Landscape architecture video,the cost of landscaping,japanese garden design in australia - How to DIY

In our video archive you can dive into past lectures of our series ‘History and Theory of Garden Design and Landscape Architecture’ to prepare your exams or simply to satisfy your curiosity about historical and current topics in landscape architecture. Further video lectures will be added during the semester. MediaLab Video Landscape Architecture, ETH Zurich, Professor Girot, Chair of Landscape Architecture. An integral part of landscape education is the MediaLab, using audiovisual media as landscape analysis and design tools.
We want to refresh our senses of places we cross every day and have forgotten to listen to and to look at.We want to open up new approaches to landscape perception and representation, providing different ways of seeing, hearing and experiencing via extended eyes and ears. On the search for a topological definition of landscape aesthetics, the chair’s MediaLab – an interdisciplinary team of landscape architects, architects and filmmakers – teaches and researches on the visual and auditory culture of landscape. A crucial aspect of this approach is the comparison of the medially framed landscape with the palpable sensual experience encountered through fieldwork, since the final goal is to find ways of incorporating new insights into our future environment.
In the process of investigating urban and rural landscapes, the video camera is used as a sketching tool to analyze and edit the material through new montages that consider the spatial, temporal, aesthetic and social aspects of a site. The Raum-Klang-Labor is an experimental teaching project, bringing together architecture and music students. LandscapeVideo elective courses and thesis electives are available each semester to students.
The MediaLab of the Chair of Professor Girot is a world-leading institution in the research of visual culture in landscape architecture.

The focus of this investigation is the potential of video-based analysis of landscape as part of the design process. The LandscapeVideo research is based on the development of an experimental teaching method introducing the moving image as a contemporary mode of seeing in landscape architecture.
The exhibition at the Polyterrasse of the ETH showed video sequences from student work and played with our contemporary perception of the city landscape. An everyday view of Zurich, poetically captured in a walk-in Camera obscura, contrasts with the adjacent video observations and analysis on peripheral landscapes.
Working with audio-visual media means grasping the sensuousness of landscape and sketching spatial and atmospheric phenomena.
The critical involvement with the perception of landscape is the basis of qualified architectonic design.
Seminar weeks give students the opportunity to concentrate on varying questions concerning landscape perception.
Our work shows how the view through a camera changes the gaze of the beholder and, with the help of the viewfinder, focuses on the surrounding landscape in such a way that elements can gain importance that otherwise elude our attention. Video is used as an instrument to educate the subjective perception and to reflect the contemporary perception of landscape through new medium.
The exhibition pointed to a changing culture of vision and showed its significance in the historic perspective of our relationship to landscape.

Methods continuously refined through the exploration of the reflective potential of different media lay the foundations for the work in LandscapeVideo and LandscapeAudio. The aim of the seminar is to understand sound as a primary element of the spatial structure and aesthetic quality of a landscape. Students interested more deeply in the field of landscape acoustics can chose to work on this subject within the scope of the integrated discipline “landscape architecture”.
It tests and confirms the ability of video to integrate into complex representations such volatile factors as immersion, the perception of atmospheres, the role of the sound, and our own activity in space that all together form the experience of large scale environments.
The analysis of visual conventions is the basis for a precise visualization of landscape architectural design.
The exhibition was meant to make us conscious of our changed ways of seeing and its influence on the general acceptance of landscape.

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