Digital Photography Tips – Best Digital Photo Editing Software and Digital Photo Display - Learn digital photography tips and tricks to help you take better digital photos. PHOTOGRAPHY TIPS FROM THE TOP FLOOR - Get your questions answered and learn to see, no matter if digital or film or if you shoot mirrorless or with a DSLR. Most balloon flights start before sunrise, for both romantic notions, along with better flying conditions.
While I am not a gear junky, this is one place where it is nice to have another camera on hand.
Balloons are to airplanes, as sailboats are to motorboats – they are quiet and hover calmly.
Let me give you a breakdown of what I found worked for me, and if you have your own ideas please share them in the comments below.
Using my 70-200mm lens I was able to compress the background while still encompassing the landscape.
While having coffee and getting instructions from our pilot I asked a question, made a joke (that was not about safety), and hinted at a corner spot. So go out there and get up in the air, land safely, and see the world from a new perspective. Seeing things in a new way can only make you understand your time on the ground that much better. The post 5 Tips for Doing Photography from a Hot Air Balloon or Biplane by Branson Quenzer appeared first on Digital Photography School.
Connect your FanBox to Facebook or Twitter & keep your friends updated with all your activity on FanBox. Edit Sunset is a frequent theme for photographers, everyone wants to capture that magical colors moment.
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Camera shake is a basic concept that directs you to take a strong stance, brace your elbows, and keep that camera as still as possible. Despite growing up with one of the world’s largest balloon festivals in my backyard (Albuquerque, New Mexico), I had never been in one. But for a photographer that makes our job all the more difficult to capture the early morning darkness, turning into blue, then golden hour, and finally full daylight. The confining space and the dynamic conditions (take off, spinning, turning, landing, etc., along with the changing light) make an extra camera really handy to have to be able get a range of shots in a limited space, in a limited amount of time.
I brought two lenses with me, an equivalent 16-35mm lens, which stayed in my bag once we loaded up, and a 70-200mm. In this case using a higher f-stop could help for clarity of both foreground and background.
The pilot, in my case, goes up every day during the winter months, and was no fool when it came to understanding my intention.
As photographers a common goal we all share are the amazing visuals that we capture and create. In order to fulfill our objective of helping you earn money, we have to abide by mobile carrier regulations.
So talk to the pilot and see if you can get a spot on the corner, or if he knows the best place from which to get a photos. I have seen too many people with a 16-35mm lens try get the whole landscape, but when you are up high, you can get everything in frame with a longer lens. I brought a Canon 430ex II flash that was mounted on the hot shoe of my Canon G-12 (no need for it to be on the 70-200 when you are floating way up in the air). However, depending on when you actually get up in the air, you might want some more speed while keeping your ISO down. So in Bagan, when an opportunity presented itself, I couldn’t think of a better way of seeing the over 2,000 temples of the area from the air.

During flight the balloon rotates, thus there are many times when the sun is at your back, being able to fill the shadows with some light is beneficial.
The flash was used primarily as fill light when the balloon would spin into the sunset with the sun behind. Whether he did it for a tip or for photography sake, I have no idea, but it worked in my favor.
For myself, I would say that 95% of my photography happens on land, and while I get to do some underwater scuba photography sometimes, and that shooting from the sky is something I have only done a couple of times. Also, I will show some photography examples from a single engine prop plane flight over the Bay Area, California.
It may be good for a sunrise picture, but getting the balloons or airplanes ready requires work. It may seem strange to you to use a longer focal length lens for landscapes, but they are your good friend when floating or flying. Thus, the basket, pilot and other passengers wouldn’t be black silhouettes or the background being totally blown out.
On the other hand, while directly over a subject a little less depth of field can be used, so a larger aperture. Takeoff and landing would be the best times to get some nice landscapes, but inside the balloon safety is first, and we were instructed to have our cameras secured.
Instead of only a 180 degree view, I saw more like 270 degrees and that was 25% more options.
But I hope that the lessons I have learned will help you, when and if you have that rare opportunity to get up off the ground and photograph the world from new heights. So there are lots of moving parts, and when you are in the air, you will definitely not need it.

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