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Author: admin | Category: Piano Lessons Online | 17.09.2014

Tune!It is an innovative program designed to tune musical instruments on a PC using a microphone or directly connecting the instrument (with a pickup) to the PC's sound card.
Tune!It automatically detects the pitch of the input signal and shows the corresponding note and its deviation in cents.
This command allows you to open a WAV file and use it as input to Tune!It instead of the signal coming through the sound card . After a WAV file has been selected, Tune!It will read the file and display the results in either the chromatic tuner or spectrum mode.
The values are store in CSV (comma delimited) format, which can be opened and displayed in Microsoft Excel .
Displays current program information such as version number, trial or registered version and serial number if unregistered version.. The chromatic tuner is TUNE!IT’s default mode and shows a meter box with digital displays at the top of the screen and a piano keyboard at the bottom half of the screen. By ticking the ‘use A ‘ checkbox you can force the A note to be based on the A as specified in the ‘frequency of A’ box.
When Custom tuning, Tune!It automatically adjusts the frequency range according to the currently selected tuning. Note : Changing this parameter will automatically change the ‘lower dB threshold’ of the spectrum. When checked, Tune!It will filter out hum which may distort your signal and cause false readings..
Use this feature, when Tune!It shows readings at 50 or 60 Hz when connecting your mike or instrument pickup to the sound card. The size of the keyboard can be customized by specifying the number of octaves and the start octave (octave number 4 starts with the ‘middle’ C) . When Strobe is checked, Tune!It will function as a Strobe tuner by graphically showing the results in form of a moving striped band. By default the size of the FFT buffer is derived from the current sampling rate and contains about 0.2 seconds of samples which results in about 5 screen updates per second. The amplitude can be adjusted by dragging the mouse up or down, whereas the number of cycles can be adjusted by dragging the mouse to the left or right. It allows you to calibrate the reference pitch (which defaults to A = 440 Hz) by using another instrument as a reference. By default Tune!It uses the equal temperament tuning which is most commonly used in modern western music.
However Tune!It supports also a number of historical temperaments which can be selected via the temperament combo box.
Alternatively you can use MS EXCEL by opening the file tmprmnts.csv directly , which resides in Tune!It’s installation folder. A temperament is defined by it's name and a specification for each of the notes C, C#, D,,,,Bb, B . The first column always indicates the row type which can either be ‘*’ for comments or ‘T’ for temperament definition .
The spectrum is a graph showing the amplitude of the frequencies contained in the input signal.
The dB range parameters allows you to scale the size of the spectrum (Y axis) by setting the minimum and maximum dB values to be shown in the spectrum.
The frequency range of the spectrum can be adjusted by dragging the mouse to the left or right .
This feature shows a three dimensional view of the Spectrum (with time as a third dimension) which resembles a 'musical landscape' building up over time. The view angle of the 3D spectrum can be changed by the 2 parameters which change the angle of the frequency or time axis respectively. There is also a sustain time parameter which controls for how long a signal will remain on the 3D display.
The frequency and notes of selected peaks can be displayed by double-clicking the mouse at the peaks . Smoothens the graph using a scale between 0 and 3 where 0 means no smoothing and 3 extreme smoothing. Click on the Pause button to temporarily stop Tune!It display of the spectrum, the harmonic analyzer or the wave form display . If Sine is selected, Tune!It will produce a sine reference tone using the wave component of your sound card. Note : By default the Repeat rate is set to 0 which means there is no repeat and the reference tone stops as soon as the key or mouse is depressed. 3 octaves have been mapped to the keyboard in a piano keyboard type fashion where the the lowest octave C starts at the 'Z' key , the middle octave C starts at the ',' key and the high octave C starts at 'T' key . Custom tuning is a feature where one can define different tunings or tuning sequences for special instrument tunings e.g. When activated, a tuning and note selection list will be appear in the toolbar and the currently selected note will be displayed together with details such as partial number and offset. In ‘single note’ mode only one note is selected at a time and pitch detection will be focusing on that note only.
In ‘automatic’ mode Tune!It will automatically detect the played note but only from the list of notes of the currently selected tuning. The first column always indicates the row type which can either be ‘*’ for comments, ‘T’ for tuning information and ‘S’ for tuning step information. The selected tuning can be changed (notes added, changed or deleted) and then saved by using the SAVE or OK button.
When checked, a reference tone will sound during custom tuning (in ‘single note’ mode only). When checked, the results of the custom tuning can be saved in a CSV (comma delimited) file. Each note of the tuning sequence will be recorded with its name, actual and measured frequency. If you check the box ‘Use Offsets in cents’, all notes have to be specified with an offset in cents . The selected note can be changed or deleted or a new note can be inserted after the selected note.
Using this method, the note will be from the equal temperament tuning and its frequency will be preset accordingly. For other then 12 tone based tunings or when specifying frequencies there is no need to select a note. Depending on whether the box ‘Use offsets in cents’ is ticked, enter either a cent value or a frequency. Enter new tuning name, midi instrument and all the notes and then press ‘Save’ or ‘OK’ to save tuning. Exits out of settings panel after checking whether settings for current tuning have been changed. To create a CSV file, you would initially export the custom tunings (Export Custom Tuning ) and then modify the exported CSV file in MS Excel by changing, adding or deleting tunings. To begin with the ear training, click on the ‘Ear’ button or check ‘Ear training’ in the options menu. Once in ear training mode, Tune!It will play a random melody and then wait some time (twice the duration of the melody) for you to repeat the notes with your instrument. To exit ear training, press the ‘Ear’ button again or uncheck ‘Ear training’ in the options menu. There are many options to customize ear training which can be set in Ear training settings . The interval or melody can be constructed out of notes from a specified key or the key itself can be randomly selected.
Make sure you are using a ‘powered’ microphone, which can be identified by having 2 rings at the jack.
If Tune!It shows readings from background noise, decrease Tune!It's sensitivity until the background noise is eliminated. If you can’t hear the reference tone, make sure that the MIDI or SW Synth output channel is not muted.
If you have selected the Sine option for the reference tone, make sure that the Audio output channel is enabled. Type in your registration name and number exactly as shown on your registration confirmation. By registering this program you will receive a registration number which will turn your trial version into a registered version. The registration form is located in the help menu and displays a dialog box to register Tune!It. After pressing OK, the registration instructions will be displayed which show your registration name, serial number and pay mode .
If the copy does not work with your e-mail program, you need to manually transfer the instructions.
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The following information, online activities and games might help to improve your computer keyboarding skills and typing skills.
Keyboard Layout A colour coded key display for learning the keyboard using the US standard 101 keyboard also known as Qwerty keyboard. The QWERTY keyboard layout is the most used modern-day keyboard layout on English-language computer and typewriter keyboards.
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Oakeve delivers prestigious luxury homes of unsurpassed quality in the most desirable locations. Sibelius 7 Compose and Edit">Sibelius is the fastest, smartest, easiest way to create and edit musical scores. The revolutionary Magnetic Layout feature takes care of almost every detail of score layout for you. Magnetic Layout makes objects like slurs, accidentals, and tuplets stick to notes, and repels other objects to avoid colliding with them. While you’re writing music, the dynamics, lyrics, chord symbols, rehearsal marks, and all other objects quietly shift around to make sure your music is as clear as possible. Drag something across a complex score, and other objects will helpfully jump out of the way. Unlike other programs that require you to extract instrumental parts from the full score, Sibelius provides Dynamic Parts. Sibelius does the work of creating cues for you, while giving you complete control over how they appear.
Scores often have two or more instruments played by the same person, such as percussion, or clarinet doubling saxophone.
If you write for unusual instruments, you can now design your own, choosing the name, clef, range, sound, etc.
You can print a complete set of parts with one click of the mouse, and even specify how many copies you want for each instrument.
For easy reading and navigation, the Panorama feature lets you see your music as a single, infinitely wide strip.
You can switch between Panorama and normal view whenever you like, or use Panorama in combination with Focus on Staves if you just want to look at a few instruments. Sibelius gives you a powerful music creation toolseta€”from the Flexi-time MIDI input system and Keyboard and Fretboard windows, to the ability to input music via a microphone.
Flexi-time is Sibelius software’s unique system for notating music as you play it on a MIDI keyboard in real time. You can even listen to the music you’ve already written as you play in more music on top. Step-time lets you play pitches from your MIDI keyboard with one hand, and choose rhythms and articulations with the other from the keypad (see image).
These beautiful windows are ideal for anyone who prefers using a keyboard or guitar to notation. To input without a MIDI keyboard, pick note-values and accidentals from the keypad with the mouse, and click to place them in the score. You can also get other markings such as clefs, slurs, and time signatures from menus; Sibelius even positions them in the right place for you. Developed by Neuratron, AudioScore lets you input music into Sibelius by singing or playing an instrumenta€”then simply hitting a button.
Sibelius includes PhotoScore Litea€”the state-of-the-art program for scanning printed music.
The advanced version PhotoScore Ultimate (which you can buy with Sibelius) has many extra features, such as reading handwritten music, slurs, articulations, hairpins, and text. When writing music, you may come up with a bit of melody, rhythm, accompaniment, or chord progression with some potential. An idea can be a passage of music of any length, any kind, and for any number of instruments. Sibelius includes over 2,000 ready-made ideas for students to usea€”in a huge range of styles from classical, jazz, and band to world music, rock, and hip-hop.
By using these ideas in their music, students of all abilities can discover how to combine melodies, harmonies, and rhythms to create different textures and musical structures.
Students can start with just one or two ideas for inspiration, or use ideas as building blocks to create a complete piece.
If you prefer, you can switch off all of the ready-made ideas, or create focused exercises by giving students just a few ideas. Another ingenious first in music software, Versions keeps track of revisions to your score, lets you look back at earlier versions of it, and see what changes have been made. So now there's no need to fish out crumpled-up paper from your bin, or hunt through backups from weeks ago.
To save a version at any point, just click a buttona€”the date, time, a name, and optional comment are saved with it, so you won't have to remember which version is which.
What's more, you can compare two versions of a score, or even two different scores, to see the differences. To create a comment, just click the toolbar button and start typinga€”Sibelius automatically includes your name, the date, and time.
Finally, you can resize comments, minimize them (so they don't get in the way), or hide them throughout the score. M-Audio Axiom Pro keyboard controllers feature HyperControl technology, which automatically maps the keyboard's controls to commonly accessed parameters in select music software, such as Sibelius. Learning the basics of the Fruity Loops FPC generator will be the focus of this FL Studio tutorial.
Basically what you have is 16 pads on the right that can be loaded with a sample and triggered by clicking on each pad or routing it to a MIDI controller of some kind. How I like to use the Fruity Loops FPC is by setting it up to be triggered by my computer keyboard.
Here I set Pad 2 as Kick drum on the right and as note C4 (which is key Z on the computer keyboard) on the right side of FPC. Now you can set the tempo to your track hit record and play your beat or melody in real time.
If you’re interested in using the Fruity Loops FPC with a real MIDI controller to lay down your tracks check out these couple of controllers.
I’ve known a few people who had one of these MIDI controllers and they worked great with Fruity Loops for real time input in the FPC or any other VST instrument, generator, or plugin. If the whole sample plays just use the envolope contol and change its decay, hold and attack and then when u hold the note it will play but when you dont it wont.
I have a korg microkontrol with 16 pads in it but i don?t undestand how to link them to the 16 pads in the FPC, can you please help me??Saludos de Chile!
Optionally the partials, the spectrum or the wave form of the input signal can be displayed in real time. Once the WAV file has been processed, Tune!It will automatically switch to sound card input . You can also chart the values using a XY (scatter) graph with frequency (Hz) representing the X axis and dB representing the Y axis .
The chromatic tuner detects the pitch of the input signal and displays the corresponding note and it's deviation from the selected tuning ( A = 440 Hz and equal temperament tuning is the default). If ‘Use A’ is not checked, the base note of the selected tuning (= temperament key) will be have no offset and be the same as in equal temperament tuning.
The frequency range can be selected for a number of instruments such as bass, guitar and piano or a custom frequency range can be entered. Low settings mean high sensitivity and enable the tuner to detect and process very weak signals, however this may cause some false readings during signal pauses. The Hum frequency is either 50 or 60 Hz depending on country (USA has 60Hz, Australia 50Hz). Dragging the mouse to the right will decrease the number of octaves whilst dragging the mouse to the left will increase the number of octaves.
The striped band moves to the right when the note is sharp and moves to the left when the note is flat .
However a specific sampling rate of either 11025, 22050 or 44100Hz can be selected for special tuning needs e.g.
However individual FFT buffer sizes of 512, 1024, 2048, 4096 and 8192 can be selected for special tuning needs e.g faster screen updates with lower accuracy or slower screen updates for higher accuracy. If this is unchecked then the offsets of the partials are calculated from the closest note using the current selected temperament. In equal temperament tuning the distance between adjacent semi tones is the same and therefore allows for tunes to be transposed into any key. As these tunings have non equal distances between semi tones and therefore cannot be transposed, you have to specify the key for the tuning via the temperament key combo box. This may be necessary to avoid strong screen flickering when the spectrum is updated very fast. The most recent signal is shown at the bottom of the screen and moves towards the top of screen as time proceeds.
If the repeat rate is > 0 , the reference tone is switch on with one mouse click or key stroke and will only be switched off after another mouse click or key stroke. Automatic mode can be activated by selecting ‘Automatic’ from the note selection list (last entry ). This way you can easily change, add or delete tunings as an alternative method to the Custom tuning settings panel. A tuning consists of a predefined set of notes which represents a particular tuning or tuning sequence for an instrument (e.g. Use this field to change the name of the current tuning or enter a new tuning name (after clicking on 'New tuning').
The offset will apply in addition to any offset by the currently selected temperament and any A frequency different to 440Hz .
Additionally any offset from a selected non-equal temperament and the offset from an A frequency different to 440Hz will apply .
Tune!It’s ear training is melodic, which means it will play random sequences of single notes such as intervals or melodies which you have to recognize and repeat using your instrument.

Use line input for electrical guitars or any pre-amplified signals, otherwise use microphone input.
Non-powered microphones (only one ring at the jack) produce a very weak signal and require a pre-amplifier to produce a sufficient signal. This wiki features educational resources for Indigenous Aboriginal education, field trips for educators, Davids Music Jam, law and justice education, music education and outdoor, environmental and experiential education. It takes its name from the first six characters seen in the far left of the keyboard's top row of letters. Neither the service provider nor the domain owner maintain any relationship with the advertisers. Sibelius delivers revolutionary, time-saving features like Magnetic Layout and Dynamic Partsa€”plus a powerful creative toolset including Flexi-time MIDI input, Keyboard and Fretboard windows, and a variety of other input options.
As you write, it gives everything just the right amount of space and avoids collisionsa€”producing beautiful results.
This one feature saves so much time, it may be the greatest revolution in music engraving in 20 years. They’re attracted into neat rows and columns, and repelled by other objects, making the best use of space on the page. It adds extra space between instrument families to make large scores easier to read, and saves space between other staves that don’t have much on them. This powerful feature automatically creates separate instrumental partsa€”and instantly updates them as you make changes to the score. Suggest Cue Locations suggests suitable points for cues in your score, while Check Cues verifies the accuracy of cues you’ve already added. You can choose whether you want articulations and dynamics to be included, and whether you want the cue to have new clefs and octave lines, or be transposed to an appropriate pitch for the destination instrument. It puts page turns at convenient places, and positions rehearsal marks, new sections, key changes, etc.
Instead of chopping up music into systems and pages, Panorama displays your music in a single, infinitely wide stripa€”which is far easier to read and navigate around. Because there’s only one system on the page, Sibelius can move smoothly from left to right as you compose, without any disorienting jumps from one system to another. It even reflects changes to instruments on the same stave, something that’s now incredibly easy to set up. There’s no need to tap a pedal or play mechanicallya€”just play naturally with both hands, and Sibelius will follow you as you speed up or slow down. For extra speed, use the computer keyboard insteada€”specify pitch using the letters A to G, and rhythms from the keypad using the numeric keys.
It takes just seconds to read a page, and you can then edit or transpose the music in Sibelius, play it back, extract parts, and printa€”just as if you’d input it yourself. Instructors can keep track of what they’ve done, because Sibelius marks where ideas are used in the score. The Versions feature keeps track of revisions to your score, lets you look back at earlier versions, and see what changes were made since. Students can record their progress as they write coursework, and submit an automatic commentary along with their piece. All versions are stored in the same score you're working on, so you don't need to go searching for them later.
And just like the real thing, you can use them to write reminders to yourself, or to communicate with someone else.
Add a comment to a selected passage, and it will also state the relevant instrument(s) and bars. HyperControl creates a constant two-way link between hardware and softwarea€”so the keyboard's controls are always in sync with active parameters in Sibelius.
I’ll show you how I use the FPC and set it up to create beats using input from your computer keyboard. To do this press F6 to bring up the step sequencer, right click on a channel and select Insert then FPC. This way I can input beats live while recording then fix whatever needs adjusting in the Piano Roll editor. While not as responsive as a real MIDI controller it is great when laying down ideas and when you don’t have or want to hook up your other MIDI gear. They each have 16 pads laid out just like the FPC in FL Studio and can trigger the exact pad just as you see it on screen when using FPC. C4 to D4 being z to x]instread of getting D4, Fruity Loops plays the next instrument in the sequencer !how do i turn that option off ? I chopped up a sample using Edison and placed the individual portions of the sample on a few pads in the fpc.
Higher settings mean low sensitivity, which enable only strong signals to be detected by the tuner.
The spectrum can be displayed in 2 or 3 dimensions with time as the third dimension (3D Spectrum). This also effects the time for you to repeat the notes, as Tune!It waits for twice the duration of the melody before it repeats or plays the next melody.
Make sure that the microphone or line recording input is enabled and the recording level is at a high setting. The QWERTY design is based on a layout designed by Christopher Latham Sholes in 1874 for the Sholes and Glidden typewriter and sold to Remington in the same year, when it first appeared in typewriters.
If you would like to modify this page, remove a photo or have this entire page removed, please contact us. In case of trademark issues please contact the domain owner directly (contact information can be found in whois). With all this functionality and more, Sibelius empowers you to create incredibly complex scores quickly.
Tempo marks, chord symbols, and many other objects also organize themselves neatly while avoiding collisions.
And if you make revisions to the score latera€”which almost always happensa€”you either have to spend ages making the same revisions in the parts yourself, or extract them all over again. As soon as you start a new score, all the parts are already therea€”and you can look at any of them from a list on the toolbar. Sibelius does the resta€”it makes the cue small, puts it in a suitable voice, transposes it or changes clef as necessary, deletes dynamics and articulations (optional), adds a text label, hides the cue in the score, and stops it playing back. Now Sibelius will do this automaticallya€”simply put an instrument change anywhere in the music, and Sibelius will change the instrument from that point onwardsa€”altering its name, clef, sound, even the transposition and staff type if necessary. So now you can just think about the notes, and forget about page layout until you’re ready to print.
And when you play the score back, you can follow the music on the keyboard or fretboard tooa€”even if it’s written for other instruments.
Then reuse these ideas later in any score, just like pasting from the clipboard; Sibelius even transposes ideas into the right key and range. Collaboration becomes a joy, and you can even use sticky Comments to leave notes for yourself, or others. Objects that have been added, changed, or deleted are also color-coded in the music, so they're easy to spot. Comments are automatically color-coded by authora€”ideal if you're sharing a score with a student, teacher, arranger, or editora€”and you can also change their appearance. Now it will load up and you might notice that the FPC is based off the old MPC hardware sampler, drum machine.
If you want to load a different sample into a pad click the little folder icon in the lower right of the pad and browse for your sound.
It gives a more human feel to the tracks when you’re actually playing the hits rather than laying everything out in the step sequencer.
The frequency scale also shows the corresponding note scale so that the harmonics can be easily identified. Pages are written, edited, published and hosted by Brampton, Ontario, Canada based educator David Spencer. If you like, you can also change things in partsa€”such as adding cuesa€”without affecting the score. The Ideas window lets you browse and search through all the available ideas by keyword tags, instrument, time signature, key and so on, and even play them back. Composers and arrangers can look back at earlier revisions, or see changes made by orchestrators, publishers, and other collaborators. You can also copy music from them to resurrect an idea you'd discardeda€”or even revert to an old version entirely.
You can even export a Word file that lists all these changes, and graphics of each page with the differences highlighted. It doesn’t really matter what pad on the left side on FPC each sample is on, as the right side with the notes will determine which key will trigger that specific pad.
And of course the Mixer allows you to boost and cut the volume of each pad as well as your usual mixing functions. I like to set mine at least two keys apart on the keyboard as sometimes when they are right next to each other on my laptop keyboard they false trigger each other for some reason. With this I can play my Hi-Hat pattern on the B key and lay out the Kick and Snare hits with Z and C.
I want to keep the sample sounding the same, assuming that time stretching it would change the pitch.

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