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In Portugal, the government did the opposite – plunging ahead with a project destined to destroy the nation’s oldest cultural heritage by completing a 300-million-dollar dam whose reservoir will flood a valley packed with dozens of art sites spread over at least 17 kilometers. Sebastian elected to wait outside and embarked on Jules Verne's Journey to the Center of the Earth as I knocked at the locked door. When Rebanda's secretary came out again, to see if she could get either me – or her boss - to give up as the wait grew embarrassingly long, I asked her what the round silos with tipped roofs on the hills had been used for. Something was wrong: in addition to the constellations of pins extending for 17 kilometers upstream from the construction site, there were dozens downstream, along the reservoir behind the dam just outside! I realized that the photos of the dry sites might have been taken before the Pocinho Dam, which had flooded them, had even been completed – over 12 years before! UNESCO had suggested Clottes, who, in an uncanny convergence of good and bad karma, was taken on a whirlwind tour of the tip of the iceberg at Canada do Inferno, then immediately whisked to a press conference in Vila Nova do Foz Coa on Dec 16th, 199428 – just two days before the discovery of the Chauvet Cave that catapulted him, as its first interpreter and protector, from the summit of the French archaeological establishment to world fame. A propos of Coa, two Portuguese rock art researchers, who couldn’t stomach Clottes after his press conference, ironically echoed him by telling me, confidentially, that flooding the engravings could still be a blessing since it would save them from graffiti and those boogeymen of archaeologists’ dreams, prowling collectors. My guess is that he was so beleaguered by advisers that he was just trying to get out of an awkward situation as quickly, judiciously and diplomatically as possible. So it's true, I thought, drowning the site was Rebanda's solution to the problem of ownership of photographic rights. He must have realized that I was rooting for him to pull himself out of his tailspin, because suddenly he decided. Upon leaving, Sebastian asked to check out the Pocinho dam, so I drove round an interchange into an empty parking lot with planters. The guard who beckoned us in was rearing a guard-dog puppy, which scampered around, tumbling over ledges and using its chin to lever itself over steps. Our guide was a decent young man who couldn't help feeling uneasy blocking access to these bold masterpieces at the source of all our arts.
We knew the next dawn would be our last, so we broke camp in blue light to explore the teeming side-valley beyond the first auroch. Not Portugal's - OURS - because this art is so old, despite its elegance, that we share the blood and genius of those distant ancestors who awoke to the universe, whether our cavalcade of ancestors migrated around the Old World or came across the Bering Straits 14,000 years ago. 33 Bednarik & Jaffe have been the most outspoken spokesmen about delusions concerning the protective qualities of reservoirs – which not only inundate art panels with water but deep alluvial deposits that make their later recovery dangerous and impractical.
As soon as their results indicating that the art might be only 3,000 to 6,500 years old (if not even younger) were announced – which actually made the engravings even more astonishing, potentially rewriting the history of rock art or even making Portugal the last bastion of the Paleolithic tradition – the most important Portuguese right-wing weekly screamed that the direct-dating results proved that stylistic daters like Clottes had perpetrated a “FRAUD” (O Independente, 7 July 1995). It should also be noted that the individuals who participated in the debate were often somewhat unwittingly drawn into playing secondary or tertiary roles in a struggle between the Portuguese Ministry of Culture and Ministry of Industry. 40 In November 1995 - six months after this call-to–arms was published and circulated to Prehistoric Art Emergency’s volunteers (who I’m glad to report included a young actor, Yann Montelle, who went on to earn a doctorate in prehistory) - a book edited by Jorge called “Dossier Coa” appeared with 20 contributions by him or his wife. 44 After writing this article in May 1995, it occurred to me that I might have missed one of the main reasons for eliminating Rebanda from Portugal’s archaeological milieu – the fact that he was so effective at finding rock art that drew international attention, first to Mazouco, then to Coa. When Orbital Sciences’ Antares rocket exploded last year, your only real view at the time was a grainy video. At a time when virtual reality is changing the way we experience entertainment, it was only a matter of time before news outlets turned to immersive storytelling. If the number is busy, a message will offer to monitor the line for 30 minutes, and alert you, with a special ring, when the line is free.
It's now or never, the author of the following article decided in April 1995, as he set out to evaluate the engravings, find out the truth, and propose solutions.
Sebastian snuggled tighter into his sleeping bag, so I set out to reconnoiter alone, systematically working quadrants and contours between our quarry at Fariseu and Piscos brook. Somewhere among the jumble of a thousand rock faces would be an ancient image - perhaps masked by lichen or so faint one had to trace its parts before seeing it whole.
The numbed waters suddenly spangled upstream with glitter and so many flowery white tresses of water plants that the currents looked like sudsy pastures. Whatever was going to happen to him afterwards in the backwater of Portuguese archaeology had surely been inconsequential, since experience proved that nobody made much fuss over sites that were out-of-sight and out-of-mind - especially with archaeologists beholding to dam-builders and political appointees for access and records.


So, quixotically, he had proposed building a dry-dock around the outcropping, and, failing that, underwater exploration. Clottes was the world’s reigning prehistorian – the man who had risen to the pinnacle of the French archaeological establishment and held the only keys to the holy grail of art caves - the unbelievably strong and ancient Grotte Chauvet. Suddenly, the Portuguese public felt that the dam-builders were not only destroying the nation’s most ancient claim to world grandeur and civilization, but that they were in league with a man who would never have been so cavalier with Paleolithic masterpieces in his own country!
No sooner had Clottes triggered a public outcry, than he began to explain away his tepid defense of the Coa’s importance by saying that he had not been shown enough art to form a true idea of the valley’s richness.35 But the truth is, he was shown Rebanda’s trove of drawings from submerged sections and sites upstream36 and could have been more demanding. It must have seemed like an insult to him after all his efforts, so with an anarchic gesture, he announced, what the hell, he'd photocopy their fax when it came, so we could enter a second. We bagged the warning or omen, caught and released a giant water beetle - the kind that injects deliquescing enzymes into living frogs, then sucks out their juice - and worked our way along what was actually the upper tier of a disappearing cliff.
It was probably his first job after military service, but he was intelligent enough to realize that he’d been hired as a pawn in a vast conspiracy to keep Portugal's greatest cultural wonders out of sight and out of mind, till they could be obliterated.
Although Bednarik was one of the earliest crusaders for Coa - calling for the EDP to stop building the dam in Nov.
The leftist press and Portuguese archaeological milieu reacted with just as much reflection, ignoring both Bednarik’s qualifiers and his pioneering role in organizing the world campaign to fight for the whole valley’s salvation (see Dossier Coa p. Of the 66 contributions written by individuals, not one is by Nelson Rebanda, whose ghost – to anyone interested in intellectual property – haunts every line.
The first was to prove that the engravings were not Paleolithic – an effort that entrapped researchers who wanted to apply experimental direct-dating techniques. Standing right in front of some of the most spectacular engravings, the Secretary of State for Culture dismissed them as being nothing more than “children’s doodles” – whereupon the students from Foz Coa’s high school turned the official into a laughing-stock by presenting him with a schist slab covered with their own scribblings4.  In an on-going cover-up and attempt to diminish the find’s exposure, journalists from the BBC and elsewhere were barred from the valley – and the state-owned electrical utility, or EDP5, hastened to erect the mighty concrete wall that would doom the engravings behind a fait accompli.
However, you should now have a much better sense of what happened: NASA has posted large photos from the failed launch on Flickr. On November 2nd, Anonymous outlined its plan to release about 1,000 names, with a chosen date of November 5th for the full info dump. The New York Times was one of the first major news outlets to announce its VR efforts last month. Regardless of how old the Coa’s art turns out to be, it is unique in its richness above ground and astonishing in its illustrations of movement - with animals tossing their heads with the same stop-action dynamism found at Chauvet and only millennia later in photography and Futurist painting.
Lizards skidded into fissures, a rusty blade wedged in a nook beside a sliver of cliff garden spoke of an emigrant who had never returned, but the walls seemed barren.
But, finally, a secretary answered my summons and let me into a vestibule empty except for a display of postcard-sized photographs of some of the engravings, and a cartoon caricaturing the scandal - which I reckoned had been knowingly posted to co-opt criticism. I couldn't quite make out the man's features through the crack, but it was obvious he was gushing recriminations - and no wonder: the entire archaeological profession had ganged up on the pariah. Instantly, I whipped out paper and scribbled the fastest copy of the main map that my hand could draw. And as if anyone could even find new art during the two weeks a lake might be emptied (every hundred years) while everything was coated with algae and grime! Rebanda was even fooling himself on this score, I thought - after all, the Foz Coa photographs would probably end up belonging to Portugal’s own ministry or even the EDP. Personally, I couldn't see anybody bedding down for the night and traipsing out the next morning with people who had announced that they were going to expose him. Suddenly, a deeply hammered auroch on the rock stood out boldly as a road sign - alerting us to an entire herd. And like the first guard, when he realized that I had somehow gotten authorization despite my evident opposition to the reservoir, he let out his pent-up indignation - for we were insiders. In the English sections, Jorge generously credits numerous associates and generations of Portuguese prehistorians by full name, while studiously avoiding any mention of Rebanda except where it is unavoidable, and then only with his last name between brackets. Lookout has noticed a trend toward Android malware that masquerades as a popular app, but quietly gets root-level access to your phone and buries itself deep in the operating system. While the paintings in the French cave, which became known as the Grotte Chauvet, often have engraved contours, the Portuguese menagerie may also have been painted, but, being outdoors, their pigments have usually weathered away.


Of course, the stories went, the honorable witnesses had refused to become accomplices and had immediately denounced the whole plot – writing open letters to the Portuguese President, Vice President and Director of IPPAR - with carbon copies for the press.13 If only his employers had known that Rebanda was so naive! She announced that it was no use disturbing the doctor, who I could see through a jarred door talking to someone over the phone with peevish vehemence. Finally, I suggested that she didn't need to keep me company while I waited for the good doctor to get off the phone. That's strange, I thought as I wandered off again, mulling over a mental photograph of the site distribution. In Rebanda's place, I'd have calmed down and let the traitors fall to sleep, but then I'd have snuck away - trekking fast through the dark, picking myself up when I fell, but getting out - bloody knees and all - and calling that alarm first!
Only Rebanda's long-suffering secretary had to keep her post and occupied herself by taking up the relay of calling and faxing. As we wound our way down towards the reservoir among towering red cliffs, he took quiet pride in pointing out the hidden elements of scattered engravings. La Pintura, The Official Newsletter of the American Rock Art Research Association (Member of IFRAO) Volume 21, Number 3, Winter.
In the same book, which Jorge compiled to record the campaign he was spear-heading to save Coa – a laudatory effort, if there ever was one, that made Jorge synonymous with yet another of Rebanda’s finds - Bednarik is repeatedly dismissed as a “charlatan” (pp. Jaffe accused the trio, who had taken over responsibility for the archaeological resources of the valley, of endangering art panels and refusing to allow qualified foreign researchers or even Dr.
All that remains, where jagged outcroppings of schist jut from brushy slopes - exposing terminal facets perfect for murals - are hauntingly sinuous outlines of deer, horses, ibexes, and wild cattle called aurochs.
I woke Sebastian in time to see the beast lumber over the bank and glide away, and then it was high time we checked out our other line at the doctor's office. After our departure, Bednarik and three other researchers (Alan Watchman from Canada, plus Fred Phillips and Ronald Dorn from the USA), who believed that they had found ways to date rock art directly, studied some of the Coa’s engravings during separate visits. 1995 that was led by Mounir Bouchenaki, the IPPAR formed a scientific committee consisting of Antonio Beltran, Emmanuel Anati and Jean Clottes, who came back for a second round.
But not before signing controversial non-disclosure agreements with the EDP, which was hoping that their techniques would yield dates so recent that they could be used to ridicule stylistic daters who had identified the engravings as Paleolithic (Baptista & Fernandes 2007, p. Surgically, it was a nightmare: I'd have to pry its head out, keep its neck extended, wedge open its powerful beak and finally thrust the treble barbs down its throat, so as to carefully extract their burr, without snagging them again! Unless you and I and all of us together add our voices to those of the Portuguese citizenry trekking down for a last look, and reclaim what is OURS! The Time Round is, without a doubt, the best-looking device the company has ever put out, but those tradeoffs lessen its value considerably. Unfortunately, Bednarik, who is one of the world’s most encyclopedically informed, accomplished, and bold prehistorians, walked right into the trap. Do you think I'm such a fool as to invite the man who deprived me of the credit for my first discovery, to come see my greatest wonders if it wasn't because I needed all the allies I could get; if it wasn't because I even needed the universities to help save them. Ironically, the mandarin in Porto would come out smelling like roses for his campaign while the roles of several well-meaning prehistorians, if I may insist upon the word, were simplified so as to make them better scapegoats. As when "i" called for a storm Haiti in 2004, and even gave the date, the first time "i" ever asked for a certain day, and 2 months later storm rolled across Haiti on May 26th, the day "i" prophesy.
Drowning more than 3000 devil worshiping beings, and on the very date "i" called for it,this is the season of our gathering for His Glory, and our Destiny.   8. Earthquakes the black sea as He foretold to me in a Dream, and "i" prophesy and since the volcanoe's beneath the black sea have began to shake, as prophesy by me HIS and your smallest prophet, and gathering Call. Due to Him, having me speak Ezekiel 13:11, and Ezekiel 13:13, Yea, and O'GREAT HAIL STONE'S SHALL FALL ACROSS THE EARTH IN MANY OF THE SEVEN NATIONS IN WHICH "i" CALL AND GATHER!
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