Piano tuning course newark 66,keyboard songs for beginners with chords 6cyclemind,keyboard casio at3 4runner - PDF Review

Author: admin | Category: Learn Piano Online | 26.06.2015

Some of the most commonly asked questions about our services relates to piano tuning and how much it costs. Any problems a piano may have will be identified, and the customer will be informed of any issues that need to be addressed, either before the tuning begins, or within the course of the tuning as they arise. On well-maintained pianos that have been tuned regularly (every 6 months) and do not require repair or regulation, the typical service call tuning charge is $150-$225 (within our normal service area).
For example, we have seen MANY older pianos come through our studio where a basic interior cleaning, action regulation, tuning and voicing is all that is needed to restore the piano to a wonderful playing and sounding condition. In other cases such as basic interior rebuilding which includes, restringing, damper work, hammer replacement, regulation, tuning and voicing, the prices can range between $3500 and $9500.
The typical interior restorations we see for vintage Steinway and Sons pianos, from say 1920 to the more current production models, typically range in the $9000 to $22,000. A top-end, full-blown interior restoration of a very old (pre-1920), or especially worn-out Steinway piano can reach upwards of $25,000 to $45,000.
Still, this restoration, although expensive, is by far a better bargain than the purchase of a new hand-made, high-end quality piano.
Piano refinishing costs will vary depending on the size, color, texture and quality of the finish being applied. Typical mid-sized parlor grands, in a basic ebony-satin finish, with hardware plating and case repairs, generally cost between $3500 and $5000. In the course of an evaluation, the piano is looked over closely for its current condition and its potential for restoration.
With advance notice, we also accept pianos brought directly to our facility by professional piano movers from around the country and throughout the world. If your piano does not have name recognition on the fallboard, then a thorough evaluation is needed in order to insure that the money you spend does not far outweigh the piano's value, and that the restoration will produce a piano that will be playable and enjoyable for years to come.
The fact of the matter is that there are MANY good quality, reasonably priced, middle-of-the-road, new pianos out there that many people could (and often should) buy. These pictures illustrate where to look for the Serial and Model Number (above left), and Part Number (above right) for your Steinway and Sons grand piano. If your piano does not have name recognition on the fallboard, then a thorough evaluation is needed in order to insure that the money you spend, does not far outweigh the piano's value, and that the restoration will produce a piano that will be playable and enjoyable for years to come. The fact of the matter exists that there are MANY good quality, reasonably priced, middle-of-the-road, brand new pianos out there that many people could (and should) buy.
The vast majority of our piano restorations that do not include refinishing of the instrument take approximately 10-20 weeks to complete.
Steinway and Sons is the most well known instrument ever produced, and has a proven track record of building concert level instruments. Introduced at Winter NAMM 2005, is the Model A grand piano in the 6' 2" configuration.
Bösendorfer, a uniquely designed and built Austrian piano, has an impeccable reputation for its power and tone, and for the extraordinary workmanship that goes into making each instrument. Newly introduced at winter NAMM 2005, is the Mason and Hamlin Model CC94 (9'4") concert grand with 2 tension resonators. Yamaha, Japan's oldest and most prolific piano maker, is one of the best dollar-to-value ratio pianos ever produced. We are firm believers in the installation of new soundboards into high quality instruments such as Steinway and Sons pianos.
To expect a piano soundboard that is 75-125 years old to retain its original crown and cellular structure in the spruce is ludicrous.
To expect the soundboard to withstand this force for 75+ years, and retain its original crown, tone and sustain, simply will not happen. If the new soundboard that is to be installed, is duplicated to the exact standards of the original soundboard being removed, then the piano will sound as it did when it was new. All this being said, we also believe that considering the expenditure involved in the installation of a new soundboard, it is definitely not for everyone.
One of the most disturbing trends we are now seeing in the cheap wholesale piano restoration business is the installation of low-grade, generic soundboards into high quality pianos such as vintage Steinways.
Board thinning (or diaphragmization), rib material, bridge notching, and placement are all being set to this standard in order to speed up production and cut down costs. When we replace a soundboard in a vintage Steinway, great care is taken to reproduce the diaphragmization, rib position and material, and bridge locations to exactly match the dimensions of the original board removed from the piano. If the new soundboard is duplicated to the exact characteristics of the original board that is removed, then absolutely not! In the 1960's, Steinway developed Teflon® action components which were used from that time until the very early 1980's. In theory, Teflon will not wear out like a normal felt bushing and can be reamed to an exact standard of friction. In humid weather, the wood swells around the Teflon causing the bushing to tighten up and increase friction on the centerpin. The reasons we choose this maker is a track record of proven quality (since 1882), and exact geometry reproduction for vintage Steinway and Sons pianos. The quality of the Renner hardwood (Hornbeam) used on the parts exceeds the specifications of maple, and the center-pinning is always firm and sluggish-free.
Simply stated, the American Steinway factory replacement parts have undergone a tremendous improvement in quality over the last few years.
The factory Steinway hammer is a cold pressed design which utilizes liquid lacquer in order to build tone up in the component. Great care must be taken when using American Steinway factory parts on vintage Steinway pianos. Generally speaking, modern Steinway grand pianos, dating from the 1950's and up, are the best candidates to use American Steinway factory replacement parts.
Due to Steinway's commitment to improve their components substantially, and for the consumer who insists on genuine American Steinway factory parts, we can now confidently recommend these components for high quality piano restorations. In December, 2008, the Wessell, Nickel and Gross company introduced their new line of replacement composite action components for pianos such as Steinway and Sons, Mason and Hamlin, Bösendorfer, and many others. Composite components have greater strength, uniformity and accuracy over their wooden counterparts.
Wood is organic, so its structure varies greatly from piece to piece, making machining of the components extremely difficult, and very hard to duplicate to the same standard each time.
Despite the improvements and proven benefits that composites offer over wood, many traditionalists and piano industry leaders denounce the use of these high-tech components. Pictured above you will see Wessell, Nickel and Gross' newest version of their composite action parts. As a result, consistency, which is crucial for regulation and uniformity, has also been substantially increased. Wessell, Nickel and Gross has developed the most complete composite action parts assortment currently available to the piano technician. Franco Skilan, RPT of Precision Piano Services is a fully trained and licensed technician recommended by the Wessell, Nickel and Gross factory to install their composite action parts. Believe it or not, we even see piano actions come directly from the factory with incorrect rail configurations making the parts on the action line up incorrectly! The most common cause of sticky keys on vintage Steinway pianos is Verdigris on the centerpinning, or pivot points of the action components. To the right is an extreme example of a 1920's vintage Steinway and Sons grand piano rendered completely unplayable by Verdigris. We find that many times, a pianist simply becomes used to the piano playing at a substandard level, and they simply adapt in order to make it work.
The simple answer is that since about 1990 on, we have been living in the golden era of piano rebuilding. Buying a used vintage Steinway can be one of the most stressful experiences a consumer can go through. Chances are, if the core piano has not been subjected to major flood or fire damage, and the design is modern (usually post 1890's), you will exceed factory standards in the outcome of the restoration. If you find a Steinway and Sons or other quality vintage piano you believe may have the potential to become a great instrument, Precision Piano Services can help you determine exactly what it will take to make it happen. One of the most daunting tasks for a consumer considering piano restoration is their choice of a piano restoration specialist. A large facility full of machines, tools, and jigs does not mean skilled technicians are involved. Are you comfortable with a large wholesale operation, or is a smaller, more personal environment appealing to you? Franco and Giovanni Skilan of Precision Piano Services have devoted their lifetimes to restoring the finest pianos in the world, especially vintage Steinway and Sons pianos, with an attention to detail and skill unrivaled in this field. See the PBS interview with California Gold's Huell Howser about our family owned piano restoration company from Huell's series, The Bench.


Huell Howser, 1945-2013 — It is with sadness that we update this site with the passing of Huell Howser in 2013 at only 67 years old.
THE PIANO TUNER'S SUPER HOME STUDY COURSE Successfully training piano tuners in North America, Canada, Europe, Australia, Asia and the Middle East since 2002.
EXCEPTIONALLY HIGH QUALITY COURSE MATERIAL,  WRITTEN BY AN ESTABLISHED, PUBLISHED AUTHOR. ONE  OF THE MOST COMPETITIVELY PRICED, PROFESSIONAL TRAINING PROGRAMS IN THE  WORLD! PROFESSIONAL INTERACTIVE DVD ON WOOD REFINISHING & REPAIR  INCLUDED WITH EVERY COURSE! You must have JavaScript enabled in your browser to utilize the functionality of this website.
In 1984 John graduated from California State Polytechnic University, cum laude, with a Bachelor of Science degree in Electrical Engineering, further expanding John's exceptional analytical and diagnostic skills.
John is a Certified Installer of the Piano Life Saver System by the Dampp-Chaser Corporation, providing superior protection and tuning stability for your piano.
Tom Lee Music has been bringing music making to the Greater Vancouver and Vancouver Island communities since 1969 and 2013 marks Tom Lee Music's 45th Anniversary in Canada.
The Tom Lee Music Megastore occupies 90,000 square feet and 5 floors of a beautifully renovated heritage building at 929 Granville Street. Tom Lee Music's mission is "To Bring Music Making to the Community" and we are a strong supporter of local community cultural events. In fact, the action (or mechanics) of the piano are not regulated or removed during the course of normal piano tuning. For the most part, we can perform restorations to many differing levels of budget and customer need…within reason. These services can run anywhere between $750 and $3500 depending on the extent of the work. This type of rebuilding is commonly used on lesser quality pianos, to put them into satisfactory condition, without going way beyond the value of the piano when it is complete. These pianos will generally need and receive new pinblocks, soundboard repairs, bridge repinning, new Steinway and Sons Factory original or German Renner action parts, capo and agraffe work, keytop replacement or ivory repair, key repairs, damper action replacements, and thorough regulation and voicing. In addition to the typical Steinway piano restoration above, these pianos will include: new soundboards with new bridge caps, new keyset duplication, keyframe rebuilding, rim reconstruction and repair, complete new damper systems, and more extensive voicing and regulation work. Most start at $45,000 for the smallest of baby grands and reach upwards of $250,000 for concert grands and art-case style cabinetry!
From the smallest upright piano with the most basic finish applied, prices will start at $2000, and go up to about $7500 for full sized Uprights or pianos with very intricate cabinetry. As the pianos get bigger, or the finishes become more exotic (such as high-gloss, or ornate carvings throughout), costs are generally between $5000 and $12,500. This is one of the most important steps an owner can take in order to insure that they are spending their money wisely on an instrument, and whether or not a restoration should even be performed. Components given great attention include: the soundboard, plate, action and damper system, pinblock and belly, pedals and trapwork, and finally, the finish and veneers of the instrument. Faxing and emailing are also provided as a service to those that need the evaluation quickly. This causes the value of many older, lesser-known pianos to be well below what it costs to do a proper restoration.
These numbers can be easily identified on the plate, underneath the music rack (which simply slides out of the piano).
This leaves the resale value of many older, lesser-known pianos well below what it costs to do a proper restoration. With this quality, comes a reputation and respect that makes Steinway the benchmark for all others to follow.
They were Steinway and Sons most major competition, not only in piano building, but on the concert stages of America for many, many decades. Incorporating all of the most sought after technological break-throughs in piano building, these pianos are truly spectacular in fit and finish.
The nay-sayers that believe one must keep the original soundboard of an instrument at all costs are unrealistic in their expectations and are not facing the basic laws of nature concerning piano soundboards. The effects of this force are observed even more readily on the larger sizes of pianos, from 6 feet and up.
We are not here to reinvent the wheel, or second-guess Steinway's piano building processes. If the budget for the restoration of the piano cannot absorb the cost of a new Board, then a thorough shimming, gluing and preparation of the old board is a must. In our opinion, this is the ONLY way to accurately ensure that the piano will sound as it did when it was new, and faithfully reproduce the tone that piano makers such as Steinway and Sons originally intended for the era of the piano being restored. These components feature Teflon circles around the centerpins of all the moving parts of the action components which include the hammershanks, wippens, damper underlevers, and parts of the Sostenuto system and lyre. This sounds like the perfect material to use on a piano component that requires consistency, right? Renner produces more than 3 different shank and flange configurations, and 3 different wippen configurations.
The premium blue Renner hammers produced are offered in many different sizes and weights that can exactly duplicate what was originally intended for use in the vintage Steinway action. Steinway currently offers 2 different American shank and flange configurations (standard round maple shanks, and a new hexagonal maple shank), and their standard wippen replacement. The felt density has greatly improved, and absorption of lacquer is even and consistent all the way up the scale. Old Steinway actions have very compressed action ratios built into the stacks and keysets of their pianos.
When installing a new keyset that has key leverages corrected for heavier components, these parts also excel in performance restoration work. It rendered many pianos, mostly spinets and small uprights, completely useless, and not worth repairing.
These types of revolutionary components have been used for many years by manufacturers such as Yamaha and Kawai, with Kawai leading the industry with their development of the Millennium III ABS-Carbon Action. Wood is hygroscopic and will change with the different levels of humidity that naturally occur in their environment. Because of the injection molding process, composites are duplicated to a precise standard with each piece produced.
It is much easier to dismiss something new as a gimmick or unproven, rather than to give it a fair chance and evaluate the facts.
Wessell, Nickel and Gross has switched to using stainless steel centerpins with tolerances twice as stringent as traditional centerpins.
You might also notice the special fit shank and flange assembly providing true micro-customization of knuckle position for varying action types and styles shown in the top row of images. We have composite actions currently in high-use under extreme climate conditions undergoing rigorous use. To read more about this company and their composite action components, please visit the Wessell, Nickel and Gross site. For many years, Steinway dipped their action parts in a paraffin oil to act as a preservative for the wood. As rebuilders, we have the best resources ever to obtain and use the highest quality piano parts ever produced for the piano industry. Then assess the instrument with a QUALIFIED piano rebuilder who can tell you exactly what is needed in order to achieve the result that you are looking for. Our business is piano restoration, rebuilding, and service only, with an emphasis on vintage Steinway and Sons.
As stated above, we believe the most honest advice about restoring pianos comes from those that have no interest in the buying and selling of pianos.
If your main objective is simply to have the beauty and prestige of a Steinway and Sons piano, regardless of touch or tone, then a large scale wholesale restoration outfit might suit your needs.
Classified ads, especially the free online classifieds, are heavily populated with unsavory service providers preying on unsuspecting consumers. They use their experience to give discerning clients the finest looking and sounding pianos to enjoy for decades to come.
Whether you are considering piano tuning full time or as a sideline for extra income, let the comprehensive and inexpensive PIANO TUNER'S SUPER HOME STUDY COURSE train you in the allied art of piano tuning and technology. This building was originally home to a large furniture store, bowling alley and a piano store.
Piano tuning is exactly what it implies… the tuning pins will be moved (with a tuning hammer), and set to the appropriate tension in order to produce the correct sound. If the action of the piano has a problem before the piano is tuned, it will have the same problem after tuning unless repairs or regulation are performed to correct it.


Every piano is different and must be evaluated individually in order to accurately estimate a refinishing cost.
Based on these examinations, a rough estimate of the instrument's current retail and wholesale value are determined, as well as the costs for restoring the instrument to the highest level of the customer's expectations.
Typically the rates for an evaluation are approximately $150 to $250 (within our normal service area). Our expertise will provide you with relevant facts to make an informed decision, but it is up to you at that point to decide whether or not restoring an older piano is worth it you.
If the numbers are not on your Steinway, it has more than likely been refinished and carelessly left off the instrument by the refinisher. But with the cost of new high-end, hand-built pianos starting at $45,000 (for the smallest baby grands), and going upwards of $250,000+ (for concert grands and art-case style cabinetry), the opportunity to restore an older, vintage Steinway and Sons, Mason and Hamlin, Bösendorfer, Baldwin, etc., is by far a better bargain! It is up to the customer at that point, to decide whether or not restoring their older piano is worth it to them.
If a piano is to be refinished, have a new soundboard and new keyset installed, and restored to the highest degree, the process could take as long as 9 months to finish. There are numerous high quality, hand-made grand pianos that can be considered extraordinary. Founded in 1856, Theodore Steinway took the art of piano construction into the modern era, establishing patents, that to this day, other manufacturers have adopted and used as the standard for piano building. Their patented Tension Resonator System utilized steel bars that kept the frame of the piano pulled together and under tension. A 9 foot Vintage Steinway soundboard panel, when removed, is usually flat as a table, and, more often than not, reversed in crown.
Replacement is generally reserved for those that expect the ultimate in tone reproduction from their Vintage Steinway. In practice, the Teflon circle is subject to the changing characteristics of the wood surrounding the material, and therefore pinning becomes inconsistent. In dry weather, the wood shrinks around the Teflon, causing a loose centerpin with little to no friction for the opposite problem.
The only sure cure is replacement of the defective components with quality, dimensionally correct, genuine Renner, Steinway factory, or Wessell, Nickel and Gross high performance parts (see next section). These choices provide the exact fitment needed to make a vintage Steinway perform and feel perfect.
The Renner hammer uses Wurzen wool felt which is considered the premium material to make a hot pressed hammer.
The pinning of the components is outstanding, and fit and finish work have improved measurably throughout the wippen bodies.
Very small and light Hammers were used at the turn of the century, which worked very well with these types of actions.
These new composite materials have undergone years of testing and evaluation, and the advantages over wood components are significant. Over many years, the effects of these changes show up as warping and distortion of the wooden components. This makes the road to acceptance very difficult for any company striving to develop new and improved products for the piano market.
We can say with all confidence that the durability of these components is on par and actually superior to many traditional wooden components currently being manufactured.
The result is a chemical reaction with the center pins and felts on the parts, causing Verdigris corrosion (see picture). When this same person plays a recently restored instrument, not only does their performance improve, but the joy of playing the piano is restored! We occasionally inherit pianos that have been abandoned by clients for one reason or another. Are they all not quite finished, or will the actions get easier to play the more you use it? But, the low price and quick completion time for the restoration will be equal to the disappointing quality of the final result.
If a rebuilder is unwilling to invest the effort and expense of restoring a piano properly, the overall result will reduce your fine piano to the level of a cheap imitation.
Access to qualified answers to your questions is easily available through forums and other online resources.
Howser and retain this video here as not only a celebration of having been interviewed by him, but a tribute to his memory.
Let us help you, step-by-step, on the way to a truly enjoyable, unique, AND well paying career.Unlike other piano tuning courses, we offer you a choice of two programs - all professionally designed to suit your individual needs and goals. Not to worry—Part Numbers and Serial Numbers are in multiple places on Steinway instruments—it will just take a little more effort to find them! In fact, in many cases, the results of restoring a vintage hand-made piano exceed the standards of some brand new pianos.
At least you will be armed with the facts in order to make the decision that is right for you. Following is a short list of just a handful of the many piano makers we consider exceptional.
Impeccable workmanship and excellent scale designs make Mason and Hamlin's sought after by many pianists. The Yamaha Disklavier player piano system is by far the best reproducing system on the market, and accounts for a large portion of their new piano sales.
This pressure is spread throughout the entire body of the instrument, and there is an enormous force at work to push and pull the inner and outer rims, belly, and soundboard apart. In the worst case situation, the action will be extremely noisy and click and clack as if playing a typewriter!
The addition of the hexagonal shanks is another tremendous step in maintaining stability of the hammer angles with less shaft twisting. The Steinway hammer is a maple moulded component which is cut thick and heavy, and is designed to fit actions with high leverage ratios. Wessell, Nickel and Gross has produced an exciting new line of piano parts that will far exceed the specifications of wood.
Wrong part dimensions destroy the geometry of the action, resulting in a heavy touch-weight.
As the piano gets older, the combination of all these parts changing results in a piano that will have playability issues (no more controllable pianissimos or fortissimos). But there are also other piano restoration companies with nice sites that are easy to find, and not all of them are what they seem. All of our programs include superbly written lessons, our AUDIO INTERACTIVE feature, professional grade tools, FREE and UNLIMITED email support, and self-examination questions that will reinforce your learning experience and get you started on the way to a new and exciting career. The Disklavier system is only available as a factory installed option on their new pianos, and is not available to install on any other pianos. The downward pressure that this force exerts on the soundboard (also known as the bearing), could be as much as 200 to 300 pounds combined.
There will be noise in the action, noise in the pedals, strings breaking, and a general sloppy sound and play.
Even with the best of intentions, piano rebuilders during that time period would have to compromise, and make things work (whether they fit or not). Lots of imaginative excuses should be a red warning flag to anyone considering a restoration with this type of company! If you're looking for reliable information, you'll want to get solid data to back up any claims so you can discern the pretenders from the real experts. Click here to go directly to our PROGRAMS page and learn more about our outstanding learn-at-home courses. This leaves many consumers with the decision to rebuild their piano (again), with proper materials and workmanship. No matter who you choose, nothing beats visiting the rebuilder's studio, verifying they have a passion for fine pianos, and playing the pianos they've restored.
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These tuning pins are meant to fit the Pixie Harp (TM), Heather Harp (TM), and Minstrel Harp (TM).
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