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David Arcus, Interim Director of Music at All Saints Parish Church, comes from Durham, North Carolina (USA), where he has lived and worked at Duke University from 1984 until January of 2014. Kate Dobbs Ariail has written extensively about the arts since 1988 for many publications, with her specialties being dance, theater and the visual arts, particularly fine crafts. Currently, Kate divides her time between Durham and Washington, DC, which allows her the opportunity to put the Trianglea€™s artistic offerings in a larger context. Viki Atkinson danced professionally in musical theater for a number of years, later shifting her focus to choreographing for theater. Judy and her husband Chuck live in Greenville, North Carolina, where all four sons have come and gone and none but Jake the dog remains. Elisabeth Lynne Bjork, 19, has played the piano for eleven years and won numerous local, state, and national competitions.
Equally at home in the rehearsal rooms of theatres and orchestras, Cooper debuted as a guest conductor with the Durham Symphony in November 2015. At Meredith, Julie-Kate was President of the student organization, Extra Theatre Company, and a member of Alpha Psi Omega, the National Honorary Theatre Society. After college she worked in Arts Administration and assistant directing for Lexington Children’s Theatre in Kentucky. Julie-Kate is a Goodman Fellow through Leadership Triangle College Edition 2010 and is an advocate for education and the arts. Cope was musical as a child and performed on a variety of instruments until finally settling into what has become a life-long career as a classical guitarist. Cope has premiered new music for guitar by Karen Thomas, David Leonard, Paul Elwood, and Bertil Van Boer. Jason holds a Master of Music Performance from University of North Carolina School of the Arts, a Master of Liberal Arts and Sciences from UNC-Asheville, and is currently working towards his Doctorate in Music Education at Boston University.
Elmer Gibson began his studies of piano with Irwin Gelber and trumpet with Sigmund Herring of the Philadelphia Orchestra at the Settlement School of Music in Philadelphia, Pennsylvania. Although a native of Louisville, Kentucky, Matthew Hager has called North Carolina home since 1998.
Max is both an artist in his own right and an art critic who has appeared in national, regional and local journals.
Joseph Hartman is a North Carolina native who currently lives in Drexel, NC, with his wife and two children.
Ken Hoover was born in Chicago, reared in Portsmouth, VA, and earned his BA in English with a minor in sociology at Richmond College, University of Richmond.
The landmark event of his life was a 1950 trip with other members of his high school band to Richmond to hear Arturo Toscanini and the NBC Symphony Orchestra on their last nation-wide tour. In college, he sang in Men's Glee Club and Chorus and played trombone in the school band and in a jazz ensemble. Chelsea Huber is a junior at Meredith College studying Music Education with vocal and piano concentrations. Joshua Hutchins is a graduate of Brevard College, a small liberal arts college near Asheville, with a degree in Music. Lynn Jessup is a UNC-G graduate who attended journalism school at UNC-CH until she landed a job at the late, great Raleigh Times.
Nathan Jones is a doctoral student at Duke University, studying the intersection of theology and music. Daughter of a New York music critic, Elizabeth Kahn led a charmed life growing up with any and all concerts free for the asking. Joe Kahn escaped from Nazi Germany at age six and grew up on a chicken farm in what is now Israel. He believes that musical criticism should be geared to the interested lay person and aim to be both informative and accessible. Dorothy Kitchen, Founder and Director of the Duke University String School, has been an educator for 42 years. Kitchen has been honored as "Teacher of the Year" by the NCSA, had a day named for her by the City of Durham, and received the Ella Fountain Pratt Lifetime Award for Service to Music from the Durham Arts Council.
In 2007 he was one of 23 critics from across the country to be accepted in the National Endowment for the Arts sponsored "Reviewing Classical Music and Opera," a 10-day seminar at Columbia University in New York City. Andrea McKerlie Luke earned her Bachelor's Degree of Music in Music Performance with a concentration in flute, along with a minor in Professional Writing and Presentation Media, from Meredith College, where she began with CVNC as an intern. Critic Joel Mauger, a guitarist and keyboard specialist, of Raleigh, is currently a graduate student at NCSU. Since 1973, the Columbia, SC, native and 1970 graduate of East Carolina University in Greenville, NC, has written theater, book, and music previews and reviews for the Raleigh News & Observer, The Raleigh Times, North Carolina Magazine of Raleigh, and Spectator Magazine of Raleigh. McIrvine has published for general audiences in Scientific American and Physics Today, and on the impact of technological change on society in the 1967 book Dialogue on Technology edited by Robert Theobald.
After studying piano and clarinet in his home town of Winnipeg, McIrvine decided at age 14 not to become a professional musician. Tom Moore holds degrees in music from Harvard and Stanford and studied traverso with Sandra Miller.
He has recorded with Kim Reighley and Mélomanie for Lyrichord (USA) and with Le Triomphe de l'Amour for Lyrichord and A Casa Discos (Brazil). A self-proclaimed late-bloomer Karen began her musical life as a singer, piano hack, and self-taught folk musician, and then later became a more dedicated student of the violin. Todd Morman is a Raleigh, NC, freelance writer, reviewer, blogger, and host of the "Monkeytime" community-access cable television show. A member of the American Guild of Organists since 1966, Mary Elizabeth Nordstrom was until recently music director and organist at St. A graduate in political science, she developed her Music Appreciation (101 and -2 and -3) and writing skills at Middlebury College in Vermont. The "naturalized North Carolinian" initially relocated with her family from New Hampshire to Winston-Salem, where she wrote "Spotlight on the Arts," in Steve Neal's The Suburbanite. Nordstrom has edited her husband's manuscript, How The Dome Was Done, which relates his professional fund-raising experience as Campaign Director for the late Hargrove "Skipper" Bowles and the Educational Foundation of UNC. Born in Minnesota to a family of artists and scientists, Peter Perret was the Music Director of the Winston-Salem Symphony from 1978 to 2004. His compositions include ten solo violin or viola sonatas, sonatas for various other instruments, chamber works of many kinds, seven concertos for several kinds and combinations of instruments and orchestra, full orchestral pieces, two large works for chorus and orchestra, and pieces for concert band.
Scott Ross is a local playwright who won the 1995 Thompson Theatre Playwright Award (professional category) for The Dogs of Foo, which was produced by University Theatre at N.C.
After nearly a lifetime of studying and playing the classical guitar but suffering from orchestra envy, Jeffrey Rossman turned his musical energies to learning the cello.
Rossman attended the 2005 National Arts Journalism Institute at Columbia University, sponsored by the National Endowment for the Arts. In earlier times, he served for four years as music reviewer for the Star News newspaper in Wilmington, and now is most pleased to be back writing about concerts. When playing chamber music requiring harpsichord, he uses the Thomas Goff instrument originally made for Thurston Dart, the eminent English musician who was at the forefront of the re-discovery of Baroque performance practices. Porter Aichele is a Professor Emerita at the University of North Carolina Greensboro, where she taught art history and museum studies and happily resided at the Weatherspoon Art Museum. Arcus holds degrees from the Oberlin Conservatory of Music and the School of Music at Yale University, where he earned his Doctor of Musical Arts degree. Arcus' recitals have included premieres of new works by well known composers such as Aaron Jay Kernis, Dan Locklair, and Marianne Ploger. A long-time resident of downtown Durham, she is a seasoned observer of the Triangle's arts development and covers dance and theater throughout the area, as well as making occasional forays elsewhere in the state.
She holds an MFA degree from Syracuse University in studio art and a BFA in design from UNC-Greensboro. In Raleigh, NC, she danced in the North Carolina Theatre productions of Cabaret, My Fair Lady, Man of La Mancha, Oklahoma!, and West Side Story. Barber has written for Classical Voice of North Carolina since 2008, focusing primarily on the review of instrumental performances in eastern North Carolina, joining that with her other activity of serving as program note editor and writer for East Carolina University’s Four Seasons Chamber Music Festival. He studied theatre criticism and conducting at UNCG, working as an assistant director on several university and community productions and serving as a rehearsal conductor for UNCG's Opera Theatre.
She worked on productions with local companies and youth theatre companies, while also performing and designing as a student at Meredith. Happy to return home, she is now the Managing Director for a local non-profit theatre company in Raleigh and began teaching at a local high school in the fall of 2013. He has served as orchestral soloist, concert performer, recitalist, lecturer, recording artist, and, since 1978 a college-level educator. In North Carolina he has performed at Thomas Wolf Auditorium, the Diana Wortham Theatre, and Biltmore Estate in Asheville and at the Porter Center for Performing Arts in Brevard, the Henderson County Library in Hendersonville, the Muses Gallery in Flat Rock, the School of Music of Appalachian State University, and High Hampton Inn at Cashiers. He is adjunct faculty at Warren Wilson College, where he directs the Jazz Ensemble and teaches Jazz Improvisation, Jazz History and World Music, and A-B Technical Community College (Asheville, NC), where he teaches Jazz History, Music Appreciation and serves as accompanist for the A-B Tech Chorus. Alan Publications, DeCristofaro's concert works have been performed in New Zealand, China, Sweden, and all over the United States, and he has been a featured guest composer with the Symphony of the Mountains and the Asheville Ballet. His original Jazz compositions are featured on three albums, Live at the Altamont (featuring Swiss flutist Calen Gayle), Dialogues (with pianist and UNC-Asheville Jazz Studies director Dr. Dicks reviewed theater and classical music for Raleigh's Spectator Magazine from 1978-1986. In high school, she participated in the Tulsa Youth Symphony and was a three-year all-state musician. Fawbush is a classical singer whose major interest is opera but who also performs as much jazz, gospel, blues, and Broadway music as she can. Since the mid '60s, Gibson has been writing, arranging, and performing music around the world with some of jazz's finest musicians. She obtained her bachelors degree in Journalism and Mass Communication from UNC Chapel Hill. Matthew is a graduate of UNC-School of the Arts (High School, Drama, 2005) and UNC-Chapel Hill (BA Dramatic Arts, 2011).
He has roamed and written about American and European galleries and museums for as long as he can remember and lectured on modern art history. He is a freelance writer who focuses on the literature and history of the piano and the organ. He went on to Southeastern Baptist Theological Seminary in Wake Forest and from there to serve churches in Virginia. The Maestro and the sounds he brought forth from the instruments on stage captivated him, and he has been an avid classical music buff ever since. He sang for two years in Carl Fehr's "The Common Glory" choir in Williamsburg and in the Chorus of Alumni and Friends of the University of Richmond (CAFUR) with the Richmond Symphony under James Erb. In addition to voice, she has studied piano for thirteen years and has played in numerous recitals and competitions in her home state of Vermont as well as North Carolina. Currently working as an Information Technologies Support Analyst, Joshua intends to pursue an advanced degree in Musicology. After finishing his schooling at the University of Southampton he moved to North Carolina to practice his profession in academia as a physicist.
After coming of age in Raleigh, she attended the University of Michigan in Ann Arbor to study tuba performance with Professor Fritz Kaenzig.

Jones was born in Greensboro, North Carolina, and has appeared as a performer in a number of theatrical productions, independent films, and musical concerts. She majored in voice and piano at Brandeis University and continued at Brandeis as a graduate student in musicology. She believes that by explaining something about a program, both its content and performance, she can help readers sharpen their appreciation of music their own critical faculties.
His life, nevertheless, has been steeped in classical music and listening to good music became an indispensable part of his life from childhood. For ten years he hosted the classical music request program, first on WKNC and then on WCPE. She was educated at the Eastman School of Music, Western Reserve University, the University of London, Brandeis University and the Longy School of Music, and her violin teachers included Jaroslav Holesovsky, Millard Taylor, Wolfe Wolfinsohn, Eugene Kilinski, Julia Kohl, and Georgio Ciompi. Trinite in Port-au-Prince, Haiti, and was Professor for Youth at the Fourth International Festival of Music in Lima, Peru. Lambert, USN, Ret., has written 3,750+ reviews and articles published, variously, by The News and Observer, Leader, Spectator, Fanfare, Fi, Independent, CVNC, and CVNA. Lindeman's most recent writing was an invited review of Kenneth Hamilton's book After the Golden Age: Romantic Pianism and Modern Performance, which was published in Symposium of the College Music Society. He was one of twelve scholars to participate in an NEH seminar on Beethoven at Harvard University under the tutelage of Lewis Lockwood. She has played in Meredith's Sinfonietta, Encore!, Handbell Choir, and Flute Ensemble, the North Carolina State University Marching Band, and choirs in the Raleigh Area Flute Association.
He maintains an active interest in playing music through his continuing study of the classical guitar and its literature in addition to having recently taken up the tenor banjo to play Irish Traditional music.
She teaches music history and literature, interdisciplinary courses involving music, and piano.
McDowell is a Raleigh, NC, freelance writer, editor, and theater critic who served as CVNC's theatre editor from September 2002 to May 2010. In April 2001, Robert McDowell established Robert's Reviews, an e-mail theatrical newsletter, to help fill a growing void in Triangle theater coverage.
While living in Rochester, NY, McIrvine was President of the Rochester Philharmonic Orchestra, for which he hired David Zinman as music director, negotiated the first-ever multi-year labor contract with the musicians, and stabilized the finances. From 2004 to 2007, he was visiting professor of music at the University of Rio de Janeiro (UniRio), where he co-directed the early music ensemble, Camerata Quantz. Moorman earned a BA in music from UNC-CH and a MA in Liberal Studies from NCSU and has served as a lecturer in the Arts Studies Program at NCSU.
She wrote the first Arts column in her native state: "Des Beaux Arts in New Hampshire," for the Manchester Union Leader. Oehler, artistic director, in various capacities for about 20 years in UNC’s Adult Chamber Music Workshop. 1984) is a composer who works at the intersections of music, memory, language, and culture. He started piano lessons at age three and violin at ten and moved to Massachusetts in 1961.
A teaching assistantship at Ohio State University led to the one bright spot of that tenure – he met his wife, Monica.
Rossman earned a Juris Doctorate degree from North Carolina Central University School of Law and was admitted to the North Carolina State Bar in July, 1990. During his time in the newsroom, he was the main substitute classical music reviewer for the paper and reviewed Richmond Symphony, Richmond Sinfonia, touring orchestra, and other musical group performances, as well as wrote occasional music-related feature stories.
A Pennsylvania native, he has performed and written about music for most of his life, and is thrilled by the variety of arts events that the Triangle offers.
He holds a doctorate in piano from Juilliard and the Diploma with Highest Honors from the music academy in Vienna.
Stephens, amateur musician, received the Raleigh Medal of Arts in 1985 for volunteer activities, including service as a member of the NC Symphony Board of Trustees, president of the Raleigh Chamber Music Guild, chairman of the Raleigh Performing Arts Center Task Force, and president of the Raleigh Concert Band.
She is the author of numerous articles and museum catalogue essays on modern and contemporary art, as well as two books on the Swiss-born artist Paul Klee. Arcus served as Director of Music of Duke Divinity School, as well as Chapel Organist and Associate University Organist.
He has received awards in composition and improvisation competitions, and he is in demand as a solo recitalist, having performed throughout the United States, Europe, and Great Britain.
Her "way in" to the performing arts is intensely visual, and her writing is often marked by its descriptive qualities. Her first degree, from Cornerstone University in Grand Rapids, Michigan, was outside the realm of music. He then spent a year (1994-5) teaching English in the Czech Republic, where he met his (American) wife.
Gerald Cochran, a plastic surgeon practicing in Salisbury, Statesville, and Lexington, is an amateur musician (piano) who sings in the the Concert Choir of Salisbury.
In the Summer of 2015 he received an undergraduate research grant to study musical theatre conducting with the company Greensboro Light Opera and Song. She was nominated for the Irene Ryan Acting Award for her senior capstone role as Prospera in an adaptation of The Tempest and the Barbizon Costume Design Award for her design for Intimate Apparel. For nine years he was a member of the Affiliate Artist Faculty at Brevard College (NC), serving as Director of Guitar Studies and Director of the Guitar Ensemble. He has also performed at the Dock Street Theater in Charleston, SC, and as soloist with the Charlotte Repertory Orchestra, the Hendersonville Symphony, and the Asheville Symphony.
William Bares), and Magic Numbers (a trio recording with bassist Daniel Iannucci and drummer Micah Thomas). She also participated in several summer programs including the Eastern Music Festival, Oklahoma Summer Arts Institute, and Green Mountain Chamber Music Festival. She is also a teacher of voice, does some coaching for recitalists and opera singers, teaches music classes for senior citizens, is active in church music, and writes reviews of classical music performances. When not playing with his own group, he's been performing and recording with many local and nationally known jazz artists. Beginning her dance and writing career in high school, she has participated in a variety of performance endeavors and writing ventures. He has written theater reviews for the Georgia State University System and the online writers' network "Themestream." For 11 years, he wrote reviews of theater, music, dance, and film for The Chapel Hill News. A graduate of the High School of Music and Art in New York, he is a professor emeritus at North Carolina State University where he created and taught courses linking modern art to modern literature. Though not a trained musician, he grew up in a musical home and has been immersed in music and art from a very young age. He is a cellist; he was a member of the Toledo Symphony Orchestra for twelve years and was also affiliated with the Detroit Symphony Orchestra during that time. Beginning in 1970, he was involved in Clinical Pastoral Education, which brought him to Duke University Medical Center in Durham in 1971.
At Meredith College, she participates in the Meredith Chorale and Meredith Octavia, an eight-hand piano ensemble. He is currently affiliated with Duke University Medical School, where he conducts research on the pathology of diseases. She immersed herself in working for the campus student-run newspaper, The Michigan Daily, where she served as an arts reporter, film and music reviewer, columnist, magazine editor, and associate editor of the Arts section.
He was awarded 1st place in the North Carolina Artistry Competition for vocal performance, and 2nd place for dramatic performance.
She received her PhD from Harvard in Comparative Literature, creating a special niche in the relationship between music and poetry.
As in other areas, Elizabeth is a true musical liberal, believing that there is no such thing as a definitive performance. With a good ear, avid interest and innumerable concerts, he acquired an eclectic musical knowledge – all of it self-taught.
He was classical music critic with his wife Elizabeth at the Independent Weekly for ten years.
She now teaches violin, viola and chamber music and conducts the Duke University String School Chamber Orchestra.
She has performed on harpsichord and recorder for the Colonial Williamsburg Restoration and with the Cullowhee Consort, an early music ensemble in western North Carolina.
Triangle Theater Review is an expanded version of the original newsletter, circulated by e-mail. He is a member of Phi Beta Kappa, an elected Fellow of the American Physical Society, and has served on the Governing Board of the American Institute of Physics. He is presently Head of the Sound & Image Department of the Green Library, Florida International University, Miami, Florida. Later, she and her husband, Everett, lived in Chapel Hill, where she researched, published and marketed Outdoor Drama and he was, during most of the '80s, Executive Director of the Medical Foundation of North Carolina, retiring in 1990. Powers has maintained a teaching studio, taking keen enjoyment in seeing young people learn and grow musically.
As a member of the Raleigh Chamber Music Guild board for six years, she served on the Masters committee and also helped initiate the September Prelude Festival and the master classes for young chamber musicians. His output spans multiple genres and media, from traditional chamber ensembles to interactive computer music and laptop orchestras.
He received a 2000 United Arts grant for the production of his drama A Liberal Education, which debuted in Thompson Studio Theatre, and his one-act play Unreliable Witness was produced at REP in 1991, where it was directed by CVNC music critic Roy C.
He is a member of the UNC and Duke Symphony Orchestras and the Chapel Hill Philharmonia. In 1982, she was offered the position of Assistant Organist at Duke Chapel, so the Rossmans loaded up their truck and moved to Durham. Rossman's "real" job is Information Technology Senior Analyst with Duke University Health System.
After taking early retirement in 2003, he relocated to Knoxville, Tenn., where he edited the local city magazine for more than a year and did freelance writing. He is associate professor of music at the University of North Carolina Wilmington, where he has also served as coordinator of keyboard studies and director of the annual summer piano workshop. He was the first artist to record the complete solo piano works of the American master Roger Sessions and remains the only pianist to have done this. He was chairman of the Buncombe County Chapter of the NC Symphony and Director of Development at its headquarters in Raleigh.
He has presented workshops and masterclasses on service playing and organ improvisation for the American Guild of Organists, and has served as Course Organist for RSCM (America) training courses.
She has loved ballet and dance since age five and discovered the power of theater at fifteen.
But she later returned to the classroom to earn degrees in theory and composition at East Carolina University. This summer she looks forward to teaching at Bach 2 Basics, a children's music camp she founded two years ago.
He is currently a Lecturer and member of the Music Studio Teaching Faculty at California State University at Bakersfield where he also directs the Guitar Ensemble, and serves as coach for chamber music groups. DeCristofaro has presented at Harvard University for the International Journal of Arts and Sciences (IJAS), Virginia Tech for the Conference on Higher Education Pedagogy (CHEP), and Black Mountain College Museum.

In addition to participating in the North Carolina School of the Arts summer intensive program, Modernextension Dance Company at UNC Chapel Hill, the Martha Graham reconstruction of Steps in the Street at UNCG in spring of 2010, and Amahl and the Night Visitors Opera at UNCG, Melanie has written many texts investigating the dynamics of academic dance cultures.
As a writer he was a newspaperman and editor and graduated from the City University of New York as a journalist, later taking his masters and doctorate in contemporary literature from Florida State University.
Originally from Ocean Isle Beach, NC, he is currently a senior and wants to go into music publishing. He is Assistant Professor of Music at North Carolina Central University (since 1996) and also taught at the Duke University String School (1997-2001). Chelsea has been a student intern at CVNC since her freshman year and loves to explore the many performing arts events in the Triangle Area.
She graduated with Bachelor of Musical Arts and Bachelor of General Studies degrees in summer of 2006. He has been privileged to perform for historic venues such as Carnegie Hall, The White House, and the National Cathedral. As a professional baritone, he has performed with The Dallas Opera, Longleaf Opera, the American Singers' Opera Project and various other companies.
Her dissertation on the legends of Orpheus in the Middle Ages and Renaissance was published in 1987.
Her playing career includes solos with the Dayton Philharmonic, the Greensboro Symphony, the St. A sketch of his thesis, on the North Carolina Symphony's first 50 years, was published by Greenwood Press, in Symphony Orchestras of the United States: Selected Profiles (ed.
She is currently living in the Triangle area with her husband as a freelancer in flute, clarinet, and saxophone, as well as teaching flute lessons.
He resumed piano study with Joseph Werner in Rochester and Content Sablinsky in Charlottesville, and now plays chamber music privately. With an interest toward educating young listeners, Moorman planned, coached students, and hosted Arts Now for Kids as part of the 2004 Arts Now Series directed by Dr. She regards the concert review as an educational tool; a means of communicating and inviting the public to become an integral part of the artistic community while too providing another frame of reference for artists and presenters. Trey is a former directing intern at Burning Coal Theatre in Raleigh, NC and former student artist at WordBRIDGE Playwright Laboratory based out of Clemson, SC.
Perret has co-authored a book (with Janet Fox), A Well-Tempered Mind; Using Music to Help Children Listen and Learn, aimed at parents and teachers, released by the Dana Press in October 2004.
He writes: "There is a saying that actors should never be producers and that producers should in no way be actors. She has been a member of Duke Chapel’s Orchestra Pro Cantores for about 20 years, a violinist in Carolina Baroque in Salisbury, NC, and has performed with members of the Ciompi Quartet, the Raleigh Symphony, Durham Symphony, and the Chapel Hill Philharmonia, serving as concertmaster for the latter two for brief periods. As a guitarist, he came from a family of musicians who played Country-Western, Bluegrass, Pop, and Rock, and his compositions often carry strong associations with American and British popular music. After that came a year at Eastman School of Music, then many years at NTSU in Denton (now UNT). They have two daughters: Jessica, a nursing student at UNC-Chapel Hill, and Natalie, a junior at UNC-Greensboro. He sang in the Brevard Festival Chorus, the Raleigh Oratorio Society and a church choir, and he plays flute in the Raleigh Concert Band. In retirement she is (literally) cultivating her garden and restoring a mid-century modern house. She received a Regional Artist Grant awarded by United Arts Council of Raleigh and Wake County and collaborated with Indian Classical Music and Dance Society (ICMDS) and the North Carolina Museum of History to launch "Shiksha" ("education") - a series of lecture-demonstrations on Indian classical dance presented by various local artists, with an aim of bringing to life the myriad nuances from the world of Indian classical dance.
His reviews have appeared in the Salisbury Post and in Outlook, published by Observer News Enterprise (Newton, NC).
His musical background includes singing in and directing opera, authoring two commissioned opera librettos, and singing in university and community choruses.
As a teacher, performer, and choreographer, Melanie is excited to continue studies that facilitate the intersection of visual and performing arts, pedagogy, literature, and intellectual scholarship.
Matthew has acted with local theatre companies including Burning Coal, Manbites Dog, Theatre in the Park, Koka Booth, Urban Garden Performing Arts, and Bare Theatre. For many years he has had studios in Artspace and elsewhere in Raleigh, where his approach is in a constant state of flux.
He is a member of the Mallarmé Chamber Players and has performed with the Ciompi Quartet of Duke University and the North Carolina Symphony.
He has won vocal competitions in the US and Europe, and in 2009 performed as a soloist at the Mozart Festival in Salzburg, Austria.
Stephen's Chamber Orchestra (SCOR; now the Chamber Orchestra of the Triangle), and the Trinite Philharmonic of Haiti.
From 2001 to 2008, he wrote Arts Spectrum, a weekly Sunday column on the arts in Hendersonville's Times-News.
Trey is also an alumni of the National Critic's Institute based out of the O'Neil Playwrights Center in Waterford, Connecticut.
For a couple of years, she was program director for Women of Weymouth and was Dean of the Sandhills Chapter, American Guild of Organists. Beginning in 1972, he established the Sunbury Press and published eight scholarly titles on organ and harpsichord building. The same applies to musicians and 'reviewers.' Almost inevitability, a 'reviewer' who is a performing musician cannot perform with the same level of mastery as the artists he (or she) reviews. Rich is a co-founder of Collapss (Collective for Happy Sounds), an experimental music and dance ensemble and one of the premier collaborative art groups in the Southeast. Rossman has also played with the Carolina Ballet Orchestra, the Orchestra Pro Cantores, and, after a rigorous audition, the AIMS Festival Orchestra in Graz, Austria. Mary’s School, Duke University, and the University of North Carolina at Chapel Hill, North Carolina.
Carol Chung and has performed in both the Bay Youth Symphony Orchestra and the Meredith College Sinfonietta. He attended the 2005 National Arts Journalism Institute at Columbia University, sponsored by the National Endowment for the Arts.
Long writing stints at Spectator Magazine locally (where he received his first literary experience) and for Opera News in New York led to work in public radio, as a local NPR affiliate station anchor (also submitting stories directly to the network proper) and time spent writing for Raleigh's News and Observer and for Durham's Herald-Sun. His doctoral dissertation focused on the cello music of African-American composers, and he continues to be active in the study and performance of African-American concert music.
Brandon attended the North Carolina School of the Arts majoring in Drama, and later obtained his B.A.
She was Associate concertmistress of the Greensboro Symphony, Principal Second of the SCOR, and, for many years, Principal Second of the Duke Symphony Orchestra. Craven); and his liner notes for several Toscanini Lps were published by Music and Arts Programs of America, Inc.
Since 2007, he has taught musical courses at the North Carolina Center for Creative Retirement and studied creative writing in the Great Smokies Writing Program at UNC-Asheville.
He has also sung professionally with the Symphonic Chorus of Rio de Janeiro and Concert Royal and Pomerium Musices of New York. She is a NEA Fellow (2008) of the Columbia University Arts Journalism Institute for Music and Opera. The reviewer, consequently, is not often capable of ascending to the high echelons they advocate and demand — and that can be a frustrating experience. He earned a Master of Music degree at UNCSA, studying with Lawrence Dillon, and a Bachelor of Music at UNCG, studying with Mark Engebretson and Alejandro Rutty. In 1987, he moved to North Carolina, coming to Raleigh in 2001 to study physics at NCSU, where he earned a BS in 2004. Being a member of ensembles and experiencing first-hand the complexity and effort involved in playing great works of music has given him, he feels, greater sensitivity to the critic's role and responsibility. She taught English at U-T, Christopher Newport, and Richlands Virginia Community College in Richlands, Virginia, and music appreciation courses at UNC. Halperin has performed leading baritone roles in operas by Mozart, Pasatieri, and others, and participated in opera productions at Raleigh's Meredith College, in one of which his role was written for him. In his spare time, he enjoys playing disc golf, brewing beer and working for the Duke football team as an equipment manager. He is a recipient of the Raleigh Medal of Arts, the Durham Symphony's "Share the Music" Award, and a Triangle Arts Award.
For over ten years, beginning in 1983, he reviewed mostly Baroque keyboard and chamber music for Raleigh's Spectator Magazine.
Conversely, musicians, as 'reviewers,' can never truly be objective, for when they try to be candid in their remarks, they invariably forge adversaries within their own professional circle when commentary is less than luminous. Paul's Episcopal Church choir in Greenville and the Greenville Choral Society, and he is a member of the board of directors of the choral society. She has taught dance at Meredith College, NC State University, Virginia Commonwealth University, Appomattox Regional Governor’s School, and the School of Richmond Ballet. In Asheville she has taught voice at UNC-A, had roles in Oliver, My Fair Lady, and Sweet Charity at the Asheville Community Theatre, was assistant manager for the Radio Reading Service, and wrote music reviews for the Asheville Citizen-Times.
He has interviewed leading celebrity singers from opera's Golden Age (c.1950-75) for a prospective volume and is hoping to do other work with smaller to moderate-sized publishing houses in the Southeast.
She has served as String Chairman of the North Carolina Music Teachers Association and is Co-Chair of the Durham Music Teachers Association's Performance Festival.
He is also an experienced church bell change ringer; he is a member of the Society of Royal Cumberland Youths, an English elective society of ringers. This, in turn, creates bias in the formation of the reviews and can thereby dissuade the writer from candor. His most recent play is a dramatic adaptation of Booth Tarkington's novel The Magnificent Ambersons, and his book on the films of Billy Wilder will be published by McFarland. She was on the faculty of the Raleigh School of Ballet for 10 years and directed the dance program at Martin Middle School in Raleigh for four years. In her free time, she reads, writes, and spends time with her wonderful family in Chesapeake, Virginia. She is the author of a small book for beginning violinists and has written about music for the Durham Herald-Sun, the Dayton Daily News,and CVNC. Lambert is a member of the Music Critics Association of North America and the Association for Recorded Sound Collections.
His "day jobs" were largely in military shipping and private-sector and government purchasing. In addition, she holds the Zertifikat Deutsch als Fremdsprache from the Goethe Institute, Salzburg, Austria, a Certificate in Early Music from Florida State University, and is a fellow of the NEA Arts Journalism Institute in Classical Music and Opera. He retired as a business officer with NC's Department of Health and Human Services in September 2010 and as CVNC's Executive Editor in June 2012.

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