The Fourth annual Take a View – Landscape Photographer of the Year competition is now open and accepting submissions. The Take a View competition is the brainchild of reknowned photographer Charlie Waite, and allows up to 15 photographs across the four categories of; Classic view, Living the view, Your view and Urban view. Entry for the fourth annual Take a view – Landscape Photographer of the Year Award opens at the start of May and you have until mid-July to upload your pictures for a chance to win ?10,000. Following the huge success and popularity of previous years, entrants have until 15th July to enter the 2010 Award by submitting their photographs of the British landscape. Unlike many other photographic competitions, ‘Take a view’ celebrates the United Kingdom only, offering photographers worldwide the opportunity to showcase their images of this richly diverse country.
What better way to celebrate the lengthening days and the start of summer than to get outdoors with a camera and capture the surrounding landscape?  From ancient woodland and rolling hills to towering skyscrapers and never-ending bridges, the UK’s diverse landscapes are a playground for even the most experienced photographer. For the first time in 2010, the Landscape Photographer of the Year Award will include a special category for urban landscapes, enabling photographers from all parts of the country to engage with their surroundings and to submit images that will showcase the UK’s landscapes and environments like never before.
Classic view is the category for landscape photography in its purist form; sweeping views that capture the beauty and splendour of the UK in one image.
Living the view is the category for images of people interacting with the outdoors – working or playing in the UK landscape.
Your view allows the entrants to express what the UK landscape means to them through photography.
The Landscape Photographer of the Year Award is the brainchild of one of the UK’s most famous landscape photographers, Charlie Waite. The 2010 exhibition of winning and commended entries will be held at the National Theatre in London from November 20th 2010 and will also be published in a stunning coffee table book.
Full-frame DSLRs offer the very best in image quality, but which one is best suited to you?
Joking aside, we know that some of you strongly desire or even require a left-handed camera. I have talked directly to Canon about manufacturing a left-hand-specific camera, but came away expecting that this request was not going to be fulfilled. Follow the site's news feed or join the email newsletter to learn if I am successful in this endeavor.
To help those of you currently in this circumstance, we have worked out a Left-Handed Camera Rig.
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Having invested a considerable amount of your money in a state of the art digital SLR, you will, in time, begin to look at acquiring additional lenses. Not only does another lens have the potential to increase the scope, and hopefully quality, of your photography, but it can set you back financially too. Following on from the question above, no doubt you have a vague notion of the types of images you want to capture.
Unfortunately, the majority of us are constrained financially; what we would like to buy and what we can afford are often two separate issues. Photography, like many subjects, is prone to jargon and there is no doubt that you will come across many enthusiasts who will bamboozle you with tech speak. Ultimately, the lens you choose will determine how the camera sees the subject and different lenses see their subject differently.
Additionally, each type of lens has the capability to alter the amount of light it allows into the camera by varying the size of aperture, controlled by adjusting the aperture ring to determine the f-stop. Of course, there are other factors to consider when buying a lens, such as the weight, availability of an auto focus function and quality of the materials used in its construction. There is a Junior as well as an Adult competition, and entries can be received up until the 15th of July.
The competition is open to everyone & you can enter up to 15 photographs across the four categories.
It is a way to comment on the way we treat our landscapes and a chance to provide a new way of looking at our environment. With almost 80% of the UK population living in built-up areas, the landscapes that we connect with on a day-to-day basis are increasingly of an urban nature. Suddenly, the standard 35mm or 18 – 55mm zoom that came with your camera begins to feel restrictive.
Therefore, it’s a good idea to decide which lens or lenses you actually need to achieve the result you want and that requires some research. Each will have specific requirements and therefore require particular pieces of equipment, including types of lens.
My advice would be to buy the best quality lens you can afford rather than opt for a cheaper alternative. Generally, lenses are categorised according to whether they have a fixed or variable focal length and their “speed”, which is determined by their maximum aperture size and noted as an f-stop value.
Basically, the smaller the f-stop number, the more light is allowed through and the faster the lens.


There is a total prize fund worth ?20,000 up for grabs, including ?10,000 for the overall winner. No less beautiful than natural landscapes, we are searching for those images that highlight the photographic variety to be found in our towns & cities. He is now firmly established as one of our most celebrated international landscape photographers. While you might be interested in several fields within photography, you have decided that you want to incorporate a degree of specialisation into your work; that is why you are considering purchasing an additional lens. It is better to wait until you have the money to purchase the lens you actually want; don’t rush into the purchase of a less expensive, generic version as you will regret this later.
However, there are a few basic facts that will enable you to negotiate this minefield successfully. The focal length of any lens is the measurement in millimetres of the distance between the front of the lens and the image sensor contained in the camera body.
He has published 28 books on photography and has held over thirty solo exhibitions across Europe, the USA, Japan and Australia.
The value of being familiar with the functionality and knowing the capabilities of your equipment should not be underestimated. The significance of a faster lens being that it will enable the photographer to capture images in relatively poor lighting conditions.
Charlie is available for interview and is happy to write tips features on how to take better landscape photography.
Your ability to select the lens you want for a specific shot will be influenced by the extent and depth of your knowledge of the natural and technical factors that will impact on the result.
If you can’t find the lens that suits your budget, wait a month and try again; chances are prices will start to come down as newer versions of your lens come on the market. Therefore, when a lens is described as a 50mm f1.4 lens, we are provided with information about both its focal length and speed.



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Comments to «Best digital slr camera for landscape photography 101»

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