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Rilla Alexander discusses the inspiration behind The Best Book in the World and her alter-ego, Sozi. Rilla Alexander is an Australian illustrator and designer whose energetic and instantly likeable characters animate walls, prints, ceramics, fabrics, stationery, posters and books. When I was little I would dictate my stories to my mother as she typed them onto my drawings – she’d then bind them together into books (complete with an author’s biography).
Alexander’s superb artwork makes this an unforgettable and magical tale that encourages children to read. The Best Book in the World draws young readers into the richly rewarding world of books. Note from your webmaster: we are testing a recaptcha solution to address recent spam aggression.
Bright, bold, colourful and full of contagious energy would be one way of describing Rilla Alexander for Flying Eye books, The Best Book in the World and Her Idea. While The Best Book in the World  is all about the joys of immersing oneself completely in a book, Her Idea focuses on the creative process, with all its ups and downs.
Their creator, Rilla Alexander,  is an Australian illustrator and designer. Her cast of characters dance across Museo del Prado’s ceramics and stationery, populate Swiss Credit Cards and sleep on the walls of a Copenhagen hotel. Rilla has spoken at design conferences from Tijuana to Tokyo and exhibited around the world including the Louvre. In the video below, she talks about her struggles with the creative process, using the premise of Her Idea , and its heroine and Rilla’s alter-ego, Sozi. There are also some Sozi fabulous activity sheets on Sozi’s own website here, which would be a great starting point for creative activities with children. What I am about to tell you is going to rob you of the surprise of reading it to the first time. As you read on you discover the parents return and the doctor shakes Pierre out of the lion’s tummy – but I like to think it ends with the words “So the lion ate Pierre”. I didn’t have this book as a child and I think it only came into my consciousness as a student in the pre-Google era as an example of very strong graphic cover design.
I could see robbers, victims and weapons but surely the story couldn’t be all that bad? Many years later, sitting here lovingly caressing my very beautiful copy in English I can, of course, confirm it’s about stealing children and starting a cult. Oh, Tomi Ungerer!!! Grover is pleading every step of the way for us to not turn the page because every page we turn is closer to his fear. But I also remember feeling so sorry for Grover because he really didn’t know what was at the end of the book and was really very scared and anxious.
Now that we’re solidly into 2014, the time seems right to check in on a few publishers and see what they have coming out in the near (or not so near) future.
Tucker: I feel pretty lucky to have seen Flying Eye from both the retail and publishing side, because I got to see it begin when I was still a full time bookstore guy at Bergen Street Comics, while also being able to attend the Book Expo trade show when the first batch of Flying Eye titles debuted. Hilda and The Bird Parade (out now) is definitely the book that most people are going to associate with Flying Eye this past year, and that’s to be expected—Luke Pearson’s cartooning is consistently amazing, and it’s clear that Hilda has really struck a chord with a lot of readers. 2013 was a big year for Hilda overall, with Hildafolk (re-released as Hilda and the Troll, out now) becoming available in eight different languages in a new, expanded format—it was pretty amazing to see all those different versions all lined up next to one another.
Hug Me (out September 9) is a picture book coming out in fall, about a little cactus looking for someone to hug.
This year has already seen the beginning of our Dahlov Ipcar Collection, with the release of I Like Animals (out now) and The Wonderful Egg (out May 13), neither of which had seen print since the early 60’s.
The later half off 2014, there’s going to be a children’s book called No Such Thing… (by Ella Bailey, out September 9) which is about a little girl named Georgia who is dedicated to proving ghosts don’t exist, despite a whole bunch of evidence that says otherwise. Not in terms of subject matter—they couldn’t be more different in that respect—but in the way that the art in both tends to envelop you whole. It’s as meta as Hilda has gotten, definitely—Luke Pearson really played with the formal characteristics of comics in this one in a way that I think is going to attract some attention. As you mentioned, Flying Eye is reprinting a couple books, I Like Animals and The Wonderful Egg, both by Dahlov Ipcar – what was that process like?

In the absence of original acetate colour separations, first editions of the books had to be taken apart at the binding very carefully so as not to damage the artwork, then each page or spread had to be scanned at 12,000 dpi using a large flatbed scanner.
The way the original books were printed is very similar to the silkscreen process, where individual overlapping colours produce secondary and tertiary colours. Most time tracking software has an icon to help remind you it is tracking you, so you can click on it as you are working.
Business phone systems provide a channel for communication to companies with customers, partners, employees and vendors. Visualising concepts through storytelling and characterisation, Alexander has the ability to convey deeper meaning in an immediate and highly stylised manner. My younger sisters were blue and yellow and I’d happily live in the bold simplicity of a three colour world forever. In the context of a book, how do you conceive of your compositions and are you considering them page by page or as one long, continuous image? Combine that with a 70s childhood full of Sesame Street, Dr Seuss and Scandinavian textiles – and add years of inspiration from the world of Graphic Design (specifically a stash of Graphis magazines from the 40s to 60s that I have been carting around the world since I found them in Zurich). Both books are beautifully produced, and have that graphic design look and edge which will make them a success both with children and adults alike. Both celebrate creative, artistic minds, children who love to read, write, and create imaginary words whether it is in their minds or on paper.
Maybe go and find it first? Still here? As he arrives back in town Bobo is mugged on the street! Pierre doesn’t care about anything and so his exasperated parents head into town without him. It is a book of philosophical tales and the one that touches me most is “The Lobster”.  A door to door salesman carries in his briefcase anger, rage and jealously but the mouse is not interested in those. It may not seem to fit into this set of books since it is, on first glance, neither shockingly mean or profoundly heart rendering.
I remember the extreme glee I felt while turning the pages – even though he asked us not too. I just wanted to give poor Grover a hug. It may or not be a co-incidence that during my teenage years I wrote my diary in the voice of Grover. It’s really exciting to be a new imprint and a relatively new company in the US at a time when print is in this weird, wildcat place.
It’s a counting book that goes all the way to 100, but unlike most traditional counting books, it’s got a narrative. They’re both picture books, one about a little boy who loves animals, the other about a mysterious egg set during the Age of the Dinosaurs. Hsyu; illustrated by Kenard Pak, out December 9) is a pretty gorgeous version of an old Chinese fable about a lonely man whose life is changed by magic and beauty. I have a hard time pulling myself away from looking at Kenard Pak’s illustrations for Dinner. There’s these new characters introduced in Hilda and the Black Hound called the Nisse that are capable of transitioning in and out of our world, essentially hopping through dimensions. Then the artwork had to be picked apart by hand from these scans to recreate the original colour separations.
So what we had to do was to recreate the original separated colours before they were all mixed up in the printing process. He writes reviews (and the occasional article or two) for School Library Journal and is a member of the 2014 Caldecott committee. Combine one part kid's books, one part school librarianship, a splash of absurdity and you get 100 Scope Notes. She is part of Rizen, an Austrian Art and design collective, showcasing her work across the world with commissions by MTV, Vogue and Puma.

In this short interview, Rilla Alexander discusses The Best Book in the World, a celebration of books that sweeps readers along with its dynamic artwork, perfectly paced structure and infectious enthusiasm for reading.
This book is my loving tribute to the power of great books – those you don’t want to put down and you never want to end.
Every character and story I think up I imagine is alive so it’s probably closer to conceiving of an animation with strong freeze frame moments.
He sees lots of wonderful things but nothing makes him smile and finally, it is time to return home.
He wants melancholy but the lobster admits what he has is deeper than that – it is sorrow. The mouse drapes his shoulders with sorrow, stares into the distance and sighs.
It reminds me of one of the first books Flying Eye published, One Night Far From Here (out now). If you’d told me that was a concept in a book for younger readers, I think my initial feeling would have been that it’s a bit too complex, but the way Pearson manipulates the panel structure and layout does it with ease.
That even meant, in some cases, redrawing parts of the illustrations where the colour information was not able to be retrieved. These two books make them the heroes, the ones to be envious of, and the message is bold and clear: Look at the world reading and writing creates around you!
That probably sounds a little silly, but I think you’ll see what I mean when that book shows up. Tweed, an anthropomorphic dog in formal wear who heads out for a walk and ends up helping every animal he comes across, usually by helping them find something they’ve lost. All the other stuff anybody would expect is there—it’s still funny, the relationship with her mother remains one of the best family dramas you’ll find in contemporary comics, and it looks fantastic—but it’s also just an inspiring example of an artist who is pushing himself extremely hard, and finding great success while doing so. In most cases it meant working with photographic levels and colour selections to isolate colours within the image before then separating them out of the scanned image, only to then completely reassemble them in the printing process. I thought of the flow of colour as crucial to emphasising Sozi’s journey through the world. But in order to have her traverse enough distance, it worked out better that the drawings didn’t actually connect. It’s so dire that all his buttons fall off his clothes. But Bobo juggles them… and, at last, Bobo smiles again! I love this book.
I was surprised the first time I sent a book to somebody and they emailed me to say they liked it. If every question that comes up is getting answered from that point of view, then I believe the end result is going to reflect those feelings. Ultimately, I added words which took the pressure off the colour a little, but I am still proud you can read it without the words. If every animal in the land were to be led by a big band, in a grand parade in your honour made… would you put the book down? If you'd crossed a desert that baked or were swept off by a river that snaked, would you even take a break?
If every animal in the land were to be led by a big band, in a grand parade in your honor made .
Well, open me up and find out for yourself!Rilla Alexander's story is conveyed through her superb artwork making this an unforgettable and magical tale that encourages children to read.

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