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We are happy to introduce you to MOOWON an online magazine unearthing noble values of the past, capturing the essence of a place, and inspiring respect for the ways people make or do things. In the ancient modernopolis of Ahmedabad, India, lives a singular man of towering guru-like presence, godly white ponytails, and two extraordinarily long thumbnails. How had a man who once led the hectic and pressured life of a textile designer, so gracefully transform into an ancient soul embodying the simplicity of the desert and the generosity of a guardian angel? The confluence of events and people in life often instigate profound change and compels us in directions previously unimagined. Its stories connect readers to the unique, extraordinary people and things of our world: masters who revive vanishing arts, ideas and places that embody beauty and authenticity. Erroll Pires has devoted his life to ply-split braiding, a traditional technique utilized to make camel belts.

For those of us willfully enslaved to today’s reality of ‘too many’ — choices, devices, interests, tasks to accomplish—, this is a curious disposition that is both aspirational and enviable.
He was a faculty member of textile department at the National Institute of Design (NID) of Ahmedabad for 27 years. The following is an excerpt from its story on Erroll Pires, the last living master of ply-split braiding.Enjoy! He has refined, transmuted, and reinvented its usage for over 30 years in what some would call an obsessive dedication, purposefully refusing the boundary between art and object. His work has been exhibited in United States, and several countries in Europe including United Kingdom, and his pieces are part of the permanent collection in Whitworth Museum in Manchester. His repertoire now extends from traditional camel belts to avant-garde three-dimensional objects and seamless dresses.

The camel belt, as a result, became his story and a force that has shaped his life philosophy as a craftsperson. Currently, Erroll « splits » his time between a meditative state of transmuting the traditional 2D technique into 3D, and conducting conferences and workshops in art and design institutions internationally. Persistence, wisdom, simplicity, patience, and generosity were his guiding principles in his long path to the mastery of the art form.

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