While the optical quality of the kit lenses is not bad they are not as good as the prime lenses either.
Comparing all the advantages that you get with a 50mm prime, the price seems to be inexpensive. Nikon D750 offers an improved version of the 51-point AF system from the D810, a 6.5fps maximum frame-rate, plus built-in Wi-Fi and a vari-angle LCD.
The 24-70mm standard zoom lens is best for travelling, and it is one of the most used zoom lenses for Nikon D750. Offering more reach than the 70-200mm with cheaper price, the 70-300mm telephoto zoom Lenses are becoming increasingly popular with enthusiasts and professionals alike. Offering the best imaging performance, the prime telephoto lenses are intended for sports and action photographers with ‘fast’ maximum apertures.
If you are looking for some super telephoto lenses, below are four best lenses for you to choose. If you are looking for some super telephoto prime lenses, below are best lenses for you to choose. They may only tell you one side of the story, their side, who pays their for their results. Photography, literally translated, means "writing with light," and using on-camera flash to make your writing look good is tough.
Solutions come in the form of bouncing the light off a wall or ceiling, using an umbrella, or a bounce card. Setting up and toting around an umbrella may not be low-profile enough, and a bounce card may still be too harsh and directional.
The Lightsphere comes with a simple, handy "cheat sheet" with instructions on how to install it onto your flash unit.
Affix the Lightsphere onto your flash before you mount it onto your camera if you're using for the first time.
The compact mode "compacts" the light by decreasing the apparent size, keeping the spread more horizontal. The main way you position your flash head is vertically and pivoted so that the narrow side is facing your subject, but keep the hinge oriented so that you can go from horizontal to vertical quickly. This is huge because even if your flash head gets knocked out of position, your light remains the same. Understanding your metering system, how to meter, and how to adjust your flash in TTL and manual mode is crucial for any photographer.
For all the scenarios, Gary Fong recommends using TTL-controlled flash, but that doesn't restrict you from using manual mode on your flashes.
Personally, I use spot metering to help me make judgements about my exposure and how I want to set my flash output relative to my settings. Overall, TTL mode works excellently for nearly all situations and spot metering allows me to grab quick, accurate readings of various parts of a scene and decide how to expose the image. The cheat sheet that accompanies the Lightsphere also includes suggested settings for your camera too. While ISO 800 seems a bit low for indoor shots, you can compensate for it by opening up your aperture and slowing your shutter.
The Lightsphere's efficiency and diffusion make it a great pairing for balancing your flash with the sun while keeping your shadows soft.
If you're a Canon-PocketWizard user, then it is nice to know that the Lightsphere can be used when your Canon flash is inside the AC7 shield.

The Lightsphere is a great tool for softening on-camera flash, but you can do the same by using it on an off-camera speedlight too. Here the Lightsphere is used on a stand (to camera left) to fill in shadows caused by the sun and give that soft, open-shade lighting.
The Lightsphere also has little trick up it's sleeve when it's used off-camera: It can be used for Custom WB profiles. Simply hold it over your lens like a lens cap, snap your photo, and create your custom WB profile. As you can see, the Lightsphere is a simple yet very versatile and useful tool in any wedding, event, or photojournalist's gear bag.
With a little practice and balancing with the ambient, you can make this little modifier's lighting results look like you've got a shoot-through umbrella at all times. Daniel SoneDaniel Sone is a professional photographer who specializes in documenting the human journey. Joking aside, we know that some of you strongly desire or even require a left-handed camera. I have talked directly to Canon about manufacturing a left-hand-specific camera, but came away expecting that this request was not going to be fulfilled. Follow the site's news feed or join the email newsletter to learn if I am successful in this endeavor.
To help those of you currently in this circumstance, we have worked out a Left-Handed Camera Rig. Please support this site and my family by using the links provided throughout the site to make your purchases. Prime lenses give you sharper and crisper images with less flare and the least aberrations. Less than a ?100 and with super imaging quality, there is little more that you can expect in the budget.
The D750, which combines superior agility with excellent added value in a compact, slim and lightweight body, eliminates various limitations users face with shooting, enabling greater freedom of expression, and the ability to express their intent, with their photographic imaging. The one thing to remember with this lens though, is that it does not offer any AF as it is a manual lens. They are effectively cheap lenses that offer a decent focal length, but generally the compromises made in achieving the large focal range mean image quality suffers. As great as speedlights are, when they're on-camera they tend to produce a light that is completely unflattering to our subjects, no matter what or who they are.
However, these light-diffusing (also called softening) techniques have shortcomings in the fast-paced event and wedding world.
The first few times the plastic will be very stiff and the fit very snug, but that snug fit is to prevent the diffuser from falling off.
The dome can be installed in two ways for different levels of diffusion: compact and normal. It is great for areas with low ceilings or when you want a little more "oomph" at camera-level.
There are videos out there that suggest using the evaluative (matrix) metering setting, but I have found it to be easily tricked by the scenes commonly found in event and wedding photography. But which metering mode to use depends upon the situation and the effect you'd like to achieve. By letting your environment handle more of the workload, you can decrease your flash's power.

In some ways it's "semi-automatic." M mode surrenders all decision-making to the photographer and won't automatically adjust any settings to compensate for a change in the scenery. In a typical indoor setting (kitchen, bedroom, conference room, etc.) ISO 800 works very nicely. Fast-moving subjects will have motion blur and the risk of blur from camera shake gets pretty high. Dropping that ISO low also enables you to keep your aperture wider, decreasing your need for more power from your flash.
The included white dome diffuser can be used a lot like an ExpoDisc to attain proper WB whenever there isn't something neutral-colored in the scene or you don't want to pack anything extra.
It is a very simple accessory to use, turning "ugly" light into "pretty" light within seconds. His backbone is photojournalism and portraiture, and brings those skills and methodology into his wedding and commercial work. Also, the prime lenses are many times cheaper than the pro lenses that give you the same details. While moving the flash off-camera does help a little, it is still the same kind of hard light. Removing the dome entirely (convertible-style) sends a lot of light upward, helping you reach higher ceilings. The cheat sheet also bounces between Program (P) mode and Manual (M) mode, depending on the situation. Just be aware that anything moving as fast as a waving hand (as in "hello" or "bye") or a quick head-turn will have blur. Its large diameter makes it compatible with nearly any lens a wedding or event photographer would have.
He enjoys finding ways to do photography as quickly as possible without sacrificing the quality his clients expect. If you are one among the many contemporary photographers, your (D)SLR must have come with a common 18-55 kit lens. Even in low light you will be able to hold onto the image longer without the necessity of a flash. As you get more involved with your camera, there will be a rising necessity to add more lenses to your kit.
50mm primes on the other hand allows a maximum aperture between f1.2 and f2, making it possible for you to take photos in low light situations.
Then Gary Fong invented the Lightsphere and made flattering, on-camera flash more accessible to the photographers in the fast-paced wedding world. Check out Envato Studio's servicesChoose from over 5 million royalty-free photos and images priced from $1. While the first ones maybe a macro or a telezoom, at some point of time you will definitely have the necessity of a prime lens.

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