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It’s not hard to understand why the folks on Game of Thrones are wary of Daenerys Targaryen’s (Emilia Clarke) brood of the beasts when she spouts off lines like, “When my dragons are grown, we will take back what was stolen from me and destroy those who wronged me! Maybe if characters in movies paid more heed to the advice given by author Steven Brust — “Always speak politely to an enraged dragon” — then movies and TV wouldn’t have to offer up such a wide array of ways to rid the world of dragons. This weekend, How to Train Your Dragon 2 adds to the list of cinematic dragons who are more misunderstood than actually evil. The 1941 Disney flick The Reluctant Dragon features a dragon that would rather recite poetry than cause havoc.
In the live-action DragonHeart, a fire-breather must team with a dragon-slaying knight (Dennis Quaid) to end an evil king’s rule.
Eddie Murphy lent some comedic relief to the 1998 animated movie Mulan as the tiny, blue-horned Mushu. Tags: Daenerys Targaryen, Dennis Quaid, DragonHeart, Eddie Murphy, Emilia Clarke, Game of Thrones, Guards! In the film he stars as Leo, a mild mannered Vancouver tchotchke salesman lured into a murder mystery by a femme fatale played by Amy Smart. Meet Dave, The Adventures of Pluto Nash, The Haunted Mansion and Norbit are among the most annoying movies ever made. Murphy is Evan, a high powered investment banker; a smart guy who makes deals all day long at work, but a terrible father who has no idea how to deal with his adorable daughter Olivia (Yara Shahidi) or ex wife Trish (Nicole Ari Parker). Imagine That is forgettable family entertainment that’s better than Norbit and some other recent Murphy titles, but that isn’t saying much.
Apart from the first ten minutes or so Norbit is a laugh free zone; a movie that mistakes prosthetics for humor. Eddie Murphy’s journey from edgy comedian to beloved family entertainer has been rough trip. It’s nice to see Eddie Murphy in a movie that allows him to drop his beloved family entertainer guise and bring back some of the bravado that we loved in movies like 48 Hours.
For the most part it’s rescued by the chemistry of the cast who bring some much needed fun to this preposterous story. Despite the cast, however, I just couldn’t shake the feeling that the actual robbery, despite a few twists here and there was completely unbelievable. Daddy Day Camp is the sort-of sequel to Daddy Day Care, a 2003 hit starring Eddie Murphy and Jeff Garlin as two stay-at-home fathers who open a day care in their house. I’m not going to review this movie, but instead give you a list of things that are more enjoyable than sitting through Daddy Day Camp.
In closing I’ll add that the best thing that can be said about Daddy Day Camp is: At least it ain’t Rush Hour 3. Hudson is back and gives seasoned vets Jamie Foxx and Beyonce a run for their money as Effie, the castaway Dreamgirl in the big screen adaptation of the Broadway hit.
The story of Dreamgirls is a thinly veiled retelling of the Svengali-like managerial style of Motown boss Berry Gordy and the rise to success and subsequent solo career of Diana Ross and the Supremes under his supervision. In the fast-paced Dreamgirls version of the story Foxx is Curtis Taylor Jr., a Cadillac salesman turned wannabe music impresario who bounces Effie (Hudson) as lead singer of the Dreams in favor of backup singer Deena Jones (Beyonce). It’s an all-star cast with Jamie Foxx and Beyonce at the top of the marquee, but it is two of the supporting players who really shine—one newcomer and one veteran. Eddie Murphy gives the kind of performance here that he has only ever hinted at in other films. Fans of musical theatre have seen some of their favorites—Phantom of the Opera and The Producers come to mind—botched on their way to the screen but Dreamgirls should satisfy even the toughest critics.



SYNOPSIS: Reteaming with Norbet director Brian Robins, Eddie Murphy plays Jack McCall, a fast talking literary agent who double-crosses new age guru Dr.
Richard: Mark, A Thousand Words is billed as a comedy but I see it as something else entirely. He’s in virtually every scene but his wide-eyed mugging for the camera — there hasn’t been this mugging on screen since the first Death Wish movie (only movie geeks will get that joke)— isn’t funny, it’s just annoying. Although I have to say that I found this such an unpleasant movie-going experience that the loud fire alarm that rang intermittently in the theatre during the film was a welcome relief to what was happening on screen. At least the fire alarm had some element of urgency to it, unlike the film, which seemed to think that allowing Murphy to pull faces at the camera for 90 minutes was enough to flesh out the story. MB: Maybe it was just relief that he didn’t wear the fat suit, or the glossy art direction, or the satirical pokes at pop spirituality.
It has one good scene, where he “speaks” by using the prerecorded voice in various kids’ toys. But the abrupt turn of mood in the last third of the movie, changing from tepid comedy to outright mawkish sentimentalism made me squirm — big time. Sorry, but I don’t need a lesson in family values from a guy whose track record on Hollywood Boulevard speaks for itself. These are words to live by, particularly if you are Eddie Murphy in A Thousand Words, opening this weekend. A year later came The Guru, a movie that echoed the real-life musical journey of Beatle George Harrison’s internship with Ravi Shankar. In The Love Guru, Mike Myers mixed gross-out humour with spiritualism, a combo that proved toxic for both audiences and critics.
Tolkien described dragon Smaug as “a most specially greedy, strong and wicked worm.” The Flight of the Conchords have a song called Albi the Racist Dragon, and on Dragon Day at Cornell University, an effigy of one of the giant beasts is burned while students shout and dance. We will lay waste to armies and burn cities to the ground!” Then there’s Bryagh, the serpentine villain of The Flight of Dragons who not only insults the movie’s heroes before dispatching them, he also gobbles up the eggs of other dragons! He becomes a Dragon Whisperer and the movie shows the serpentine creatures in a different light than the abysmal brutes usually seen on screen. It would still be thrilling and a mystery and have all those good, juicy elements and then the funny kind of folds in like gravy.
His latest, Imagine That, doesn’t plumb the depths of Pluto Nash or Norbit, but is only a slight improvement on his recent output.
When a new employee at work with the unlikely name of Johnny White Feather (Thomas Haden Church) threatens his top dog status Evan turns to an unorthodox method of predicting the stock market—his daughter’s imaginary friends.
He has a couple of funny moments and one very cute pancake making scene but there isn’t much going on here. It’s like being the sweetest lemon in the bushel; it still leaves a sour taste in your mouth. He was nominated for his tour de force performance in Dreamgirls but had the misfortune to have Norbit open in theatres the week the Academy voters were casting their ballots. Murphy mines whatever comedy is buried under all the make-up he wears as he plays three different characters—the nerdy Norbit, his obese wife and an old Chinese restaurant owner—but the jokes are few and far between. Allan Alda is Arthur Shaw, a Bernie Madoff character whose Ponzi scheme defrauded his clients out of millions of dollars. I don’t mind suspending part of my disbelief but the sheer lunacy of the crime took me out of the movie. When Jennifer Hudson was voted off American Idol a few years ago he told her that she was finished.


There is Oscar buzz about her performance and she has already earned a Golden Globe nomination.
Gordy replaced original Supremes lead singer Florence Ballard with the thinner and prettier Ross, exiling Ballard from the group she created.
Effie struggles with the betrayal and tries to re-ignite her career while toiling in the shadow of her former band mate and friend.
As R&B singer James “Thunder” Early—imagine 1966 era James Brown—he blows the doors off, digging deep and creating a memorable character who is as magnetic as he is repulsive. She brings not only a roof-rattling voice to Effie’s character but also equal measures of sass, dignity, and strength. In this comedy, Murphy plays a shady literary agent who cheats a spiritual guru in a business deal.
Michael York starred as a famous British rock ‘n’ roller who travels from London to Bombay to study sitar at the feet of guru Ustad Zafar Khan.
Myers says he learned from Chopra that “ha ha” is related to “ah ha,” the sound one makes upon the realization of truth.” Maybe it’s that simple. I loved his silly giggle in Beverly Hills Cop, his version of Greatest Love of All in Coming to America, and the “My mother was like Clint Eastwood with a shoe…” routine from Delirious is one of the funniest monologues ever, but that was when Eddie and I were both much younger. He may be the biggest, most talented star in Hollywood who consistently makes the worst movies. With the aid of her security—or should that be securities—blanket he gets hot tips that get him noticed by the upper brass who are looking for someone to take over the company’s west coast division. He’s better than this and it’s disappointing to see him waste his talent on films that don’t require him to do much more than show up and cash a pay cheque. All the goodwill Murphy accumulated with Dreamgirls evaporated into the ether as soon as the Oscar taste-makers got a load of him dressed as an aggressive 300 woman and the award went elsewhere.
Anyway, his transformation was never entirely convincing because Murphy always had too much edge to be Bill Cosby or even Steve Martin. It’s probably too soon to say this, but Effie just might be the role of a lifetime for Hudson. Don’t get me wrong, nobody hits a home run every time but Murphy’s recent batting average is worse than most. Evan uses the time spent divining market fluctuations with his daughter and her imaginary friends to repair their broken relationship, but he’s still all business.
There are a few laughs sprinkled throughout, but they are few and far between and Thomas Haden Church as the politically incorrect but rather amusing character White Feather gets most of them.
Having lost their pension plan the building’s manager Josh Kovacs (Ben Stiller) concocts a plan to break into Shaw’s apartment and steal his personal $20 million stash.
The tree will shed one leaf for every word McCall says, and after one thousand leaves have fallen, the true nature of the tree’s curse will be revealed.
He speaks in faux Native-American lingo, a mix of spiritual mumbo jumbo and tossed off lines like “the white fire grid you call the internet.” His early scenes are some of the film’s highlights. When his posse of employees—Matthew Broderick, Casey Affleck, Michael Pena and Gabourey Sidibe—prove to be less than criminally adept Kovacs brings in an old friend and ex-con, Slide (Murphy) to run the operation.



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