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Printing in Bolton since 1921Wallace Printers Bolton was founded in 1921 by Patrick Wallace, who handed over the reigns to his son Albert Wallace, after whom the present factory is named. This article contains outstanding textile and fashion design sketchbooks to inspire high school Art and Design students.
These experimental, mixed media sketchbook pages explore a wide range of tactile surfaces and structures and indicate a high level of engagement with the subject matter. Students with a strength in traditional painting and drawing should not hesitate to embrace this within a fashion or textiles project.
The use of conceptual models and mocks-ups can be an excellent starting point for students. These sketchbook pages contain a clear link between real world sources of inspiration (such as the jellyfish) and conceptual designs.
This fashion collection was inspired by wild fires and explores the theme of possession and loss.
While the majority of the sketchbook pages we have featured here contain an vast array of mixed media and creative approaches, it is worth remembering that sometimes the best approach is just to draw. The left-hand images in the sketchbook above show analysis of existing clothing items, demonstrating an understanding of construction methods, such as seams and fastenings. These sketchbook pages include observational drawings, dresses and fabric experiments (including distressed materials) that are inspired by insects. These sketchbook illustrations contain several useful techniques for Fashion Design students. These sketchbook pages have a formal, organised, uncluttered presentation style, with a minimal use of colour.
This simple, ordered presentation allows viewers to focus on the designs without distraction. These stunning sketchbook pages contains a wealth of first-hand observation of bird cages, animal anatomy and other objects gathered while on travels. These outstanding sketchbook pages are by an up-and-coming young designer who has had work worn by Lady Gaga. This is the last in our Inspirational Sketchbook series and accompanies our Tips for Producing an Amazing Sketchbook. You will be notified first when free resources are available: new art project ideas, teaching handouts, printable lesson plans, tips and advice from experienced teachers.

It is hoped that these sketchbooks motivate those who are designing fashion garments, personal accessories, wearable art costumes, fabrics, woven textiles, experimental weaving, embroidery, printed textiles (such as block printing, silk-screen printing) and items produced using any other method of decorating or manipulating fabric and thread, such as batik, dye and spray painting.
The properties of threads and fabric are investigated thoroughly, using a range of mediums and techniques, resulting in rich, exciting pages. In this page contains layered, mixed media abstractions that command attention and suggest ideas for a textile surface.
Here, draped and folded fabric has been photographed and then used to inspire the development of more detailed and resolved designs. The work includes experimentation with sustainable Air Dye technology and has fabric printed on both sides. In this example, quick gestural drawings investigating function and form are all that are needed. The project boasts clever and bold heading colours,which link to the design, without dominating the page.
A photographs of a conceptual model (the cardboard dress on the left) has been drawn over, developed and extended.
This knowledge is essential if students hope to prepare their designs for actual production. This page shows experimentation with several textile techniques, such as using a heat press, machine embroidery and boning.
Designs are developed from original first-hand experience, with clear links between initial observational work and subsequent explorations with fabrics and garment forms.
Items are positioned carefully, allowing each piece of the design process to be appreciated fully. The figures are suggested with pale outline only, with tone applied confidently to the clothing using a range of beautiful mark-making and hatching techniques. The pages contain wide tonal variety and use contrast to draw attention and create focal points. The inviting, textural, mixed-media pages are filled with multiple layers of mediums; each page treated as an artwork itself. Amiria has been a teacher of Art & Design and a Curriculum Co-ordinator for seven years, responsible for the course design and assessment of Art and Design work in two high-achieving Auckland schools. We are able to fulfil all your artwork and design needs, from setting up business forms, to logo design, branding and complete print graphic design. Small, tidy annotation surrounds the pieces, providing thorough analysis without causing distraction from the work itself. The work of relevant designers integrates seamlessly with personal investigation and informs and extends the development of ideas (studying relevant designer work via fashion shows, exhibitions and museums is essential if students are to appreciate historical development and current trends within the textile and fashion industry). A minimal colour scheme allows emphasis on the layering of fabric, forms and shapes of the garment.

The use of colour and mottled surface pattern creates a visual links with burnt skies and grey ash; strengthened by the stunning figure drawings that emulate this style. Beginning with lighter lines, darker lines are applied with confidence as each concept is resolved. The inclusion of photographs helps to inform and illustrate stages of development (students should be careful they don’t use this to space-fill, however), considering pattern, form and colour alternatives.
The work of relevant artists and designers has been analysed and dissected, helping to inspire patterns and a bold aesthetic. The right-hand side shows pattern adaptation and technical flats, using confident, precise, analytical drawings. This allows a student to demonstrate an understanding of properties of materials and techniques, and to investigate how these can be used to create forms that are relevant to their project.
Figures have been accurately drawn in a range of cleverly repeated poses, creating interesting negative spaces and integrate seamlessly with the style of the fashion drawings. The project contains a thorough investigation of detail and pattern, with first-hand observation of moths and butterflies informing subsequent designs. Filled with a mass of beautiful, intricate drawings and photographic recordings, the pages can be pored over for hours. Dramatic human faces have been collaged into the work and then collaged, cut and drawn over. Amiria has a Bachelor of Architectural Studies, Bachelor of Architecture (First Class Honours) and a Graduate Diploma of Teaching.
Amber demonstrates an awesome variation of line weight in the bottom work – using a simple medium to great effect. Avoiding the common cookie-cutter approach to figure drawing, as in this example, helps to make the designs more riveting and communicate the mood of the garment.
The illustrations also include carefully cut out photographic portraits, which provide a real-world context for the designs and create a dramatic visual focal points. We also deliver throughout BritainĀ and abroad using major national and international carriage companies. In this case, the absence of colour focuses attention solely upon the surface qualities of the materials.

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