How to play piano chords in garageband 09,piano lessons in grimsby area,keyboard for sale montreal downtown - Step 2

Author: admin | Category: Piano Lessons Online | 09.09.2014

People want to learn how to play chords in order to be able to play any song they desire easily.
It’s finally time to learn how to play chords so that a melody makes sense, and to learn the importance which harmony has in a musical work. By now, you should probably be familiar with fingerings for scales and arpeggios, and particularly the latter can help quite a bit when playing chords. Chords are largely representative of the harmonic (or vertical) aspect of music, and coupled with a melody will render a musical work complete. Chords can be most easily described as a cluster of notes played simultaneously, most commonly made up of the 1st, 3rd and 5th note of a scale (whether major or minor doesn’t matter for now).
A chord made up of the 1st, 3rd and 5th degree, like the example above indicates, is called a major chord.
Going from the info given above, it should then be easy to just pick out the major chord you want to play in whatever scale you are in. As mentioned before, to play a major chord you would require the 1st, 3rd and 5th degree of a major scale. For example, the key of C minor has three flats (its relative major being Eb, but don’t get too confused) so its minor scale will have Eb, Ab and Bb in it. A minor chord has a slightly sad quality to it, though it doesn’t mean it needs to be always used for sad music only.
Things can get a bit more complicated if you want to understand how chords fit together in an harmonic framework, but if you have the patience to read you will be rewarded. Just playing a single chord doesn’t achieve much of course, as things need to work together in order to at least make up something resembling a song. Western harmony, the kind that’s most widely used in the music you hear everyday, uses mostly three chords as the basic framework, though of course it adds others to spice things up.
Of course, there is no set rule on the order which you need to play your chords in, and you can just let your imagination run wild.
Remember that once your song reaches one of these chords, it will automatically enter a new key signature too, though only temporarily. There is one exception, however—playing the dominant chord (in this case G major), will keep your key signature the same (no F sharp in this case!) since the song most likely needs to move back to the key of C major (which has no sharps or flats). Hopefully all the information above does not overload you, and it all makes sense when you need to put together a song or improvisation, or just understand the harmonic structure of a piece of music.
The 7th degree flattened can be used for the other chords too, and will have a similar effect. Remember that the flattened 7th degree is not a natural part of the key of C major, so you will likely need to adjust your melody or improvisation accordingly.

Hearing this perfectly logical chord sequence will likely help you in understanding a bit more about harmony, and you might even recognize it in songs you hear elsewhere. I hope you now have some idea on how to play chords, and how to play a chord sequence that makes sense so you can also make more sense of the music you play. Now that you know both major and minor chords, it should be easy to make up something basic that resembles a piece of music, and make up something that makes sense to you on your digital home piano or instrument of choice.
The above graphics are in high definition 600 DPI and will print brilliantly even if the screen display is not that good. The first function (in major dominant chord) is to increase the tension of the chord toward the tonic or toward the next falling fifth (In case of the secondary dominants). So what were going to do next is add the seventh color to each of the chords in the blues scheme. Another remark about the bluesy groove; the blues groove should be played in a laid back way.
Now if you're into playing Blues Music you're probably also eager to play some gospel music.
Congregational songs by ear right away, I've definitely found something that's going to help you do just that. Its sound is rather pleasant, though opinions may vary between it being pleasant or downright boring and unadventurous. We will start with beginner major scales for now, being the ones covered in previous lessons (i.e.
This can result in being more complex for beginners, because you’ll need to know the minor scale of the chord you want to play.
As we’ve seen above, chords are most commonly made up of tonic (the first note of the scale), 3rd and 5th—as they are known in technical terms. Now that you know both major and minor chords, you can perhaps start to experiment with your own made up melody in the right hand, while accompanying with your left hand in a rhythm you like. But this can help you if you are improvising your own melody, as you can switch between major and minor chords to create different moods.
So, for a complete piece of music, you’d need to at least put together a couple of chords—three being the most common types of chords which go with each other.
These three chords are described as the tonic, the sub-dominant and the dominant, upon which entire songs can be constructed. So, after playing F major, you can play C again, move to a G major chord and end your piece with C major.
Just bear in mind everything in music is just a guidance, and rules are ultimately there to be broken.

This means that playing the chord of F, or the sub-dominant (remember the musical terms above!), will mean your piece has entered the key of F major too, which has one flat in its key signature. As long as you know the scale for the chord you are on, and the chord it will move to, you should have no problem with this type of chord embellishment. Review all the information given slowly, learn the names, and it should all become easier when the next lesson comes up. When we discussed about the different seventh chords I told you that the seventh notes has to functions in music. This color can be certainly named a bluesy color for the seventh color derives from the lowered seventh of the blues note.
It is a good idea to start with major chords for those not familiar with chords at all, since they are the easiest to play and understand. Similarly, a chord of G major would be made up of the notes G ? B ? D, since the G major scale only has one sharp (again, review previous lessons if you need to). Therefore, to play a chord of C minor, you would play the notes C (the tonic), Eb (the 3rd), and G (the 5th). You don’t really need anything else for now, as knowing how to play at least these three chords should be plenty for improvisation purposes, to understand a bit about harmony and to put together your own song should you wish to. We’ll pick the key of C major to make things easy for now, which will form our tonic chord. The fourth degree of the C major scale—again look at the text above if you are confused—is the note of F. Imagine you are on a journey, which logically has a beginning, middle and an end; the chord of F major, or sub-dominant, represents the middle of your journey. It all seems rather simple once you know how, and playing it will make everything even more intuitive. Therefore, it would be wise to let your melody and improvisation enter the correct key too.
This chord is also used in Blues, Jazz and popular music an awful lot, and you might recognize the sound it makes instantly. Although the blues can be played as a balled as well it should still involve some rhythmic interest.

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