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14.03.2014
2015 marks the 50th anniversary of the band that drove the 1970 Billboard smash “Vehicle” to the top of the charts: The Ides Of March. Last Band Standing is a perfectly executed celebration of The Ides Of March history and a showcase of a band still in their prime at 50 years deep. Rarities like “Like It Or Lump It” and “No Two Ways About It” have been remastered in all their mono glory, along with other highlights culled from the Ides vault, such as 1966’s Billboard charter You Wouldn’t Listen (Parrot).
Disc five is a live DVD of The Ides Of March performing 15 of their most iconic songs in an eleven camera shoot at the House Of Blues, Chicago on May 31, 2014. Jim Peterik recently released his autobiography Through The Eye Of The Tiger: The Rock ‘N’ Roll Life Of Survivor’s Founding Member (BenBella Books).
This entry was posted in Front Featured, News and tagged cd reviews, chuck dauphin, dan harr, ides of march, janet goodman, mnn, music, music news, music news nashville, rocket. Ocean Alley Talk Album Details, Touring the World and Fork BrandingThe life of a touring band is a strange one.


ReviewThis Midwestern group dropped its full-length in 1970 on the strength of the lead single, "Vehicle." The funky, horn-heavy sound with classic rock overtones was like an amalgamation of Blood, Sweat and Tears and Creedence Clearwater Revival.
This collection of 1965-1968 material, taken from rare regional singles along with a couple of previously unreleased tracks, is far removed from the Ides of March's horn-rock era (as heard on their 1970 hit "Vehicle"), both chronologically and stylistically.
To commemorate this momentous occasion, the band will release a deluxe limited edition 5-Disc set Last Band Standing – The Definitive 50-Year Anniversary Collection on April 18 (via Ides Of March Records).
Included are Warner Brothers albums Vehicle (1970) and Common Bond (1971), first-time-ever releases of the best of their RCA releases World Woven (1972) and Midnight Oil (1973), and choice cuts from the 90s, such as Spirit Of Chicago – an ode to the Windy City featuring some of the area’s most prominent artists – Rick Nielsen (Cheap Trick), Dennis DeYoung (Styx), Gary Loizzo (American Breed), cult favorite Jim Ellison, and many more. The audio portion is completed with brand new Ides of March tracks, including the brass driven “Who I Am,” the harmonious “Too Far To Turn Around,” and the aptly titled “Last Band Standing,” featuring Steve Cropper – the iconic songsmith of Booker T and the MG’s and organizer of the Blues Brothers.
Showing no signs of slowing down, The Ides Of March, who continue to tour to this day, are truly worthy of the title Last Band Standing. When they started, the Ides were a Chicago teen band, recording mostly original songs heavily influenced by folk-rock and the British Invasion, although a few of these cuts do use brass.


In common with several other groups from the Chicago and Midwest areas, the group favored a rather clean-cut, Americanized take on British Invasion bands like the Beatles and the Hollies, though the folk-rock of the Byrds is heard in the guitar arrangements especially. The local Chicago hits "You Wouldn't Listen" (which made number 42 nationally) and "Roller Coaster" are here, but to be tough about it, there's not enough light and shade here to put the Ides on the level of good British Invasion bands, or even of good British Invasion-influenced bands from the same region, such as the New Colony Six.
More to the point, there's too much light and not enough shade; although the harmonies are fairly impressive and the execution polished, the material is too often sunnily bland. The great exception to that is the riveting, raw folk-rocker "I'll Keep Searching," buried on a B-side, which has great bittersweet melodic hooks, melancholy harmonies, and dramatic stop-start tempos. The disc includes two 1965 songs that they recorded as the Shondels on a super-rare self-released 45, as well as the previously unreleased originals "One and One Does Not Make Three" and "I'll Take You Back." The latter of these, an uncommonly moody tune, is actually a highlight of the collection.




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