A form of filmmaking characterised by photographing inanimate objects or individual drawings frame by frame, with each frame differeing minutely from the previous frame. The artist responsible for the lighting of a shot and the quality of the photography in a film.
Here is  a master class in cinematography by Christopher Doyle, the renowned  cinematographer of film such as In The Mood for Love and The Quiet American.
In the opening scene of Trainspotting there are several dollying shots to follow the characters as they run. Focus refers to the degree to which light rays coming from any particular part of an object pass through the lens and reconverge at the same point on a frame of the film negative, creating sharp outlines and distinct textures that match the original object. In Deconstructing Harry by Woody Allen the main character is deliberately shot out of focus.
A scene is a segment of a narrative film that usually takes place in a single time and place, often with the same characters.
A written description  of a film’s dialogue and action, sometimes with basic camera directions.
A single stream of images, uninterrupted by editing; a unit of film in which the camera does not stop filming. A shot taken from a mechanical device called a crane which can carry the camera in any direction.
A framing in which the scale of the object shown is very small; a building, landscape, or crowd of people will fill the screen. A type of long shot that includes the human body in full, with the head near the top of the frame and the feet near the bottom.It makes for a relatively stable shot that can accomodate movement without reframing . Framing such than an object four or five feet high would fill most of the screen vertically.
A shot in which the scale of the object shown is very large, a minutely detailed view of an object or person. A short filmed advertisement for a film using highlights from the film with graphics and voice-over commentary to publicise the film. Buy My Film BookPlease consider buying my book Film in Action as the royalties which I receive from sales help to keep the website free.

Film English remains ad-free and takes many hours a month to research and write, and hundreds of dollars to sustain. A French study has proved something that we all men knew - we love to stare at women's breasts.
The study was conducted by French company Miratech and used its eye tracking technology to track the eye movements of men and women when presented with the image. Men look at the woman's chest for 37 percent longer than women, with French men spending longest observing this region. Of the women, it was French and Danish women who spent the longest observing the woman's breasts; more than twice as long as their British and Spanish counterparts. Women look at the ring on the woman's finger for 27 percent longer than the men, although French women had the shortest attention span for this. Both men and women spent the longest period of time looking at the woman's face, although men tended to linger on the lips while women focused on the eyes. Follow Us If you want to be kept up to date about what’s going on, minute by minute, then search for Grant and give us a follow! Mizozo is a user generated content site which is in the process of a major shift in business. When these images are projected at the standard speed of twenty-four frames per second, the images appear to move.
Costume in narrative cinema is used to signify character, or advertise particular fashions, or to make clear distinctions between characters.
The diegesis includes objects, events, spaces and the characters that inhabit them, including things, actions, and attitudes not explicitly presented in the film but inferred by the audience.  The audience constructs a diegetic world from the material presented in a narrative film. The cut is a simple edit but there are many other possible ways to transition from one shot to another. One of the most famous uses of freeze frame is the final shot in Truffuat’s 400 Blows. Also called plain americain, given its recurrence in the Western genre, where it was important to keep a cowboy’s weapon in the image. Horror films and thrillers often use POV shots to suggest a menacing and unseen presence in the scene.

This can be used for dramatic effect and helps portray unease, disorientation, frantic or desperate action, intoxication or madness. If you find any joy or value in it, please consider supporting Film English with a monthly subscription, or by contributing a one-off payment. British women were the most attentive, spending 149 percent longer looking at this than British men.
Originally a news site, Mizozo is now becoming the first truly transparent corporate entity. The concept allowed critics to evaluate highly works of American genre cinema that were otherwise dismissed in favor of the developing European art cinema. One of the most famous title designers was Saul Bass who worked on many of Hitchcock’s films. Citizen Kane (Orson Welles, 1941) is a famous film composed almost entirely of flashbacks and flashforwards.
In a close-up a person’s head, or some other similarly sized object, would fill the frame. In Force of Evil we see  Frank-s face in a point of view shot from the killer above: Then  we cut to the killer-s face from Frank-s point of view below. Not only will everything be laid out, but everyone will have a say in how things are run and get a cut of the revenue.
The film timeline spans over 60 years, as it traces the life of Charles Foster Kane from his childhood to his deathbed — and on into the repercussions of his actions on the people around him.
Some characters appear at several time periods in the film, usually being interviewed in the present and appearing in the past as they tell the reporter of their memories of Kane.

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