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Author: admin | Category: How To Play Keyboard | 29.11.2015

Have you been practicing with that video for about 5 minutes each day during the past week. Today’s video will teach you how to finish up the first half of the first movement of Fur Elise. Once again, I recommend spending about five minutes a day mastering all the parts taught in lessons 1 and 2. As always, I will include more advanced material after the video for those of you that want to take your piano playing to the next level. Since you scrolled down past the video, I’m going to assume that you want to learn some more theory.
Although it is not necessary for the lesson, some of you may want to purchase the sheet music for Fur Elise.
If you want to support this blog you can use the above affiliate link before making your purchase.
Remember that the first measure of the song only has two sixteenth notes (which has the same number of beats as one eighth note). Next week we will take a short break from these lessons so that I can give a review of a piano learning system for beginners called Pianoforall.
In two weeks from now I will continue to teach you how to read the sheet music for Fur Elise. I begin with my favourite jazz musician of all time: John Coltrane, and to chose just one album is almost impossible.
Chic Corea’s output has been and continues to be varied  in genre but Acoustic Band  gives you an insight into his approach to standards like Autumn Leaves and So In Love. This is part 3 of my list of recommended jazz albums that I think you should be listening to. You can find the complete list in chapter 10 of  Learn Jazz Piano book 3. I’ve not included Oscar Peterson in his own right as you can hear him supporting the great sax player Ben Webster in his 1959 album. To transform the Dorian mode into the bebop Dorian scale, we insert our chromatic passing note between steps 3 and 4. Now compare the C bebop dominant scale: fig 45 (see above) with the G bebop dorian scale (fig 46) and you will notice that these two bebop scales share the same passing note. In order to create a bebop scale to fit a half diminished chord (min7(5)), use the minor bebop scale 3 half steps up from that chord.
If you wish to look further into this subject I would recommend David Baker’s How To Play Bebop.
I’ve been asked to bundle all 20 playing jazz piano online video lessons into a discounted 20-pack.
My Play Jazz Piano Online video course would not be complete without a tutorial about Rhythm changes. Next to a 12-bar blues, Rhythm Changes is the most important chord sequence in jazz, but I’ll tell you more about this nearer the time.
There are countless excellent recordings of this song, but my personal favorite is by the pianist Hampton Hawes. C returns to the original melody, but remains in the same key, taking an extra four bars to conclude. A good songwriter takes great care when placing the targeted or emphasized melody note over its harmony. The two exceptions, in bars 4 and 12, occur at beat 2, as this is where the melodic accent falls.
This new lesson combines your knowledge of rootless voicings (lesson 15) and tritone substitution (lesson 16). I show you how to use all these techniques with II-V-I and I-VI-II-V (turnaround) sequences. As always, this learn jazz piano video comes with 4 downloadable backing tracks, sheet music and a quiz. Learn the best instrument on the planet using revolutionary new techniques that cut down learning time by about one tenth. Astound your friends by playing all the popular songs perfectly - as if by magic- in less than a month. Use the instincts that human beings have been using for thousands of years to play awesome music. I was skeptical at first because of my age but with your video lessons, I was able to play one song for my sister's wedding!


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This will be a very short video since there are only two small parts that we need to go over.


This means that I make a small commission if you do decide to buy something from their website. Since the quarter note is the only symbol on the treble staff, and a quarter note has the same number of beats as two eighth notes, this last measure has only two of the three beats that it is supposed to. In this case it is telling the performer to go back to the beginning of the song and start over.
So these two partial measures together give us the three eighth notes we need to make up one complete measure. However, it has to be a recording with McCoy Tyner, The obvious choice would be A Love Supreme, but I’ve chosen My Favourite Things because you can hear his approach to standards.
There’s something to be said for the argument that if a minor7 chord is functioning as a II, then adding a note between 7 and 8 (rather than 3 and 4) results in more chord tones occurring on downbeats. Next to a 12-bar blues, this is the most important chord sequence in jazz, and  is one that every jazz musician needs to be familiar with. Subsequently, jazz composers took to retaining the chord changes but replacing Gershwin’s tune with their own.
I used All The Things You Are and Take The A Train to demonstrate how to interpret a song structure and then reharmonise it. In order to do this, you need to interpret the song’s map and identify all its key centres.
The solo introduction is a little flowery, but once the trio kicks in, Hawes creates one glorious idea after another.
This jazz piano lesson combines your knowledge of rootless voicings (lesson 15) and tritone substitution (lesson 16). Sure being the center of attention as you play fantastic tunes perfectly and with flair is cool.
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Rhythm Changes is based on the chord sequence of the song  I Got Rhythm by George Gershwin. My sister had tears of joy after the performance and people said it was one of the highlights of that great night! But if you have to spend literally a thousand hours practicing to get it that point is it really worth it? The skills you learn here will allow you to play the piano casually, allowing you to play slow and simple songs such as romantic ballads, classics and some of the new hits from today. But with you, everything is explained thoroughly so you just dona€™t copy what you see, I actually find myself doing my own style.
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Jazz composers have substituted Gershwin’s  tune with their own, but have kept the chord sequence.
More importantly, players were drawn to the chord changes, finding them to be an ideal vehicle for improvisation. Actually, there are a few variations of this sequence you need to know, and I take you through the options in this 30-minute video lesson.



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