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Author: admin | Category: Online Piano Lessons | 15.04.2015

If you have any other questions or would like to speak to someone about scheduling piano lessons, please contact Emily Fransen at (504) 233-9779, or fill out our information request form.
Scott Houston, the host of the Emmy-award-winning television series, “Piano Guy,” has helped hundreds of thousands of people realize their dreams of playing their favorite songs on the piano. In these classes, we will teach you all of the non-classical styles in the same way that the pros have played them for years. Musikgarten is a fun, yet educational way to introduce your children to the beauty of music, featuring a 45-minute class that focuses on singing, dancing, storytelling, and playing musical instruments. If you would like more information about piano lessons at Hall Piano Company, please complete the form below, and one of our teachers will contact you. Over the past 40 years, the Summer School for Pianists has established a unique place amongst an ever-growing number of summer schools being held each year throughout the British Isles. It combines an atmosphere of friendliness with musical expertise, creating a most positive and rewarding week. There are five of us tutors – James Lisney, Christine Stevenson, Karl Lutchmayer, Lauretta Bloomer and myself. If you are worried about the classes being full of whizz-kids, let me allay your fears immediately!
Last year, the tutor presentations ‘Piano Matters’ were especially praised for making the course even more attractive for performing participants and for observers as well. Aperitif – brief pre-concert talks that will provide ‘tasting’ notes for the tutor recitals. Piano Now !– an entertainment based upon twenty-first century piano music for two to eight hands.
As a non-obligatory option, participants are invited to choose a piece inspired by Dance as part of their repertoire – pavanes and galliards, or the Baroque suite dance movements, or a Classical minuet or landler, a mazurka, waltz, polonaise, tango, Bulgarian dance, csardas – the sky’s the limit! There will be classes for Piano Accompaniment with Lauretta Bloomer and baritone Brian White, and for Piano Duet. If you are free from August 16 – 22 this year, there are only 6 places remaining, so why not come along and give it a try? The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. Our Instructors Hail From All the Best Schools IncludingThe Longy School of Music,The New England Conservatory,and the Boston Conservatory.
Private instruction is designed to provide students with the highest quality of teaching in a fun, rewarding and comfortable atmosphere - their home! Vocal pedagogy covers a broad range of aspects of singing, ranging from the physiological process of vocal production to the artistic aspects of interpretation of songs from different genres or historical eras.
The double bass stands around six feet from scroll to endpin, and is typically constructed from several types of wood, including maple for the back, spruce for the top, and ebony for the fingerboard. The saxophone (also referred to informally as the sax) is a conical-bore woodwind musical instrument. The clarinet is a type of woodwind instrument that has a single-reed mouthpiece, a straight cylindrical tube with an approximately cylindrical bore, and a flaring bell.
MUSICAL INSTRUMENTS – Keyboard, Piano, Violin, Guitar, Jazz Drum, Harmonium, Sitar, Veena, Flute, Mridangam, Thabala etc. ARTS & CRAFTS – Oil Painting, Glass Painting, Mural Painting, Memory Drawing, Free Hand Drawing, Water Coloring, Designing, Fabric painting etc.
To inquire about this ad listing, complete the form below to send a message to the ad poster. If the bass note is repeated for several bars with the chords on top changing, it's called a pedal (wikipedia link) and is used to build tension in the music.
Normally jazz pianists play rootless voicings, chords without the root (the C in a C7 chord.) The reason we don't need to play the root is because the bass player is doing that, or in solo piano it's our left hand.
The main argument against using slash chords is that with effort and some creative theory, you can spell out any chord without a slash.


Even though you can almost always spell a chord out scientifically, note for note, number for number, exactly as it "should be" from a jazz theory point of view, that doesn't mean you should. The first step in improvising over slash chords is playing over the chords (improvising on the chords), not the bass notes. On the other hand, if I had something else in mind like resolving to a CM7 chord, the chord would undoubtedly be written as a C11(b9) because it would put the musician mentally in the key of C for that part of the music, giving the musician the best opportunity to jam on the music as possible without any confusion.
Slash chords and especially pedal tones are useful when you want to calm the music down or go the other way and build up to a transition in your performance, to raise the potential for some kind of awesome splash-down that will drive the audience crazy.
A great example of using a pedal to work things up is Monty Alexander and his trio with John Clayton on bass and Jeff Hamilton on drums playing "The Work Song" by Nat Adderly at the Montreaux Jazz Fest in the late 70's.
Take a look at the tune "Beautiful Love" (a standard we should all know!) It opens with a 2-5-1 in D minor.
No matter how you feel about slash chords, the fact is you have to play them and improvise over them. The first thing you do when you see a slash chord is figure out how it relates to the music around it. When you are improvising you must know what the harmony is ahead of you and what the harmony is behind you while also focusing on your improvisation so that what you're playing is going somewhere and leading the listener to the next harmonic center in a musical way. If you're having trouble figuring out the harmony over a slash chord (or any chord) try checking altered notes in the melody, notes that have sharps, flats, or naturals.
If you don't know what notes will work when you're improvising over a certain slash chord; some of them can be tricky, then play the melody or just stop improvising and listen. Jazz piano improvisation is like a painting- you can't see anything in the painting unless the artist puts some space around them. We also offer a beautiful stage and recital space for teachers who would like us to host their recital with no cost involved. Genres of music include classical, jazz, popular, improvisation, music theory, traditional gospel, contemporary praise and worship, solo and ensemble performance, and more.
Now you can take Scott’s eight-week courses right here at Hall Piano Company, designed to get you playing faster and easier than any other method out there.
Hall Piano Company is the exclusive host in the greater New Orleans area for Scott’s program.
The class is designed for children of ages zero through years old, accompanied by a parent or grandparent.
Within the state-of-the art setting of the Performance Hub in Walsall, people of a very wide range of pianistic levels can meet and enjoy all that’s good about music-making, without any unhealthy competitiveness or feeling of inadequacy.
A warm welcome, studies with leading experts, plenty of practice pianos at this All Steinway School, good food and accommodation, recitals by tutors and students, and a final gala dinner and barn dance make the week very special indeed. After the day’s classes there is an evening recital given by each of the tutors in turn. The latter was particularly popular this year and we encourage participants to plan early and attempt to meet for rehearsals in advance of the course. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.
Our teachers offer instruction in all styles of music including classical, popular, jazz and more. It is a member of the violin family of musical instruments, which also includes the violin and viola.
Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet.
During the process of learning more songs and further developing the ones you already play, you will eventually know the architecture of jazz so well that you play the sounds you are hearing in your head without having to think at all about how.Why Do Jazz Pianists Use Slash Chords? Take a deliberate listen at the 11:05 mark of the vid below if you're not swinging out of your mind by then as Monty sets up a pedal tone that they hold for 8 bars while Monty does his thing.
Don't get caught up in the semantics of how you're going to spell the chord, argue about how the chord should be spelled and if it should have a slash or not, instead get caught up in is how to make your music the best it can be by jamming over the sound of that slash chord as it pertains to the music.


That's part of always knowing what's happening ahead of you in the music and how it relates to what you're playing at that moment. It's worse to play through some harmony using guesswork; the audience knows when you are BS'ing and anyway, you don't have to fill up every moment with notes. Our stage is equipped with Steinway concert grand pianos and the ability to broadcast our recitals online for family members that are not able to attend in person. You are also welcome to browse our Treasured Teacher Directory, which lists piano teachers across South Louisiana. You will learn the songs you know and love in the genres of jazz, blues, pop, gospel, and country. Music helps little ones develop language, self-expression, self-awareness, motor skills, and so much more.
I count myself privileged to have been on the tutoring staff since 2012, and always enjoy the week enormously. The tutor recitals this year will be particularly varied,with repertoire drawn from Couperin, Beethoven,Schubert, Brahms, Liszt, Schumann, Tchaikovsky, Medtner, Sorabji, Godowsky, Debussy and Busoni.
Ruth Waterman is the niece of Fanny Waterman and has travelled around the globe as an acclaimed violinist, author and after dinner speaker. The same 5th that would be in the 2-5-1 chord (link goes to LJP 2-5-1 lesson) progression of the same key.
This is so you can get an idea of the harmony (which may or may not be obvious) and play appropriately.
Keep in mind that the notes you play during improvisation are only as good as the space you put around them.
However, before we get to the blues you need to know a few basic fundamentals that will be used throughout the journey to jazz.Chord SymbolsIt's important that we are eye to eye on chord symbols. Help LJP out by sharing, rating, and liking it! There is 1 comment, add yours. Do you want to use an avatar? Children are naturally drawn to music, which will make your time with them in Helen Myers’ Musikgarten class both fun and beneficial. After the recitals we tend to gather in the bar for drinks and conversation – those who play jazz and light music often find their way to the grand piano in the corner there to entertain all of us further. We tutors will aim to cover both technical problems and interpretative points which will be of interest to the entire class. She has made a special study of baroque dance and she will thus educate us as to the character and dance steps of the various dance types that we are accustomed to meeting in Bach’s suites. Notice that we're playing the root of the chord, the C, in the right hand chord voicing (wikipedia link and see below). Considering music education for your child at an early age is an impactful step toward bonding musically while enriching your family life with active music making.
There will be 18 hours of class teaching, comprising three half-hour slots per class member. To sign up, contact Helen Myers at (504) 669-5242, or fill out our information request form.
But here's something important about jazz:Being right DOESN'T MATTERWhat matters is how the chord sounds. That will mean practice on your part as you figure out how to play all the examples in 12 keys. If you want to learn, be prepared to put in twice that or more if you really get serious.The Almighty 2-5-1 Chord ProgressionOne of the most basic of all jazz chord progressions is the 2-5-1. It's based off the most used chord progression in western music history: the 5 - 1 (V - I) In the example below, we're in the key of C so the Dm7 is the 2, the G7 is the 5, and the C major 7 is the 1.




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