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Juno is the tale of Juno MacGuff (Oscar nominee Ellen Page), a sarcastic 16-year-old high school junior of suburban Minnesota, who learns at the film's start that she is now expecting a baby, the result of an encounter with her soft-spoken classmate Paulie Bleeker (Michael Cera, Superbad).
The characters are certainly colorfully, but they're not the Napoleon Dynamite-type sideshows you might expect from the similar stylings.
While the offbeat interests, unconventional outlook, and unique manners of the lead would be enough to distinguish Juno, the film surrounds its eponym with other fascinating persons who add to the air of realism and supply layers of depth. The son of Ghostbusters director Ivan Reitman, Jason is making comedies that are perhaps more sophisticated and he's earning a lot more acclaim for it. Traditionally, a film that is labeled quirky in nearly every review it receives does not score big points with the general public or major awards shows.
Though still adding to its impressive ticket sales, Juno will come to DVD and Blu-ray on April 15th, inviting those getting tax refunds to splurge on one of the most talked-about and praised films of its time.
Having only a compressed, watermarked DVD-R screener disc to go on, it's tough to say much here. First and longest of the extras is an audio commentary by director Jason Reitman and writer Diablo Cody. Next come eleven deleted scenes (20:20), which can be viewed with or without more informative commentary from Reitman and Cody. The meat and potatoes wraps up with four topical featurettes, which according to the press release, are exclusive to the 2-Disc Special Edition. Finally, a trailers page provides a Juno soundtrack promo and previews for Charlie Bartlett, Lars and the Real Girl, and Bonneville. In addition to the four featurettes, the 2-Disc Special Edition also delivers a Digital Copy of the film, for transfer to a computer and portable video devices.
The menus emulate the opening credits sequence with the main menu featuring Sunny D-wielding Juno walking across an animated terrain as the seasons change.
It's difficult to recommend the single-disc or two-disc just from what is apparently a composite screener.
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Pupils should now watch the scene at the ultrasound and, as a while-viewing activity, try to fill in the gaps. Therefore, the first after-viewing task is to work on the new useful vocabulary and to make pupils aware of the differences in register (language focus). As a follow-up to the film sequence, the pupils should now imagine (or rater act out) the continuation of the debate between Juno’s stepmother and the ultrasound technician. Juno MacGuff: You should've gone to China, you know, 'cause I hear they give away babies like free iPods. Punk Receptionist: My boyfriend wears them every time we have intercourse, it makes his junk smell like pie. Juno MacGuff: I could so go for like a huge cookie right now, with like, a lamb kabob simultaneously. As Juno is walking into the abortion clinic, an exterior shot shows that there is only one entrance door. The song that Juno and Bleeker sing at the end of the movie is called "Anyone Else" by the Moldy Peaches. Unlike Knocked Up, it doesn't set out to capture the various stages and hallmarks of pregnancy.
The titular and focal Juno doesn't comfortably fit into any of the stereotypical teenage archetypes.
Every one of the six major supporting characters is given some personality, flair, and a unique perspective. Most frequently singled out is writer Diablo Cody, a former stripper, published author, and ongoing blogger.

Ellen Page, who embodies the lead role very well, became one of the youngest Best Actress Oscar nominees for her work. For customers in the overwhelming majority content with standard DVD, Fox gives a choice of a single-disc edition and, for $5 more, a two-disc Digital Copy Special Edition.
A mix of extensions to material in the film and blank-filling moments we never saw, they're quite good on the whole and well worth checking out. A gag reel (5:10) provides entertainment with botched takes, instinctual profanity, and the occasional barb. Trailers for 27 Dresses and The Savages plus a promo for Fox's Digital Copy play at disc insertion. The studio has been touting the feature on certain recent releases and it is prominently advertised in the cover banner. It's not chockfull of laughs, not free of pretentiousness, and perhaps not entirely deserving of the hype and honors it has garnered. Fans of the movie who appreciate supplements will likely flock to the Special Edition and even if they don't care about the legal digital copy, they'll get an additional 48 minutes of featurettes and the more inspired packaging for just a few extra dollars.
The has everything you need to help a child learn to read through phonics: decodable stories, listening exercises, you name it.
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This is quite a controversial scene in which Bren and the doctor almost start a fight about whether teenagers can be good parents or not. If you provide some extra explanation and examples, this exercise will consume about 7 minutes. This not only makes them practice oral debating skills, but also leads to look at the issue from both angles. I've made a lot of sacrifices for you, Juno, and in a few years, when you move out, I'm getting weimaraners. You know, they pretty much just put them in those t-shirt guns and shoot them out at sporting events.
It was crazy actually, my step-mom verbally abused the ultrasound tech and we got escorted off the premises. But I'm guessing it looks probably like a sea monkey right now and we should let it get a little cuter.
The original song is played by a girl (Kimya Dawson) and a boy (Adam Green) but in the movie Bleeker sings the girl's part and Juno the guy's part.
Then, Knocked Up was one of the biggest hits of the summer with its own hot reviews and massive gross-to-budget ratio. When she can't bring herself to do that, she decides -- at the suggestion of her supportive best friend Leah (Olivia Thirlby) -- to find a promising set of adoptive parents.
Though not part of the in crowd, both she and the movie which houses her pay little attention to popularity or fitting in.
Cody's Oscar-winning debut screenplay is so chock full of clever ideas that one wonders how she'll be able to follow this up as a part of the movie industry. Her co-stars, whether they're playing to (Michael Cera) or against type (Jason Bateman and Jennifer Garner), also excel.
The $141 million (and counting) accrued from the staggered domestic theatrical distribution has made the film by far Fox Searchlight's most profitable; it has nearly doubled the gross of second place Sideways. Like the studio logos that show up at three deliberate places, the numerous compression artifacts seen here shouldn't show up on the properly mastered final product, but I'm only guessing. They remark interestingly upon design minutiae and the challenges of filming four different seasons in a single month, while also revealing a satisfactory amount of technique. Among the scenes are more moments with the Lorings and Juno's family and a cafe guitar performance by Juno.

A gag take (1:52) finds Rainn Wilson colorfully complaining over the direction Reitman gives him for what would have been his brief second appearance (it was deleted). Much of the test dialogue is identical to what's found in the film, although some lines were trimmed, which may be the best reason for watching this lengthy item in full. Though the foresight merits praise, I can't imagine too many people caring enough to consider it incentive for the two-disc. That said, the film is still highly entertaining, enjoyable and sure to please a much wider audience than the year's other hit comedies and critical gems. Those who choose the single-disc DVD still get an ample serving of bonus features and aren't missing out on anything extraordinary.
Mudd, and Mandate Pictures, 2008 20th Century Fox Home Entertainment.Unauthorized reproduction prohibited. Collecting arguments, discussing and sharing outcomes with the rest of the class may take up to 20 minutes. In December, Juno became the year's third birth-centered comedy to wow critics and woo audiences. It also doesn't take the Waitress approach and give its with-child protagonist a sympathy-eliciting plight that forces a difficult decision. A bold personality with an interesting sense of humor and extensive knowledge of '70s punk rock and vintage gore flicks, Juno is not your typical teen girl. The result is, though the proceedings are strictly about a teenage pregnancy, there is substance and a number of angles to consider. Yet, Juno isn't completely without precedent; a year earlier, the same studio had comparable success with Little Miss Sunshine and the two movies have similar tones.
Among the many items covered in the wealth of production anecdotes are revisions, references, music cues, and subtle visual effects.
One would assume the row is of the Judd Apatow staged variety, but I'm not convinced it's all a joke. Then again, new movies are added to iTunes on a daily basis, so some must be paying attention.
Therefore, it makes sense to provide the text, but nevertheless to require them to listen very carefully by having them fill in the gaps. Simmons) and stepmother (Allison Janney), Juno schedules a meeting with Vanessa (Jennifer Garner) and Mark Loring (Jason Bateman), a seemingly ideal affluent young married couple that has been unable to conceive after five years of trying. Instead, Juno sustains our interest with characters and the small situations that ensue for them. She is an unlikely heroine that some will deem fresh and admirable while others will credit with rubbing them the wrong way. I'm not positive that, had its wide opening come in August like Little Miss Sunshine's instead of Christmas Day, Juno would have been such a shoo-in for Top 10 lists and all the awards.
Though indie pop songs are heard regularly and prominently enough for the lyrics to matter, the mix doesn't seek to expand them or engulf you.
Even those who typically avoid commentaries should consider giving this fun track a listen.
Of course, the ballooning stomach and passage of time keep us aware that a very big situation is shaping these smaller moments.
That's not to take away from Juno, which has plenty of merit, but to suggest that Hollywood needs more than ginkgo biloba to improve its memory in assessing a year's output. This scene not only contains a lot of topic related language, which can be introduced and discussed, but it also combines rather formal language with informal language.

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