By Kate When you start thinking about the best camera for macro photography, the first choice to come to mind is point and shoot camera.
The main choices for best camera for macro photography are point and shoot camera and single lens reflex camera. Point and shoot cameras are the small compact cameras with a retracting lens (zoom lens) and a small flash built in the camera. The point and shoot can focus very close to the subject however it will not give you an image of 1:1 meaning life size image in photo. The choice of best camera for macro photography depends upon your requirements and the way you intend to use it. If you intend to carry it all the time in your pocket and a decent image is all you want then a point and shoot camera is the best choice. If you are looking for professional quality photographs and are not encumbered by a heavy setup comprising of SLR body, lenses and flash then SLR camera is the best choice for you in macro photography. Any time Nikon announced which it would be replacing its D3000 type of digital single lens reaction cameras (DSLRS), several photographers anxiously awaited with baited breathing to see if the actual upgraded D3100 had been better than the particular D3000. The D3100 functions not only the 14MP size high-resolution CMOS DX sensing unit, but the electronic devices built into your camera that incorporate Nikon’s VR impression stabilization characteristic so that by using the Three times feature and zoom, you’ll be able to handhold images which are rock constant. The D3100 can be high-definition ready mainly because it shoots in the native high-resolution setting of 1080 r so that you can capture not only transferring imagery but in addition still image or, in case you are creative, you need to use the best involving both worlds to utilize a longish lens, for example, sit down in a challenging corner of your motor contest and using a small slower placing have a blurry image of a vehicle entering the particular corner, striking an exact graphic when you need it and clouding it on its way out. The D3100 employs 11-point auto paying attention for sharp symbolism and when it is combined with EXPEED 2 camera engine, you do have a wide range of treating the images you are firing. Strangely enough, the D3100 will give you not only a chance to use the camera like a standard SLR in which you frame the look through the PENTAPRISM with simply the area you need, but you may also do the same with the three-inch back viewer — comparable to a more normal point-and-shoot camera.
One of the most important features in a lens is the focal length or focal length range - get it wrong and you might not be able to take the shots you want. And the advantage or disadvantage - whichever it is for you personally - is the opposite on the other end as well.
Use the mouseover links under the above picture to compare the field of view at various focal lengths.
A focal length comparison was not on my mind when shooting these pictures, but when reviewing them, I decided you might like to see them in this way. The composition jumps around some, but the mountain top can be seen in all of the frames and used as a reference. The zoom and focus rings are smooth and the entire lens feels nice and handles even better.
Weather sealing seals the deal if you are going afield - note that Canon recommends a UV filter for complete weather sealing on this lens.
I can't tell you how much "weather" this lens can take, and don't condone the practice, but I've cleaned my 24-105 L under a gently-flowing kitchen faucet. This is not the least expensive filter size, but many of Canon's better lenses use this size. Most lenses including the 24-105 L become fully extended at their longest focal length setting and their lens hoods travel along with this extension.

Though the image remains mostly in focus during focal length change, it is best to focus at the desired focal length. Good build and mechanical quality does not mean much to a lens without good optical quality to go along with it. Corner sharpness is very good - Full frame DSLR users will see some softness in the far corners at the wider focal lengths until stopped down. The rays fade away as the focal length is increased until completely disappearing at 35mm or so. The above picture attempts to show the maximum rays-of-light flare I could produce at the tested focal lengths and apertures.
I eventually sent my 24-105 L to Canon for repair - they promptly replaced the lens with a new one. CA (Chromatic Aberration) is overall well controlled, but expect to see some CA in areas of harsh contrast toward full-frame borders at both ends of the focal length range. Canon's latest generation Image Stabilizer (IS) provides an additional 3-stops of handholdability in the 24-105 L. Or simply shoot handheld in low light levels with the lens wide open using IS to steady the shot. A tripod was not used for most of the 24-105mm sample pictures (link below) with shutter speeds below 1 second. I would unscientifically rate this lens as delivering a keeper rate as high or higher than any lens I own or have owned. Canon's previous switches are nice, but raised and susceptible to being accidentally changed to a different setting. The Canon 500D is a close-up lens that attaches to the filter threads - it also allows closer focusing distances. Since many people cannot afford both of these great lenses, a decision needs to be made between them.
And requests for help with this decision may perhaps be the greatest single reason for email to be sent to me. When you need to stop action (people are rarely motionless) - especially in low light, the 24-70 L holds a big advantage. The wider aperture also creates a more diffusely blurred background at similar focal lengths due to shallower DOF (Depth of Field). IS will dramatically help reduce camera shake-caused blur when shooting handheld at slow shutter speeds. The extra 35mm of focal length on the long end of the range is a nice advantage of the 24-105 L.
You can get an idea of what this difference looks like in the focal length comparison above. At short distances, the 24-105 L at 24mm is wider than the 24-70 L at 24mm (lenses are rated at infinity but subject framing can vary at close focus distances). As mentioned before, the 24-105 L's hood extends with the lens (most lenses behave this way) while the much larger 24-70 L hood stays in one place.

The 24-70 L extends inside the hood - the overall size of the 24-105 with the hood in place changes while the 24-70 L stays the same length. In other words, the 24-70 L lens hood extends much farther from the objective element of the lens at 70mm than at 24mm.
Price, build quality and image quality differences will likely not affect the purchase decision of many. The 24-105 L has less light fall-off wide open than does the 24-70 L wide open, but the 24-70 has a slight advantage at comparable apertures.
Both are very good in this regard only showing CA in harsh situations at their widest focal lengths.
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For additional information, be sure to check out Which Brand Makes the Best Camera Filters? For case in point, while the D3000 supplied high resolution, your Nikon D3100 offered not just a 3X 18-55mm zoom lens while standard, your lens was section of the NIKKOR line. For example, the particular EXPEED 2 lets you handle not only the general image, but the color, comparison, exposure, sounds and speed modifications so you can possess just the graphic you want. Thus, I depend solely on the commissions received from you using the links on this site to make any purchase. The answer to this will depend on the type of photography you’ll be shooting as well as your budget. In film cameras you know the result once the film is developed while in digital you can instantly see the results.
You can use the built in flash for macro photography, but as it is on one side of the lens the light might not be the best one. NIKKOR lens have been on the list of best-rated lenses for days gone by 30 years inside CHROMA, spherical aberration and inside reflection (CHROMA is actually color performance, spherical aberration is whether or not you see distortions at vast angles and quick range and interior reflection is only the way the interior mirror deals with light jumping around the back-end of the lens).
Since the D3100 can also be made for shifting digital imagery, you can easily start the succession of autos coming into the particular corner and gradually pan over the spot you would like to highlight and next finish your pan while they exit. To be very true, the answer to this question is somewhat relative as it entirely depends on your type of photography, the lens type and most importantly on your budget and if you’re willing to use any post-production software tool such as Photoshop.
You can also use dedicated flashes for macro photography or you can make some improvised flash setup at home. Since days of the existing film types D1 and D2 and NIKORMAT cameras, NIKKOR lenses happen to be the contacts of choice between Nikon photographers and in which continues while using D3100. The possibilities with SLRs are unlimited for macro photography and you can get the best result for macro photography. You can carry it with you all the time and try your hand anytime an opportunity presents itself.

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