I had a few photographer friends who made the switch over a year ago and was loving their results, so I decided to try the Einstein for myself.
By far though, what sold me on this light was the skin tones and color you are able to get SOOC (straight out of the camera).
I love how the blanket’s striped texture is visible in the foreground but fades out in the background and is nice and blurry. All you have to do when you are using studio lights to switch f-stops is adjust the power setting on your light.
I always aim to feather my light so that I get nice light going down the baby’s body, the shadows help define their tiny little features. The image with the softbox placed so that the light is perfectly feathered, the black and white conversion has much more depth and contrast. I only edit during business hours when my kids are at school or at night after they are in bed. If you are going to be away from your kids, please make sure you are compensated for that time.
I offer them but I’m priced so that I cover my expenses and pay myself a salary, I refuse to sell digital files for cheap. Once they are undressed and undiapered, I wrap them in a soft, warm blanket and pose them in my arms before laying them on the beanbag.
I have a very specific method and workflow with newborn sessions and I cover this in depth at my in-person workshops!
I cover a lot of other frequently asked questions in my older FAQ posts, you can see all of those here. Face on hands pose in a bucket or beanbag, the light flows across their face, so still feathered at a 90 degree angle.
Yuri Pettengill - I’ve heard that we aren’t supposed to use strobe lights on newborn shots? WIth that one, you can change the power of the light (the einstein) from your trigger and not have to undo the softbox and reach in to change it.
Susan Bang - Ok, I don’t know if there is question limit here, but I just thought of another question regarding scheduling.
Newborn Photography - […] spoken at length about how to use one light in newborn photography here, here, which have also been published over on WestottU here, and here. Rebecca - Thank you so very much for sharing all these tips and tricks I use the same Westcott softbox with an AB800.
61 Page Downloadable PDF guide with in depth information on how to approach a newborn session simply and naturally. Learn how to capture a newborn in a simple and 'unadorned' way with this new guide and video tutorial by Bump Meet Baby Photography! Taking a step back from the overly stylized newborn sessions, this guide shows you how to approach a newborn session without all the props, backdrops and accessories. With only a sheer curtain and a white sheet, learn how to read natural light, understand how it effects your image and how to control it to provide you optimal shooting conditions even when on location in a clients' home. With beautiful and inspiring images, she shows you how approach a newborn session with a different mindset and how to easily capture timeless images parents will treasure. About the Artist: Tamara Hart is Newborn photographer in Charleston, SC that specializes in capturing newborns in a pure, simple and natural style.
Download instructions are available immediately after purchase in your "My Stuff" tab here on Photo Deal Cafe {click on the "View Voucher" link to view}!


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Now that I’m home and resting from back surgery, I actually have time to tackle this and do it well. They are consistent, your white balance stays the same the whole time, your exposure stays the same (unless you adjust the light’s power), you can shoot at ISO100 producing the best quality images with no noise. I can tell you with complete certainty that the Einstein’s light quality is a million times better than the AB400. The AB400 shot very, very red and most newborns tend to have red undertones in their skin, so I spent a LOT of time trying to take the red out of their skin in post processing.
When they are home, I TRY to not do any work on the computer, this is the same on weekends too. I see too many photographers shooting 200, even 300 sessions a year charging peanuts for their work. When the baby arrives at my studio, they are usually asleep from the car ride over, I will then take them out of their carseat myself (not the parents) and get started slowly undressing them while keeping them asleep.
The next workshop is on May 12th in my Leesburg, Virginia studio and I still have openings for students.
I also use an Einstein, and although I have never used an AB, I can attest to the Einstein’s awesomeness!!
I was wondering when photographing sitting babies and toddlers do you still only use the Apollo or do you add a reflector or change the direction of it so you get a more even light? I use my Westcott Apollo 50 for all ages, works great for newborns, maternity, babies, & small families.
Then take the images into Lightroom and Photoshop and follow along as the video tutorial goes over how to edit your images simply using both programs. Going beyond the guide is the visual aspect of actually seeing how to loosely pose the newborn with the video tutorial.
She has had years of experience posing hundreds of newborns and her love and passion for her tiny subjects is apparent in every image she captures.
I find it is easiest to use lights if you have a studio, but not impossible to do on-location either.
You can also control and sculpt the the light with them which gives you very precise control over your shadowing, which in newborn photography is super important. With both lights, I was able to shoot pretty wide open, but the Einstein I can shoot even wider open. I’ve seen people stop down a bit and then fade the blanket in Photoshop, but I prefer to fade my blanket in camera. Not only does that work out to minimum wage, that’s a lot of time away from the family. I have 5 or 6 blankets on top of my vinyl extra large puck beanbag and slide the rolled up blankets under the bottom layer and adjust or add more as needed to get the pose to my liking.
I can never seem to get a baby to sleep enough to let me position them and can never seem to duplicate a pose from one baby to the next. Once they are in these poses on their tummies, they tend to settle faster and I’m able to move onto other poses and keep them asleep. My workshops are small (max of 6 students) and my students get a lot of one on one instruction from me. Not to question you to death, but how do you position the softbox when you are shooting down on them (with you standing above)?


I recently started feathering the light more like you have shown here and the results are just wonderful.
I had always been told to angle at 45 degrees to the window light, but now I am going to try 90 degrees instead!!! I’m just getting things together for studio lighting in 2016 (only outdoor before) and this really helped. Powell Photography‘s tips at the end of this post along with his equipment and camera settings from the session.
I have a large arsenal of props but also like to incorporate “tasteful” props supplied by the parents that have sentimental value! As a photographer myself I have come to realize some people have a special gift from God to work with newborns the way he does… I for one do not have that gift! I would get frustrated on cloudy, dark winter days that I had to raise my ISO, I never have to worry about the weather with studio lights.
With a strobe, there is a modeling lamp (light) that stays lit the whole time like a continuous light.
I have a large soft box as well and it always seems like it doesn’t stay on the light well. Don’t you just love the dramatic use of light and how simple and clean these photographs are?
Hand me adults and older kids any day ;-) ill leave the newborns up to someone like him, amazing every time!!!
I shoot newborns ONLY on weekdays (which is the bulk of my business), and will take one weekend session a week, that’s it. I spent the first 1.5 years of my business as a weekend warrior, jamming 4-5 sessions in to every weekend while working a 9-5 corporate job. Do the math and figure out what you need to pay yourself in salary, and work your way back.
I have been waivering between AB and other studio strobes and I think you have convinced me to go Einstein! My goal is to schedule newborn sessions before the baby is 10 days old to achieve the curly, sleepy poses.
I try to always schedule one weekend without sessions monthly so that we have flexibility to get out of town to my Dad’s farm. It was a HUGE sacrifice I had to make to build my business, so I don’t regret it, but it was miserable for me and my oldest son. Mind me asking a good method of feathering the light when using beanbag when the baby is NOT in a horizontal pose (tush in air)? We ended up making it a two day session because we ran out of light in the clients home… Keys to this successful session were a full belly, two large space heaters and a noise maker! The parents also supplied the pink hat and the wonderfully textured cream blanket that was hand made by baby Madelyn’s Great-grandmother! Thanks-ps- I’m so in love with your work one reason i started trying newborn photography!



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