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Author: admin | Category: Electronic Piano | 08.06.2016

Acclaimed pianists and teachers help you progress regardless of your level : beginner, intermediate, or advanced.
Concert pianist, professor at the Salzburg Mozarteum and the University of the Arts in Berlin.
Take advantage of our teachersa€™ advice on pieces categorized by difficulty from Bach, Beethoven, Chopin, Schumann, Debussy, and many others, for both 2 and 4 hands.
Our teachers guide you through the great works of the pianistic repertoire: Beethovena€™s Bagatelle, Brahmsa€™ Intermezzi, Chopina€™s Mazurkas and Waltzes, Debussya€™s Preludes, Schumanna€™s Scenes from Childhood, Papillons, and many more.
The piano is an excellent musical instrument to learn; it gives you a thorough look at the world of both technical and expressive music.
A piano is a very wonderful instrument, the music of which floats through the atmosphere, enchanting every quantum of universe through which it passes. It's always a subjective matter of finding one instrument easier to comprehend than another, but for many, the piano helps make learning theory very easy.
Another easier but slightly less accurate method to do this is to look at the first and the last note (or chord) of the song. For a visually two-toned instrument, the piano can be a very colourful and complex instrument. I present to you, the Ultimate Guide to Playing Piano, overflowing with valuable resources for playing piano. Music for Memory, a non-profit organization giving free iPods to seniors with Alzheimers, demonstrates the power of music in this video. Accidentals explained; what are sharps, flats, and naturals– and why should you care anyways? Everyone learns to read the piano keys differently; I share an easy trick for reading keys that not a lot of people use. The complete guide to intervals: what they are, what you need to know about them, and a list of the intervals from tonic to leading note.
An extensive database of examples illustrating music theory concepts visually and aurally, through existing pieces. These videos teach you the fundamentals of piano with a small section dedicated to playing jazz. Learn specific pieces by watching the colours (which represent each note played) on the keyboard graphic in the videos. In this series of piano lesson videos, Joe Raciti teaches by individual chords and narrates throughout the process.
Same concept as the above piano tutorials, except you see the actual note names (and in some videos, the notes on the staff) above the keyboard animation on the bottom of the screen.
You can set your own speed, see the note names run as you play them, set letter names on the keys, and even transpose the piece so you can learn it in a different key if you want.
No-nonsense, straight forward piano keys flashing colours while the music is playing to show you which notes to play. A thorough article on solving common pianist problems and a few suggestions for warming up cold hands. A list of great ideas from Jenny Boster to help you make the most out of your practicing time. Albert Frantz discusses piano exercises for finger dexterity and technique, emphasizing that technique and musicality is insperable. This article, by Alan Belkin, touches on technicality, musicality, and performing (briefly). Practice makes perfect– Erika Snipes shares two mantras that got her addicted to practicing.

Create rhythm practice segments based on the time signature and level you pick, great because you get a new rhythm practice every time. Fergus Black shares tips from The Science and Psychology of Music Performance (Lehmann and Victoria McArthur, Oxford UP 2002) and gives solutions to some common sight reading problems.
Paul Richardson gets to the root of the sight reading problem and offers solutions for each of the five common problems for sight reading. You have a visual, aural and tactile memory for piano music; Albert Franz breaks up the memorization process and briefly explains each of them. A quick and friendly post by Bonnie Jack on the four main types of memorization you should be using for anything to be completely solid in your memory. Brandy Kraemer explains the Dos and Don’ts for conditioning your hands to maintain your ability as a pianist. You are what you eat (and drink)– prepare for your performance in more ways than one, away from the piano. Five of University of Chicago psychologist Sian Beilock’s best tips on performing under pressure or stress. While Edward Weiss wrote these tips for New Age pianists and musicians, they apply to any type of improvisation.
Create your own ear training exercise (or use the default) for identifying scales, intervals, or chords; you can save and share it with an automatically generated URL. A great set of instructions on how to maintain and repair your piano, complete with step-by-step photos. Alright, tuning your own piano isn’t a must-know for most pianists, but you can definitely read up on tuning pianos.
From business tools to legal resources, composing help and more, we’ve got you covered here. Classic piano lesson myths busted by Howard Richman, a pianist and music teacher– the truth might surprise you in a few cases. Great tips to ensure that piano lessons go as smoothly as possible with a given teacher and possible questions you should ask prospective teachers.
Grace authors a lifestyle blog about music, travel, self-improvement, and entrepreneurship.
Print the sheet music, listen to the piece, and download a recording of the accompaniment (for 4-hand pieces).
It offers more than 100 pieces explained step-by-step by world-renowned pianists and teachers. Legendary composers such as Beethoven, Mozart, Bach and Chopin made very famous compositions using the piano.The music made on the piano is conventionally scripted in the form of staff notations on the music sheet. Playing a scale is simplified once you know where the notes are, which is also easy to figure out. Citing various studies, Tara Gaertner explains how music students are less stressed out, have boosted immune systems, and more.
Each video focuses on an individual skill, so that you can pick which skills you want to learn.
Each book targets specific techniques, and uses different keys and meters so you can learn progressively. The range of categories is so wide that you can learn anything from r&b to folk and Classical.
For 15 years, David Hahn endured the consequences (and a great deal of pain) from not warming up.
Michael Furstner explains the action and how you can use your hand correctly, complete with photos and diagrams.

They’re not intended for performing piano specifically, but they definitely apply to performing piano. Age 14 at the time, she talks about her creative process using flow (what is flow?) and improvises an entire piece based on five cards chosen by an audience member.
The exercises are highly customizable to suit your level– you can even choose the instrument that plays your exercise.
The exercises range in type and difficulty; you can choose different levels within each exercise. In this article, Thomas Mark writes about movement retraining, and how it can help you prevent permanent injury. These elements include: hand position, notes on the keyboard, meter, dynamics, rhythm, and many more. Hence, familiarizing yourself with the piano notes and the staff music notations is an extremely important task.
In this article, we tell you about the different notes that you need to know in order to play the piano and give you some tips that will help you play the instrument.Getting to Know the Piano NotesA grand piano has 88 keys. So the scale G, A, B, C, D, E, F# will be played with all the notes from G to E on the white keys, and then you play the black F#, skipping the F.
Kraemer explains what to look for in an electric keyboard, like touch sensitivity (which is often omitted even nowadays). Similarly, all the other scales will respectively employ white keys for naturals and black keys for accidentals.Choosing a Pattern to Learn the PianoIt should be noted that a lot of practice and theory comes into play for the piano on an intermediate level.
Thanks to the Internet, finding the sheet music or the right kind of theory book has become too easy. Each key represents a particular note, whose pitch is not replicated anywhere else on the piano. You can choose to learn theoretically, making the intermediate level theory easier, and put more emphasis on practice at that point.
You have the seven natural notes in music: C, D, E, F, A, B, all of which fall on the white keys. A decent part of your beginner's course will always be focused on songs and how to play them note-by-note. If you have never touched a piano and don't know how to read music, these online piano lessons are for you!
Since B and E don't have sharps, you get the black keys in groups of two and three, with two successive white keys in between.The white key to the left of the group of two black keys is always C. So pick your stronger suit and learn ahead.Playing a Song by Figuring Out the ScaleYou won't always find an existing or accurate set of notes for all the songs you want to learn.
It represents the center of the grand staff, which is the C note that divides the bass clef and the treble clef.Piano Notes in ScalesIn your beginner's technical training, you'll come across scales. This is way tougher than it sounds, but you end up learning so much in the process.Once you've established one note in the song, try to play a couple of notes around it and see which ones fall into the song's pattern. Then you have to sit down with your theory material and try to fit the notes into a relevant scale. To play the scale in an ascending order, all you have to do is to locate the starting note C, and play all the white notes from it.

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  • XAKER, 08.06.2016 at 23:52:55

    Participant to be output via the keyboard's.
  • rumy22, 08.06.2016 at 17:32:51

    With learning software and clarinet to include a bass notes.
  • BoneS, 08.06.2016 at 12:23:12

    Omega, Kurzweil, Galileo, Pianoforce, Stahler.
  • LanseloT, 08.06.2016 at 15:43:43

    With all kinds of pianos entire novice, our.
  • S_MerT, 08.06.2016 at 12:33:43

    And about five years in the past studying the ropes of music wishing to play.