Edc las vegas news 2014 summer,free first aid classes in los angeles,10 skills of effective communication 6th - Reviews

As we all know, Electric Daisy Carnival Las Vegas is one of the biggest events in electronic dance music today, so you better believe that all the artists in attendance are bringing their A++ game when they throw a live set at this spectacle of an event.
Think of this page as your home base for all of the EDC Vegas Live sets for 2014, as we will update this post as more sets are released from all three days of the festival. Run The Trap was created in July 2012 to bring underground trap music, Hip Hop, Club Music and other related genres to the forefront. We hope you don't only get your Trap Music fix from our site, but you allow us to help you diverge into various other related underground bass music genres; as well as expose you to some of the culture, style and fashion that exists amongst these communities.
Insomniac Events today announced that Electric Daisy Carnival (EDC) will return to Las Vegas June 20, 21, and 22, 2014. Loyalty tickets, available exclusively for fans who attended in 2011, 2012, and 2013, will go on sale for 24 hours beginning at 2 p.m. EDC Las Vegas 2014 tickets will start at $249 for general admission three-day passes, available to ages 18 and older. Today’s date and presale announcement was made alongside the release of a seven minute mini-movie (below), which featured highlights from EDC Las Vegas 2013.
A feature-length film on the EDC phenomenon is in the final stages of development and will be released to theaters in early 2014. The 2014 event will be the 18th edition of Insomniac’s flagship festival, the fourth annual held at the Las Vegas Motor Speedway. Insomniac will again host EDC Week, June 17-23, 2014, featuring a mixture of nightclub and dayclub events across the Las Vegas strip, in addition to the third annual EDMbiz conference and the launch of a new dance music awards show. About UsElectronic Vegas covers the ever growing Electronic Dance Music (EDM) event scene in Las Vegas, the entertainment capital of the U.S. Home to some of the most lavish clubs, hotels, and casinos in the world, DJs are taking up residencies at an unprecedented rate, making Vegas a perfect destination for any electronic music lover. Share on Facebook Share on Twitter Reddit SubscribeJoin our listSubscribe to our mailing list and get interesting stuff and updates to your email inbox. Luckily for us, our fearless leader Pasquale Rotella took to Facebook today to give us the heads up that the EDC Las Vegas announcement will be on November 18th. The announcement will include the official date for the event at the Las Vegas Motor Speedway, as well as on-sale dates for the Headliner Loyalty pre-sale and regular tickets for EDC LV newbies.
The Electric Daisy Carnival 2014 made its fourth landing in Las Vegas this year, playing host to multiple stages of electronic music and events at the Las Vegas Motor Speedway as well as luxury hotels and low rate hotels for after hours partying. Check out our Electric Daisy Carnival Las Vegas Video Channel for videos from previous festivals. Who do you want to see in the Electric Daisy Carnival Las Vegas 2014 lineup, or what rumors have you heard?
The Spacelab guide to the best indie, alternative, & electronic music festivals in 2016. There is nothing quite like that initial feeling of stepping through the entry way tunnels leading into the Las Vegas Motor Speedway as Friday evening begins to dawn and the first day of the famous Electric Daisy Carnival Las Vegas kicks off. The first place we headed to was the centrally-located free water refill station to gas up for the beginning of our trip, and off to the main stage of kineticFIELD to kick off our descent into the rabbit hole. The sea of fans present in the expansive space during the likes of Armin van Buuren’s, Hardwell’s, Kaskade’s and a plethora of other main stage sets was simply breathtaking at times. Admittedly, much of my time was spent away from kineticFIELD’s madness and among the specialized and slightly more underground stages, which is the environment I prefer to frequent. The stage was situated directly at the bottom of the bleachers that were used to enter LVMS, and giving credence to the name, had the dance floor area situated on a pitched large grassy knoll.
The quintessential CircuitGrounds is exactly what you would expect: a massive semi-circular structure with retractable LED panels that is reminiscent of a spaceship. The Neon Garden housed the deeper and more tech house sides of the musical spectrum over the weekend, and was populated by grooving Headliners underneath a mass of strobe lights and in front of a massive HD LED wall. Only witnessing a couple sets at the BassPOD, which was Seven Lions’ deft genre-defying masterpiece and Sub Focus’ drum n bass extravaganza left me with a couple thoughts. Unfortunately I did not get the opportunity to check out the Discovery Stage this year, which was placed in the middle of another throughway near the middle of LVMS which drew in passers-by with the sounds of up-and-comers in the industry. Music isn’t the only singular reason for many peoples’ attendance at the festival spectacle extraordinaire year after year…and one of the major additional reasons is the overall vibe of everyone underneath The Electric Sky together. I found the best comparison to be this: with a daily population of 134,000 attendees per night squeezed into a singular venue like LVMS, smiles were everywhere, movement through crowds by everyone was extremely fluid…and the aura was the gentlest feeling I have probably every felt throughout my entire life.
Obviously no event is going to be perfect in regards to logistics, especially one the size of EDC Vegas at this point, however the ability to realize, acknowledge, react and fix said hiccups shows true event production mastery….and Pasquale and his team shined in regards to that. My only suggestion after the fact is in regards to a couple of the free water refill stations locations.
In conclusion, real life sucks after an experience of the scale of an event like EDC Vegas. Thank you Pasquale, Insomniac team members, vendors, staff, crew, police officers (oh whom I caught many smiling throughout their shifts), EMT workers…and all of you for crafting such a surreal and all-encompassing escape from current reality into a oneness-based sense of unity that is extremely rarely experienced in our ego-driven world. Until our family reunion underneath The Electric Sky next year, we at EDMTunes give our love you all!
After having two extremely successful years at Las Vegas Motor Speedway since moving from the Los Angeles Memorial Coliseum in 2011, Insomniac, the production company who puts on the amazing three day Electric Daisy Carnival music festival, says that EDC 2014 may not happen due to Las Vegas Live Entertainment Tax issues. Over the past two years when this event has taken place, Nevada’s Live Entertainment Tax has not been applied to massive events taking place outdoors such as EDC.

If you haven’t been to EDC at Las Vegas Motor Speedway, I highly recommend grabbing your three-day pass for EDC 2013 before the event is gone for good.
It will reappear in the desert of Las Vegas for its 18th year from Friday, June 20th until Sunday, June 22nd.
So of course we had to hook you up and pull together all of the EDC Vegas 2014 Live sets for your listening pleasure. Check out the list of live sets below, and holler in the comments with the sets you are feeling the most! We at Run The Trap are very selective of the music we post, and make sure to only share the utmost quality works on our website. He's always had a love and passion for music of all types, but didn't discover the music festival scene and community until moving to Southern California during his early post-college years. After a mind-blowing EDC Las Vegas 2014, dance fans from all over the world were left wanting more.
Then come back during the festival weekend and after for archived performances and live sets. We were finally on our way into our extended family reunion, a place where the good vibes flow like the water gushing from the free water stations’ hoses.
Upon arrival into the absolutely massive space allocated for the festival’s main stage, now I was exhibiting dat EDC face. In the moment, we were not aware that each night housed a festival population of almost 135,000 people…but once seeing the statistical breakdowns that came out in the days following the festival, this made complete sense. The majority of the times, this led to much more space to dance around like a madman and shuffle like a mental patient…and I was loving every second of it. This dance floor type was a godsend for many an exhausted raver which offered the respite of allowing you to take a seat while simultaneously being able to view the LED screens and “chair rave” (if you wanted) to some absolutely killer sets like Destructo, Chromeo, Diplo and more. Holding some extremely large acts such as Calvin Harris, Eric Prydz, and Avicii’s dedicated stage…at times it was even too small for the insanely large crowds present during some of the larger acts. Given this wasn’t my musical specialty and I was only there a few times, those few times allowed a significant amount of space to groove and shuffle around until your heart was content topped off by spectacular sound yet again. The stage was backed by a pyramid of LED screens which was wicked pleasing to the eyes, and the sunken in bowl dance area left much space for the extended crowds to sprawl out beyond the measured area. Some great acts were featured that seriously pained me to sacrifice such as Singularity, SirensCeol and Novaspace. EDC is absolutely king of the electronic music vibes, and there can be no denying this simple yet powerful statement.
Plus the desire to interact and share and trade experiences with each other is unmatched (including noticing kandi on the wrists of at least 50% of festival workers, police and EMT’s).
I understand that we love our music LOUD, but the days spent at the main stage legit made my skin vibrate and tickled the inside of my nose.
A couple of them were situated at points where the Cool Lounge’s hexagonal building structure caused the walkway to bottleneck. Why everyday life can’t be fully populated by the likes of Headliners and their gentle interactions with fellow people remains a question to be answered.
Unfortunately, the Nevada State Legislature is revisiting the policies of LET to possibly start applying the taxation to outdoor events. There’s a wide selection of live sets up for streaming, from Carnage, to Yellow Claw, Flosstradamus and Datsik, to Oliver Heldens, Martin Garrix, Carl Cox, Madeon and Hardwell. He returned to his roots in the Midwest in 2011 and has since been determined to share the magic and beauty of the music scene with as many as possible. With all the recent hype surrounding Beyond Wonderland, Escape from Wonderland, and EDC Orlando, Insomniac lovers have been waiting on the edge of their seats for the official EDC LV 2015 announcement. The Electric Daisy Carnival Las Vegas lineup is out and Electric Daisy Carnival tickets are below. I don’t think I have ever aurally witnessed an outside festival environment louder than EDC Vegas 2014. As with all main stage sets however, the sheer amount of people led to a continual influx of 20+ people chain-linked trains making their way through the crowd in attempts to land a prime real estate location closer to the stage, which at times was aggravating I will admit…but obviously there is nothing that could be done about that on behalf of the production gurus. A personal favorite moment was when friends insisted that our entire group take off our shoes and socks in the midst of Chromeo’s set.
The dance floor was comprised of an uneven dirt surface covered with a smattering of rocks, so this made dancing a slightly more difficult concept than at the other stages’ well-maintained dance floors. Off to my personal most frequented stage: the sinister Cyclops-overlord themed BassCon stage.
The bowl was outlined with fire breathing torches as well, much like what kineticFIELD’s stage was topped with, however these were arising directly from the ground…and the fire was used quite often. At multiple points throughout his bass heavy set, the sound cut out over the speakers…supposedly due to poor cable connections into equipment.
I give Insomniac mad props for booking those acts and many more at the stage, and can only urge them to keep up the killer work in booking amazing underground talent…and hopefully next time around I can squeeze a visit into my schedule.
Those who posit that PLUR is dead and who are quick to dismiss this singular aspect of our beloved culture just simply must not be present at this event yearly. Contrast this with the Vegas casino population, which is clearly less densely populated; I witnessed a few drunken fights among casino and pool party goers alike, there existed no type of flow of crowds and subsequent movement through them, as well as being subject to an aura of greed and an ego-driven vibe – must like the remainder of capitalist society as a whole. However exiting the first night was a complete cluster, it was legit like bumper cars and chicken combined seeing 10 lines of shuttles attempt to merge into a singular lane to exit the parking lot.

Add regular traffic to that, plus occasional spillover from surrounding sets leads to a mass rush for placement in that water line.
Once we hit that next level of societal evolution, hopefully everyday life will begin to feel like a perpetual version of Pasquale’s vision. They plan on running a full toxicology blood test on 25-year-old Anthony Anaya and 24-year-old Montgomery Tsang, though both deaths are believed to be caused by previously existing medical conditions.From Everett, Washington, Anaya was the second reported death in relation to this massive event.
We have new information on how you can secure your passcode for Monday’s EDC Las Vegas Headliner Loyalty Program pre-sale. Strolling in with a group of 15 friends, many of whom it was their inaugural EDC experience… was awesome to see the shock and awe on the faces of EDC virgins when they set their eyes on the sprawling landscape that was previously a simple speedway for cars to race around.
An epic cathedral comprised of elaborate stained glass, wire torches that spewed columns of wickedly-hot flames, pipe organs forming the backdrop of the DJ booth and, naturally, Insomniac owls hovering over the stage’s wings…overseeing the forthcoming processions led by our electronic music priests. At kinetic, the bass was so prevalent that it literally vibrated the skin on my face and made my nose tickle with its slightly overbearing bass levels.
All in all, though, this was a substantially successful execution of a hell of a spectacle for kineticFIELD this year. Wow, what an incredible respite for the arches on your feet at roughly the halfway point of the festival. However, the sound and the lazers were absolutely on point and purely legendary (see: Eric Prydz’s drop of “Laser Beams”).
Comprised of a one-eyed monster with a risen DJ booth flanked by massive claws and a fairly large dance area, BassCon harbored much of the Hardstyle and Trance DJ’s sets throughout the weekend.
It was a recurring problem throughout the entire set, and near the end it got so bad to the point that over half of the crowd launched a mass exodus from the set only 5 minutes from the end. Understandably, those who posit this probably focus on individual aspects of general ratchetness, occasional pushing, and occurrences of sporadic disrespect. There are always going to be naysayers saying that PLUR is dead and blah blah blah, however if you open yourself fully to the experience of EDC and tune into the over-reaching energy of Headliners littered throughout the speedway…there is no denying that the ethos of Peace, Love, Unity and Respect is alive and well among those revelers underneath The Electric Sky. Many found the bass trailing the rest of the musical layers and distracted them to the point where they moved themselves to other stages.
In thinking about it, maybe the increase in population and the occasional bad seed is actually for the better. Just trying to point out that at times the bass was so strong that it overwhelmed the melodic portions of tracks that were played. Simultaneously allowing you to connect with nature and stretch out the dancing muscles on your feet and twirl around bare-footed on the grass during Chromeo’s funky groove was one of those moments that you can only get at EDC. Situated just off of one of the main throughways through the festival grounds, this allowed the music from more underground artists like Simon Patterson, Bryan Kearney, Jordan Suckey, Darren Styles and Headhunterz to permeate into the crowds passing by the stages….thus opening up many people’s ears to new and different sounds that they may not have been accustomed to or heard before.
This was sad to see, because the tracks and mash-ups Baggi was dropping at the time were pretty phenomenal, however the annoyance of raging crazy hard only for the music to cut out fairly often was too much for many to put up with.
After receiving a multitude of tweets about the frustrating experience, Pasquale and team adjusted how the busses exited the parking lot and changed the route and merge point to facilitate a smoother traffic flow, and by the 3rd night even after leaving after the end of the last set at 5:30am, shuttle lines were comparably nonexistent when compared to other nights…which was a massive surprise and relief to all those depressed Headliners leaving the LVMS for the final time, showing a fluidity in operations that in my personal opinion is unmatched in event production.
However the sound at the majority of the other stages (minus the 7-Up stage cd-skippingesque fiasco) were completely on point with fullness, richness and crispness…and just the perfect levels of bass. Think about it; those instances are most likely people brand new to the ethos, who in waking life are some of those people in the real world making it less like a rave and more like a concentration work camp. We are deeply saddened by this news, and hope that everyone will join us in keeping his family and friends in their thoughts during this very difficult time. As I helped to lift their jaws off the floor and urged them to focus on the fairly long flight of stairs on the way down to the race track, I also found myself in disbelief as to how much the festival grew and evolved since my last visit in 2012, and this served as a concrete physical example as to electronic music’s purely exponential explosion in American culture in only the last couple of years.
The sound levels were perfect, complete with a healthy bass boom without overwhelming the mids and his. A suggestion for future planning purposes, if flames are to be used to a larger degree, many Headliners suggested slightly removing them from the crowd…as experiencing the radiating heat while among throngs of fellow dancers while having an empty bottle of water can  become quite an uncomfortable experience.
The exponential expansion from 2012 to 2014 made me speechless many times throughout the course of the event…and with these new people is sure to come some hiccups, but you have to focus on the over-reaching feeling of the event, not on a couple bad or newly planted seeds. But, hopefully…maybe, their experiences at the motor speedway will tweak their everyday persona and help to change the world, even oh so minimally, and morph it more into what could be classified as our rave new world. Dance music fans pride themselves in being part of a loving community and, as we get ready to start the second night of the show, we ask everyone to help us keep this event safe. There was a moment when I looked back during Bryan Kearney’s intensely heavy psy-trance leaning set, and I noticed throngs of people who initially were passing by the stage who eventually stopped and stayed for the remainder of the set…reeled in like a big mouth bass to the booming sound of BassCon. Either that, or control the usage of the torches throughout the crowd a little more and rely on pyrotechnics that are harbored a bit closer to the stage area. I challenge all of us in attendance to try carrying as much of Pasquale’s perpetuations of his artistic vision and the resulting levels of mutual societal respect to every single person, regardless of classification.
Look after your group of friends, utilize the buddy system, and if you see something, say something.
This coupled with the apparent continual expansion of our supposed “bubble” could lead to an evolution in society unparalleled in modern times.
No one should ever hesitate to ask any of our medical staff, public safety personnel or Insomniac staff for help, or call 911 in case of an emergency.

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