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Both moombahton and trap are considered part of the a€?post-dubstep movementa€™ and they both share many similarities but there are particular characteristics thatA we’veA come to associate exclusively with trap (this is a good time to check the what is trap music? Another way in which trap music has expanded has been the diversification of the melody within the genre.
Much like we saw with dubstep, ita€™s only inevitable that producers begin the a€?hardera€¦no, HARDERa€? war that made the sound of grime prominent (particularly here in the US). Vocals and samples have been key components of trap music even before we started referring to it as such and theya€™re likely to remain key components as the genre continues to mature.
Up to this point we’ve looked at trap music primarily in relation to dubstep but I would be remiss in not examining the trajectory of trap music through the lens of hip-hop. We can only speculate on what the future may hold, but as of right now, trap is the next biggest thing in EDM and bass culture and wea€™re likely to see more and more exciting developments throughout the summer and the rest of the year.
Run The Trap was created in July 2012 to bring underground trap music, Hip Hop, Club Music and other related genres to the forefront. We hope you don't only get your Trap Music fix from our site, but you allow us to help you diverge into various other related underground bass music genres; as well as expose you to some of the culture, style and fashion that exists amongst these communities.

Certainly at this point ita€™s gained as much if not more notoriety than moombahton, but could this be the next big thing in EDM? This **** is smoking too much weed!a€? Well, youa€™re probably not wrong but if youa€™ll think back for a moment, all the way to 2002, dubstep was in a very similar place in the UK; there were only a handful of notable producers and the a€?dubstep sounda€™ was still largely undefined (ahhh, the days of the simple wub-wub). Once dominated by simple one or two-note progressions, trap music has become more diverse and melodic, even romantic and soulful at times. Even though it would seem that the popularity of trap music was generated as a response to the oversaturation of dubstep within popular music culture, ita€™s only natural that the a€?grime mindseta€™ would still be present amongst the many dubstep-turned-trap producers who shape the scene today. As you may already know, trap music has deep roots in southern hip-hop can sometimes be largely fueled by drug culture (i.e.
We at Run The Trap are very selective of the music we post, and make sure to only share the utmost quality works on our website.
Will we see current big names like Skrillex and 12th Planet be edged out of the limelight by artists like Brillz and gLAdiator??? By 2010, dubstep had become an umbrella term covering a medley of its own sub-genres (grime, drumstep, complextro, etc.) and had become a prominent sound in pop music via artists like Britney Spears and La Roux.

Until recently, trap music had been generally defined by its sampled 808 drums, triplet hi-hat and snare rolls, hot, sticky electro synths, and a€?chopped and screweda€™ vocal sampling. It had become a marketable commodity and most noticeably, it sounded nothing like it did 5 years, even 2 years before. However, trap music has already started evolving andA we’veA begun to see prominent artists push the boundaries and expand the genre.
But the genre is young and gaining popularity in the mainstream; the time is ripe for trap music to evolve. Dubstep had become something greater than what it had been at its inception: it had evolved.

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