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Author: admin | Category: Electronic Piano | 26.06.2016

We talked to four of the band members about their respective journeys to New York City and how they happened to come together. They'd sing standards.The family had an old phonograph, the kind that come in the cabinets. They'd sing Beatles material, Joni Mitchell, and whatever their guitar teacher taught them, which was generally a lot of folk songs from the 60's (plus Beatles). We catch glimpses in a few places online and in an interview that Amy gave to Paste Magazine. If he wasn't singing, his mother knew something was wrong, that he might be coming down with a cold.
Alto sax giant Jackie McLean was a faculty member at Hartt and also founded the Hartford Artists Collective. Following his beautifully crafted duet with pianist Kenny Barron, Now Was The Time (High Note, 2009), Cocolamus Bridgefurther cements the extraordinary career of Harvie S.
Harvie S's inimitable, fearless and fun-filled approach to Latin jazz reaches a new pinnacle on Funky Cha.
This kind of hand-in-glove development has characterized Harvie's brand of jazz over the past several years, demonstrating why he's not only one of the best bassists in the land but also one heck of a small-group conceptualist. Harvie loves Monk as much as Latin sounds, and the influences meld well on tunes like "A Bright Moment, one of the more pensive tracks (until things really get rolling). Led by veteran bass player and composer Harvie S, this first release from the band Eye Contact titled Havana ManaA±a brings us a fresh and clear look at making Latin jazz music. The second volume covers the bebop language, patterns, formulas and other linking exercises necessary to play bebop music. Jordan's high, light, mischievously supple voice and Harvie S's toffee-rich, dexterous bass achieve an orchestral completeness that never for a minute makes you feel anything is missing.
Approximately 23 years ago, Harvie S received a telephone call asking if he would be willing to play bass for a new, young musician performing at the JVC.A  Harvie has always been in demand both here and abroad, and he accepted the offer. The festival went off without a hitch and over the following months, that young musician, pianist Bill Charlap, and Harvie S became friends.A  And as friends and musicians, they did what came naturally, played their instruments, jammed together and explored mutual, musical possibilities.
Charlap had introduced Todd Strait (drums) to Harvie and as luck would have it, Harvie had some studio time and suggested they go in and lay down some tracks. Too Late Now is almost an inappropriate title for this Harvie S Trio CD because it is never too late for truly exceptional jazza€¦and that is exactly what this is, exceptional from start to finish.A  It is however, the title song included in the nine tracks of the album.
Within the first ten notes of the beginning track, an unbelievably tight, up-tempo Franz Lehar tune, a€?Yours is My Heart Alone,a€? you understand immediately there is something going on beyond piano, bass and drums.
Song placement is so important in the ebb and flow of an album, thata€™s why Van Heusena€™s a€?Darn That Dreama€? is a beautiful choice for second position. The sixth spot is one of Harviea€™s own compositions, a€?Take Your Time.a€?A  Anyone that is familiar with Harvie S. An outstanding arrangement of Wayne Shortera€™s a€?Miyakoa€? is stunning with Harvie offering a brilliant solo on bass and Charlap is fantastic throughout.A  John Lewisa€™ a€?Afternoon in Paris,a€? an infrequently performed number is esoteric at first blush, with tasty changes mid-way that has your foot tapping until the ending note.
West of New Paltz, over a mountain road with hairpin turns, sits the Hudson Valley Resort in the town of Kerhonkson.
We don't know all the folks who gathered to jam in the lobby, but, above right, you can see Rick Snyder on guitar and Bill Wisnowski (My Dad's Truck) on fiddle. Folk Festival's stalwart played our showcase for the 2nd year in a row.
It took me a little while to warm up to this one, but Ben eventually got his hooks into me.
Take one part James Taylor, add some John Prine, throw in a dollop of Harry Chapin, and you have the voice of Joe Iadanza.
Once I looked at the credits on the CD liner, I was no longer surprised at the aural excellence surrounding Jenny Goodspeed's perfectly shaped, passionate vocals. While there is some resistance for this guitar-centric reviewer to songwriters whose main instrument is the piano, there have to be exceptions. When we first saw Shannon as lead singer for the Guy Mendilow Band, we were unaware of her full capabilities. The Creeking Tree String Quartet - The Soundtrack (2007), Side Two (2005), The Creeking Tree String Quartet (2002) A short while ago, I read a book called The Bear Comes Home by Rafi Zabor about a talking , sax-playing bear.
Occasionally they'd work out more modern material on the guitar but, for the most part, it was a lot of early 60's folk.
She played drums, bass and electric guitar.She did gigs in Sydney after leaving high school, singing in jazz bands.
When he got into jazz, he became self-conscious, because it felt out of place to sing the Neil Young or Stevie Wonder songs that he liked.
A steady stream of jazz virtuosos came to play with Jackie and Tony stayed around to play, learn and grow. It went without saying that they bonded through of their immense talent and their respective mastery of their instruments.
Glenn Patscha's keyboard work on the older house upright piano could be simply gentle or richly intricate Following jazz saxophonist John Ellis, he'd climb the keyboard up a mountain of emotion, unleashing jazz runs worthy of any club in the city claiming that genre. It went without saying that they bonded through of their immense talentA  and their respective mastery of their instruments. It was, after all, Jordan who all but drove the bassist to play twin to her soaring bebop vocals. The bassist's musical sensibilities couldn't be summed up better than on the opening track, a re-visioning of Monk's "Rhythm-A-Ning.
His Latin beats are definably Latin but consistently fresh; there are no generic mercado rhythms here. Along with losing the rest of his last name he seems to have lost his substantial history as a straightahead jazz bassist as well.
The six-man ensemble consists of Harvie S A on bass and claves, Gregor Huebner on piano and violin, Bruce Arnold on guitar and processed guitar, Ed Uribe on drums and percussion, Memo Acevedo on congas, bongos, and miscellaneous percussion, and Barry Olsen on the trombone. A great introduction to a style that is most influential in today's music. Click On Each Image to Zoom.


High Note has now released a live recording from the early '90s of Jordan with bassist Harvie S that hits that mark again. Discussions regarding what songs to play and a brief rehearsal ensued.A  Then history was made, although they didna€™t realize it at the time. There are no egos here, just a solid stream of honest interplay between three outstanding musicians.A  And whata€™s even more astounding is the trio sounds like they are seasoned veterans who have been playing together for years, yet their energy and simpatico is so fresh and new. This Broadway Musical is full of laughs, funny one-liners, and exciting, electrical music and dance.
With her whiskey alto and good looks, we expected to see some time spent as a lead singer for a band.
The comparison that jumps out at this listener is their sonic resemblance to Peter, Paul and Mary. Each of the three singers has a solid, smooth delivery so necessary for songs that seek to buoy the spirit. This CD, with its mostly traditional songs allows her the full clear soprano range as a singer of historical Irish folk music.
Bruce's songs tend to be hard-charging, propelled by fast-fretted patterns and jaunty strumming. The poetry in the narrative was so evocative of jazz itself that it awoke in me the desire to once again lose myself in the complexities of my old favorite tracks by Miles Davis, John Coltrane and Cannonball Adderley.
After they appeared in a Friday night tricentric showcase, they were the word(s) on almost everybody's lips. This CD, with its mostly traditionalA  songs allows her the full clear soprano range as a singer of historical Irish folk music. If a fantasy film were to be made about a band of angels who get together to play gospel in a time of need, Ollabelle would fit the part perfectly. So, suddenly we had this every-Sunday-night thing, we had these gospel tunes we had to learn, they were perfect for setting up vocal harmonies. It was really fun and it was good to do music that had nothing to do with the tongue-in-cheek bullshit that we were sick of.
Then, one night at a gig for Fiona's band, Amy sat in and, when the two sang some gospel songs, a light went on in Roger's head. As a third grader (8 years old), for a Cub Scout project, he organized a skit where he and his friends made banjoes out of cigar boxes and elastic bands.
If a fantasy film were to be made about a band of angels who get together to play gospel in a time of need, OllabelleA  would fit the part perfectly. He has courage way beyond the narrow definition of the word, and has a fecund mind that is continually searching for new horizons towards which to stretch, taking with him a bass violin that sings with almost limitless possibilities. But the song has a Bossa Nova slant, and here, S shows his grasp of the swaggering rhythm, as does the percussionist on the date, James Metcalfe. His bass and Daniel Kelly's piano pulse out Thelonian arhythmic fragments over Beaver Bausch's tappy drum groove, building in quirky intensity until we're jumping to find out where they're going with it. Only Kelly and tenor man Scott Robert Avidon, who guests on three tracks, are carryovers from S's last album, Texas Rumba, yet the full band sounds as if it has been together for years.
But Harvie S's turn toward a strictly Afro-Cuban musical path is not as out of step as it would seem. The first volume includes scales, chords and modes most commonly used in bebop and other musical styles. Perhaps thata€™s the secret.A  In any event, this opener is phenomenal, the best of the CD. And it is guaranteed to keep you on the edge of your seat.  Okay, so what about his Melody???  John had dreams of being a Music Director, conducting an Orchestra on Broadway. His voice does happen to fall somewhere (pleasantly) between early Dylan and the John Wesley Harding version. Many songs are inspirational and seem directed inward for the singer as well as for the listener.
However, when Hilary takes the lead and Glen and Stuart sing backup, there's an exceptional power in the presentation.
Lisa is one of the three amazing Malvinas, currently on hiatus (one of them is a new mom, we hear). His voice does happen to fall somewhere (pleasantly) between early Dylan and the John Wesley Harding version.A  A former regionally (Pennsylvania) known rocker, his lyric talent isn't necessarily going to blow people away. Not to turn them into saints (they are musicians, after all), but their grasp of hope and redemption, and its evocation in music is so good it's otherworldly. Their first eponymous CD contained virtuosic and innovative versions of traditional material and their second, recently released, Riverside Battle Songs stretches even further with more original material. He imagines lines that make great leaps across the soundscape, darting this way and that, zigzagging and flying in colorful whorls, and sometimes he underlines the harmony with a gravitas that recalls Charlie Haden's thunderously stuttering pizzicato. Jay Collins, the final piece of the puzzle, leaps in with the melody on tenor and reveals how nicely everything fits together. They even succeed at the difficult fusion of jazz and the manic guaracha rhythm on Kelly's "Earquake. His work with an impressive list of jazz's A-list (Dexter Gordon, Sheila Jordan, Grover Washington Jr.) was the best training ground for his second act. These tracks will appeal to those who like interesting rhythmic variation and intelligent arrangements. Use the arrows on your keyboard to scroll left and right. We are currently updating our sound sample database. But that's Jordan's thing: She inhabits the architecture of a tune, then celebrates it by messing with it.
After meeting an executive in the music industry through a close friend, he took advantage of a rare opportunity to embark upon his dream career.
We came through with no problem, but later I heard someone say that as they probed through the mist, they were suddenly facing the concrete wall at the first hairpin turn.
What we did see at NERFA was a solo performer -- a solid fingerpicker with a jackhammer thumb on the bass strings.


With a light, feather-like vocal delivery, sharp observational lyricism and hooks that would grab Moby Dick, he's a formidable talent. The quartet is comprised of Andrew Collins on mandolin and mandola, Brad Keller on guitar, Brian Kobayakawa on bass and John Showman on violin.These guys have such prodigious chops, they can jump from folk, to bluegrass, to classical, to jazz, sometimes on the same number.
When he came home from work, the children would rush into the bedroom, where her father would play the clarinet. Fiona was the youngest of 3 girls and her older sister played guitar, so they'd go to lessons together.
A man she was romantically involved with moved to New York and Fiona came to visit him here in 1998. Fiona found this highly amusing in light of the fact that 9C was very divey, a honky-tonk, with flames painted on the wall and vintage 50's pinups (Bettie Page, etc.) everywhere. Like Haden, he makes the strongest showing in the very simplicity of his harmonic approach to the art of the song.
The best Afro-Cuban jazz bassists, like Bobbie Rodriguez (Machito, Tito Puente) and Andy Gon-zalez (Ft. Cubalypso is the opening gem, a basic chord progression with an Afro-Cuban beat, led and voiced by the processed guitar of Bruce Arnold sounding much like a steel drum. While she was here, she played some gigs (Sidewalk, Gaslight) and was so well-received that when her tourist visa expired, she returned home but made an immediate u-turn and came right back. After that, he began transcribing and writing things down, It was through transcribing that he learned how to read music. He noted that Jerry Garcia was influenced by Bill Monroe, Mississippi John Hurt and Skip James. He noted that Jerry Garcia was influenced by Bill Monroe, Mississippi John HurtA  and Skip James. Apache, Eddie Palmieri), not only locked down the slightly-off-the-beat tumbao, they were also jazzers at heart who brought jazz sensibilities to their groove.
There are many different Jazz directions to be heard in this music; certainly the Latin rhythm is prominent throughout. Bass Guajira is a slow paced guajira with the aid of bass, violin, guitar, and percussions only, creating a sensuous stream of music and rhythm. Listen closely and you can hear some of his father's power in his voice and it's apparent that he's inherited the family gene for writing and storytelling. Listen closely and you can hear some of his father's power in his voice and it's apparent that he's inherited the family gene for writing and storytelling.A  There's plenty of variety. Drummer Tony Leone and guitarist Jimi Zhivago joined the group and they functioned as the house band with a lot of people sitting in. The school had great musicians and he fell completely into music, the only one in his family to become a musician. In 2000, she had put a band together and Roger, the manager of 9C gave her the first gig with the band.
Texas Rumba is a live workout of the core group he assembled to make those CDs: pianist Daniel Kelly, saxophonist Scott Robert Avidon, trumpeter Gregory Rivkin, drummer Adam Weber and conguero Renato Thoms. WOW!!!  This book also includes some great focal points of WISDOM, ADVICE, FAITH & ENCOURAGEMENT and the GOOD NEWS OF THE GOSPEL for everyday living.
Byron became the bassist in that band, and through Byron, Glenn came aboard as the keyoard player.
His dad was a drummer and had showed him the rudiments -- how to hold the sticks and gave him an old 1961 set of Slingerland drums.
While the rooms were a little smaller and the hallways narrower, everything still worked out, and everyone we talked to seemed to have had the best time ever. After a while his father told him that if he was going to really learn how to play, he'd need lessons. He then went to Indiana University and studied in the jazz program, studying classical music as well. He went to a performing arts high school and then attended the Hartt School of music in Hartford. When he got to New York in the mid 90's the jazz scene was not exactly what he was looking for. We had been talking about doing something with a lot of vocals, so it gave us the perfect excuse to work up a bunch of vocal arrangements. Six trumpets, five trombones, seven saxophones and eight woodwinds, voiced in seven-part harmony, blended with a 49-piece string section and five glistening harps.
They were all 'bop Nazis.' I was into modern acoustic jazz at the time and started playing other stuff. The jazz singers moved about the stage in different directions, while dancing to the upbeat sounds of the orchestra and vocalizing in rich thick six-part harmony. Five of the singers took turns lead singing 1950’s Doo-wop and moved to join the dancing background singers.
John meets the cast and crew that he works with and they begin to resurrect this unfinished musical titled “Welcome Aboard”, written by Lydia, the head choreographer, also the producer’s daughter.
Lydia then throws a temper tantrum and she decides to halt everything by cancelling the opening night for Welcome Aboard, after she objected to John making necessary changes, needed for the play to succeed. However, things take an upward turn when John and Joe find a script, titled “Making it over”, written by a young generous playwright named Gina.
They are able to use Making It Over as a substitute for the original opening date of Welcome Aboard, and it becomes a huge success. After all the kinks are ironed out, this major performance is ready to perform in full effect.?   ERIQ E.



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Comments

  • 777777, 26.06.2016 at 19:20:24

    Fun sight reading for any scholar (or the style you're re-learning.
  • ErroR, 26.06.2016 at 14:11:42

    Thailand can gain an internationally recognised Trinity qualification to demonstrate their achievement probably.