie button centred inside this (as this mode can only be used once live view is activated). Lastly there’s the usual four-way d-pad and Delete key to the right hand side, with a further five individual buttons to the left of the LCD screen finishing the camera off in the same style as all current Nikon bodies. The same three frames per second burst shooting also remains, capable of capturing 11 Raw + Jpeg frames or 41 fine Jpeg frames before showing signs of slowing (using Panasonic Gold Class 6 SD card). However, the arrangement of AF points is relatively wide and each of the points light up red to confirm focus and the whole set-up is ideal for versatile shooting situations. The only downside is that the focusing isn’t always super-fast, but firmly stands its ground when considering the competitor models out there. Lens-based stabilisation provides the benefit of real-time stabilisation as seen through the viewfinder, rather than just in the final images. Switch live view mode on and the focus type shifts over to the slower contrast-detection form. Focus can be rather slow here and particularly struggles when trying to pick out subjects with subtle gradients and non-defined edges. When shooting movies, which can only be captured in the live view setting, it’s worth noting that the focus type is the same as per stills capture in live view. No other DSLR in this class can currently boast this level of resolution using progressive capture (despite the sensor only outputting in an interlaced format at this resolution). In its standard settings the Nikon D3100 will often plump to expose for mid-level detail which can overexpose skies and suchlike in some situations.
Shots are generally warm, leaning towards the more red-magenta tones, sometimes with a yellow bias. However, no manual Kelvin temperature scale is possible, instead there’s a pre-set white balance option which would be best set with a grey card. Although the Raw files are slightly ‘flatter’ in appearance, they are noticeably more detailed, especially for high ISO and long exposure shots. Although the resolution has increased over the previous D3000 model, this more densely-populated sensor doesn’t suffer in terms of image quality. Overall the equivalent improvement over the previous D3000 model shows in the higher ISO settings however.
Although positioned as Nikon’s entry DSLR, the price point is pushing the boundaries compared to models of old. The quality of the movie files is certainly an elevation over the previous Motion JPEG format.
When capturing movies the focusing can only be controlled by a half depression of the shutter button.
However, re-focusing during recording suffers the same slower pace and often under and over-focus issues as per the contrast-detection live view mode. A built-in mono microphone can be turned on or off, though there is no external microphone input to benefit from more advanced recording. All things considered, the D3100 is nothing less than the best entry-level DSLR available at time of review.
AF Points:11 focus points (including one cross-type sensor), and AF-assist illuminator (range approx. Nikon has announced the new D7200 APS-C DSLR camera, here are first official sample images of Nikon D7200. If I were just getting into digital photography today, I’d probably pick that Samsung NX500 over this.
It’s the only real alternative for video guys on a budget before paying premium for a Panasonic GH4.
You can get great results withe either camera, I have no doubt, but the 4K resolution is a very nice feature to have. The D5500 will enable you to take extraordinarily sharp pictures with incredible image quality. But it would be hard to ignore my electrical engineering roots, and besides, I am also trained in computer science and so I love developing products much more.
I wanted to buy a Samsung refrigerator and the woman at Home Depot and a couple of friends warned me that they break and have terrible customer service.
And we shouldn’t forget that once upon a time Japan was like Korea—an up and comer that people had a hard time trusting.
Viewfinder, most mirrorless at this level don’t have one or only have a clip-on option. With its cutting edge technology and ridiculously low price, they will sell like pancakes!
I shoot 800-900 exposures with GPS without changing batteries (Daylight, no flash, no auto image review, slight chimping). I shot with your products since the 80s during the film era, and your lenses were nice and compact at that time.
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I’m seriously looking at selling lenses, cameras and more so that I can keep this lens as it is good that even my wife has told me I should buy it. I mean, it’s simply too wide for the street or people, whereas the Nikon is by far more universal.

It seems great for intentional distortion but it shares more traits with a fisheye than a UW.
A brand new 14.2MP CMOS sensor raises the resolution over previous generations and the sensor is now capable of capturing Full HD 1080p movies at a cinematic 24 frames per second (fps) too. Hi1 and Hi2 extended options provide full resolution at equivalent ISO 6400-12,800 and the addition of an AF-assist lamp is further assurance that you’ll get the shot in the bag. Outside of the Guide option, the usual manual shooting modes also feature, alongside a number of Scene modes and an Auto setting for those looking for point-and-shoot operability.
On the top is the main mode dial which not only includes all the manual modes but also lists several Scene modes as well as Guide and Auto. The autofocus system is the already established Multi-CAM 1000 module as found in the Nikon D3000 camera before it. So, should you intend to use the live preview on screen it’s best targeted at still-lifes, landscapes or similar scenes. This essentially means that attempts at any dynamic focusing during recording will over and under focus a subject before it becomes sharp and, irrelevant of the focus mode the camera is set in, a half depression of the shutter button is always required to adjust focus.
Overall the metering system does a good job of balancing out complex exposures and when D-Lighting is turned on the shadow detail is brought up further, particularly in scenes that are more contrasty. Although not 100% accurate in all situations, the Auto White Balance does an otherwise decent job over a variety of scenes and where light is warm the camera is generally good at not dialing this colour out unnecessarily.
The grain-like detail is softened slightly in the JPEG images, though this can be detrimental to final overall quality. Image noise is absent from ISO 100-200, and a granular texture begins to creep in subtly hereafter. Thanks to the new H.264 compression type the MOV files look good, though can still suffer from the same image noise when shooting at higher ISO settings.
This means focus is at a fixed point while recording and stops it ‘wandering off’ unnecessarily. As the focusing mechanism of the lens is close-up to the camera body this can be picked up as a whirring sound when focusing during recording. Usually always on the money, it’s only the slightly sluggish autofocus during live view (and, therefore, movie mode) that may frustrate. On the plus side though the images are great, Guide mode will see newcomers quickly unleash their potential, and pound for pound there’s essentially nothing else (currently) out there to match the specification head on.
So even it has 4k it’s nothing exciting until they get it right (by right I mean better than the NX1 which has 4k and is definately not a movie cam). Ok I shouldn’t say that the galaxy series sometimes outsells iPhones so someone apparently likes them.
So if they can’t get an old tech like refrigeration to work, why would they be better at cameras. Not only is there a decent built-in flash but the body is large enough that full-size flashes aren’t completely awkward to use on them. But most people would not care for these two features in the D7200 and therefore the D5500 is a very appealing camera. If you are keen to find a lost cost dunlop bag from our Bags, Golf, Fishing, Racket Sports, Tennis and other categories, then you can’t go far wrong with PriceInspector. Good lenses are always a better investment than the financial markets, and lenses return the value of letting you use them every day to make pictures, which you stocks don’t. That’s never happened before, so I’m taking advantage of this opportunity to get what really is one of Canon’s finest lenses ever. Of the 11-points the centre one is a cross-type that means enhanced centre sensitivity for both vertical and horizontal use. And, just to sheen up an already well-polished spec, Nikon has ditched the Motion JPEG capture format and opted for the better-regarded H.264 compression type. The more discerning users out there will relish the Raw files and View NX2 (provided) does a good job of image management and processing. Images are of a good quality up to ISO 800, though colour noise begins to appear from ISO 1600. Recording is ‘progressive’, though output via the sensor (using the mini HDMI) is interlaced at the highest setting. Plus the consumer has the advantage of having a large selection of quality Nikon lenses to choose from at a reasonable price. I bounce between it and my D600 for paid gigs, so I wouldn’t look down too much at the D5500, it can do way more than you think. When Nikon puts out a D5xxx camera, they bring it out early in the year at low volumes to be a halo product next to the previous generation. Do not sell a D5200, D5300, and D5500 (where did the D5400 go btw?) and expect the consumer not to price and spec compare and then decide that the price drop from each generation makes it worthwhile to postpone the purchase! 720p can be output from the sensor in its native progressive format and is captured at either 30, 25 or 24 frames per second to allow for greater creative control. You can’t do rack focusing on mirrorless if you are shooting sports either which is what I would definitely want to do exploring what I would like to shoot in a DSLR. Monitor aspect of your production and coordinate with sales volume to make sure you do not overproduce. As an example of how Samsung cut corners check out this youtube comparison of the NX1 vs the 7D MKII that stole the Photokina show with paper specs.

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