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Author: admin | Category: Learn Piano Online | 20.07.2015

Sibelius 7 Compose and Edit">Sibelius is the fastest, smartest, easiest way to create and edit musical scores.
The revolutionary Magnetic Layout feature takes care of almost every detail of score layout for you. Magnetic Layout makes objects like slurs, accidentals, and tuplets stick to notes, and repels other objects to avoid colliding with them. While you’re writing music, the dynamics, lyrics, chord symbols, rehearsal marks, and all other objects quietly shift around to make sure your music is as clear as possible. Drag something across a complex score, and other objects will helpfully jump out of the way. Unlike other programs that require you to extract instrumental parts from the full score, Sibelius provides Dynamic Parts.
Sibelius does the work of creating cues for you, while giving you complete control over how they appear. Scores often have two or more instruments played by the same person, such as percussion, or clarinet doubling saxophone. If you write for unusual instruments, you can now design your own, choosing the name, clef, range, sound, etc. You can print a complete set of parts with one click of the mouse, and even specify how many copies you want for each instrument. For easy reading and navigation, the Panorama feature lets you see your music as a single, infinitely wide strip. You can switch between Panorama and normal view whenever you like, or use Panorama in combination with Focus on Staves if you just want to look at a few instruments.
Sibelius gives you a powerful music creation toolseta€”from the Flexi-time MIDI input system and Keyboard and Fretboard windows, to the ability to input music via a microphone. Flexi-time is Sibelius software’s unique system for notating music as you play it on a MIDI keyboard in real time. You can even listen to the music you’ve already written as you play in more music on top. Step-time lets you play pitches from your MIDI keyboard with one hand, and choose rhythms and articulations with the other from the keypad (see image).
These beautiful windows are ideal for anyone who prefers using a keyboard or guitar to notation.
To input without a MIDI keyboard, pick note-values and accidentals from the keypad with the mouse, and click to place them in the score.
You can also get other markings such as clefs, slurs, and time signatures from menus; Sibelius even positions them in the right place for you. Developed by Neuratron, AudioScore lets you input music into Sibelius by singing or playing an instrumenta€”then simply hitting a button. Sibelius includes PhotoScore Litea€”the state-of-the-art program for scanning printed music. The advanced version PhotoScore Ultimate (which you can buy with Sibelius) has many extra features, such as reading handwritten music, slurs, articulations, hairpins, and text. When writing music, you may come up with a bit of melody, rhythm, accompaniment, or chord progression with some potential. An idea can be a passage of music of any length, any kind, and for any number of instruments. Sibelius includes over 2,000 ready-made ideas for students to usea€”in a huge range of styles from classical, jazz, and band to world music, rock, and hip-hop. By using these ideas in their music, students of all abilities can discover how to combine melodies, harmonies, and rhythms to create different textures and musical structures.
Students can start with just one or two ideas for inspiration, or use ideas as building blocks to create a complete piece.
If you prefer, you can switch off all of the ready-made ideas, or create focused exercises by giving students just a few ideas.
Another ingenious first in music software, Versions keeps track of revisions to your score, lets you look back at earlier versions of it, and see what changes have been made. So now there's no need to fish out crumpled-up paper from your bin, or hunt through backups from weeks ago. To save a version at any point, just click a buttona€”the date, time, a name, and optional comment are saved with it, so you won't have to remember which version is which.
What's more, you can compare two versions of a score, or even two different scores, to see the differences.
To create a comment, just click the toolbar button and start typinga€”Sibelius automatically includes your name, the date, and time. Finally, you can resize comments, minimize them (so they don't get in the way), or hide them throughout the score. M-Audio Axiom Pro keyboard controllers feature HyperControl technology, which automatically maps the keyboard's controls to commonly accessed parameters in select music software, such as Sibelius. If you want a quick and easy, almost dirty way to learn how to play the piano, start with chords. Some people say this is cheating; there is even an entire section of the music publishing industry dedicated to books known as fake books.


So right now, what you have under your belt includes the musical alphabet and being able to navigate the notes.  You might also have the C major scale down pat—way to go, slugger!
Most blues, pop, rock, country, contemporary—ok, let’s face it, most music that isn’t classical can be played with some chords or their variants in either one or both hands. Because the majority of all songs non-classical are comprised of the same basic chords and progressions, once you learn your chords, you will learn songs at lightning speed. There are as many variations of chords as there are scales: major, minor, seventh, blues, jazz—but let’s not jump too far ahead. You can play it with both hands at the same time, and you can even add a C on top to form C-E-G-C for a fuller sound.
The best kind of chord progression for anybody to learn—not just beginners—is known as I-IV-V, or one-four-five.
You pick the first note of the scale and play its major chord—so let’s start with C and then the C chord.
Then, you go to the fourth note of the scale and plays its major chord—in the C scale, you’d move up to F and then play the F major chord (F-A-C).
Finally, you go to the fifth note of the scale and play its major chord—in the C scale, you’d move up to G and play the G major chord (G-B-D). It’s good for both hands to be playing the chords at the same time for now; it builds your muscle memory and makes things easier as you continue.
If you have the span, you can try to add the top note to the scales like we did earlier, to give a richer sound. Eventually, the majority of the chord playing might be assigned to your left hand, as your right hand masters lead lines. Depending on your taste, you can try Every Rose Has Its Thorns, Hound Dog,  or my personal favorite, Blurred Lines (you know you want it). Now that you’ve learned a bit about chords, you’re ready to move on to the task of learning to read music. To aid you on your new musical adventure, we’ve provided a series of articles to give you a basic foundation in piano.
2.Harmonizing the melody - Once you have figured out the melody (using some of my techniques on the resource page), it is time to harmonize it.
The author has taught literally thousands of musicians how to play the piano by ear. LEARN KEYBOARD COURSE BY EAR- Play all styles, blues, gospel, rock, rhythm & blues, beginners, jazz.
How to play the Organ - Free beginners keyboard tutorial - tabs, notes, keys for basic songs. Online Blues Piano Tutorial - Learning black gospel piano, Southern gospel piano courses, learn to play boogie woogie on the piano, simple piano chords free.
Music Principles for the Skeptical Guitarist, Volume 2 'The Fretboard' by Bruce Emery (1998). Fingerstyle Guitar from Scratch - Picking Patterns for Vocal Accompaniment by Bruce Emery (2003). Sibelius delivers revolutionary, time-saving features like Magnetic Layout and Dynamic Partsa€”plus a powerful creative toolset including Flexi-time MIDI input, Keyboard and Fretboard windows, and a variety of other input options. As you write, it gives everything just the right amount of space and avoids collisionsa€”producing beautiful results.
This one feature saves so much time, it may be the greatest revolution in music engraving in 20 years. They’re attracted into neat rows and columns, and repelled by other objects, making the best use of space on the page.
It adds extra space between instrument families to make large scores easier to read, and saves space between other staves that don’t have much on them. This powerful feature automatically creates separate instrumental partsa€”and instantly updates them as you make changes to the score. Suggest Cue Locations suggests suitable points for cues in your score, while Check Cues verifies the accuracy of cues you’ve already added.
You can choose whether you want articulations and dynamics to be included, and whether you want the cue to have new clefs and octave lines, or be transposed to an appropriate pitch for the destination instrument.
It puts page turns at convenient places, and positions rehearsal marks, new sections, key changes, etc. Instead of chopping up music into systems and pages, Panorama displays your music in a single, infinitely wide stripa€”which is far easier to read and navigate around. Because there’s only one system on the page, Sibelius can move smoothly from left to right as you compose, without any disorienting jumps from one system to another.
It even reflects changes to instruments on the same stave, something that’s now incredibly easy to set up.
There’s no need to tap a pedal or play mechanicallya€”just play naturally with both hands, and Sibelius will follow you as you speed up or slow down. For extra speed, use the computer keyboard insteada€”specify pitch using the letters A to G, and rhythms from the keypad using the numeric keys. It takes just seconds to read a page, and you can then edit or transpose the music in Sibelius, play it back, extract parts, and printa€”just as if you’d input it yourself.


Instructors can keep track of what they’ve done, because Sibelius marks where ideas are used in the score. The Versions feature keeps track of revisions to your score, lets you look back at earlier versions, and see what changes were made since.
Students can record their progress as they write coursework, and submit an automatic commentary along with their piece. All versions are stored in the same score you're working on, so you don't need to go searching for them later. And just like the real thing, you can use them to write reminders to yourself, or to communicate with someone else. Add a comment to a selected passage, and it will also state the relevant instrument(s) and bars. HyperControl creates a constant two-way link between hardware and softwarea€”so the keyboard's controls are always in sync with active parameters in Sibelius.
It can be done and is easier than rubbing your belly and patting your head at the same time. And honestly, most of those large anthologies you purchase at the music store or on Amazon will have the chords proudly displayed over the top of the lead lines (the lines containing the melody). Listening - After you have determined the melody, harmonized the melody, and altered some of your chords, there are various techniques you can use to make sure that your song sounds right. If you understood just half of what he discussed above, you'll definitely benefit from his 300-pg course. Learn piano keys, chords, tabs, sheet music, theory lessons and scales with complete online music lessons. With all this functionality and more, Sibelius empowers you to create incredibly complex scores quickly.
Tempo marks, chord symbols, and many other objects also organize themselves neatly while avoiding collisions.
And if you make revisions to the score latera€”which almost always happensa€”you either have to spend ages making the same revisions in the parts yourself, or extract them all over again. As soon as you start a new score, all the parts are already therea€”and you can look at any of them from a list on the toolbar. Sibelius does the resta€”it makes the cue small, puts it in a suitable voice, transposes it or changes clef as necessary, deletes dynamics and articulations (optional), adds a text label, hides the cue in the score, and stops it playing back. Now Sibelius will do this automaticallya€”simply put an instrument change anywhere in the music, and Sibelius will change the instrument from that point onwardsa€”altering its name, clef, sound, even the transposition and staff type if necessary.
So now you can just think about the notes, and forget about page layout until you’re ready to print. And when you play the score back, you can follow the music on the keyboard or fretboard tooa€”even if it’s written for other instruments.
Then reuse these ideas later in any score, just like pasting from the clipboard; Sibelius even transposes ideas into the right key and range. Collaboration becomes a joy, and you can even use sticky Comments to leave notes for yourself, or others. Objects that have been added, changed, or deleted are also color-coded in the music, so they're easy to spot. Comments are automatically color-coded by authora€”ideal if you're sharing a score with a student, teacher, arranger, or editora€”and you can also change their appearance. If you decided to learn to play the piano because you’re really a singer and thought it would be a good idea to provide your own back-up music, well, first of all, you’re pretty smart. Now that you have strategically figured out the melody to a song and have harmonized it, altering your chords to produce certain sounds is the next step.
If you like, you can also change things in partsa€”such as adding cuesa€”without affecting the score.
The Ideas window lets you browse and search through all the available ideas by keyword tags, instrument, time signature, key and so on, and even play them back. Composers and arrangers can look back at earlier revisions, or see changes made by orchestrators, publishers, and other collaborators. You can also copy music from them to resurrect an idea you'd discardeda€”or even revert to an old version entirely. You can even export a Word file that lists all these changes, and graphics of each page with the differences highlighted. Second of all, learning how to play chords might just give you the right amount of piano skills you need and you won’t have to go too much further to reach your musical goals. If you were playing gospel music, you would alter your chords differently than if you were playing classical or country music.




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