Good keyboard for home studio youtube,roland digital pianos 2015,is it bad to play piano by ear tips - Easy Way

Author: admin | Category: Yamaha Pianos | 07.12.2013

Today, home recording equipment is both affordable and compact, but there’s more to making a good recording than simply hitting the big red button and then playing.
When recording vocals, pay particular attention to any hard, reflective surfaces close behind the performer as without treatment they’ll bounce sound back into the ‘hot’ side of the microphone making your recording sound boxy.
For your mixing position, use absorbers at either side of you to intercept reflections from the side walls, and if you have any absorbers left over, hang them behind the speakers. If you’re in rented accommodation and want to use acoustic foam absorbers rather than duvets and blankets, but can’t glue your foam tiles to the walls, glue an old CD to the back of each foam panel instead (top centre) and then hang the whole panel from a map pin or picture nail by hooking the CD’s centre hole over the nail head. With some musical styles it may be better to ignore the click altogether and just treat the computer or digital recorder as we did tape machines. 4: While vocals are best recorded in a fairy dry acoustic environment, acoustic guitars and other stringed instruments benefit from a few controlled reflections where a hard floor usually gives the best results. Studio monitors are normally set up symmetrically about the centre line of the room to form a roughly equilateral triangle with the listener. 6: If you’re working in a small, square room, move away from the exact centre of the room when making mix decisions as there’s nearly always a big drop in bass at the centre of the room. 7: Following on from the previous point, double check your mixes on other speaker systems such as a domestic hi-fi or car stereo system. 8: Headphones are great for mixing, especially at night, and they’ll also pick up small details that loudspeakers may miss. 9: Always keep in mind that the most important part of a recording happens before the sound even reaches the microphone so take care to produce the best sound and best performance at source. 10: The warm atmosphere in a studio can cause tuning to drift so check your guitar and bass tuning between every take.
We had rolled into New Bedford, Mass., for the annual Summerfest on Saturday morning, July 2nd, spit out of a twister. By Saturday, I shoulda€™ve been caught up on sleep, but struggled to find the energy for the game of musical chairs at Summerfest. Over the weekend, each of seven stages off the cobbled streets of the Whaling Museum district grew packed to overflowing.
There was no mad dash for us for the first performance at the small canopied area at the National Park Garden Stage. That first act was a€?Introducing Liz Longley.a€? This proved to be a priority-changing event. I also managed to squeeze in an on-the-spot interview at a surprisingly subdued side room at the nearby, bustling Celtic Coffeehouse. Her father was a a€?really gooda€? jazz musician who played saxophone and had his own band. Exposure to chorus was minimal in grade school, but when she reached her early teens, she started singing with her dada€™s jazz group and continued until she was 18. Having begun writing on piano, Liz began performing with a friend, Sarah Zimmermann, who provided guitar backup.
Additionally, Liz and Sarah performed at fundraisers, in particular a€?Relay for Life,a€? held every year to raise money for cancer research.
They also played professionally at local Pennsylvania folk landmarks Steel City (Phoenixville) and The Tin Angel (Philadelphia). After high school, Berklee College of Music in Boston was the only college Liz applied to because it offered songwriting as a major. She still performs on piano when the opportunity presents itself, and thata€™s illustrated by two slow ballads on this CD where she uses her keyboard skills.
Her upcoming shows dona€™t include anything in the New York metro area, but wea€™re hoping this article will change that.
The photograph we found online for our a€?Radara€? July ad showed a drop-dead beautiful face, and we wondered if there was matching talent to back it up.
High school proved to be the seeding ground for this musical maelstrom, this force of nature. We talked to four of the band members about their respective journeys to New York City and how they happened to come together. They'd sing standards.The family had an old phonograph, the kind that come in the cabinets. They'd sing Beatles material, Joni Mitchell, and whatever their guitar teacher taught them, which was generally a lot of folk songs from the 60's (plus Beatles).
We catch glimpses in a few places online and in an interview that Amy gave to Paste Magazine. If he wasn't singing, his mother knew something was wrong, that he might be coming down with a cold. Alto sax giant Jackie McLean was a faculty member at Hartt and also founded the Hartford Artists Collective. If your vocal or instrument recordings round roomy and boxy, the problem almost certainly lies with the room, not with the recording equipment. You can hang a thick polyester duvet over a boom mic stand set up in a T shape, then hold the duvet in place with plastic woodworking clips — often available from your local pound shop or DIY store. Musical feel often involves slight changes in tempo or notes being played just before or just after the beat where hard quantizing can destroy that feel.
It might make editing a little harder but the end result may well end up sounding more natural. While analogue gear can often take signal levels well in excess of +15dB VU before anything clips, digital recorders have no headroom above digital full scale so you need to create your own safety margin. If you don’t have a hard floor, then just put a panel of hardboard, MDF, plywood or even a few tea trays and place mats on the floor reaching from below the instrument to beneath the microphone. In a domestic sized rectangular room, having them face down the longer axis invariably produces the best results, especially when it comes to keeping the bass even. However, if the bass sounds uneven in your room, you may be able to improve things by moving the monitor speakers a few inches off centre or changing their distance from the wall behind them.
Small rooms are notoriously difficult when it comes to accurate monitoring so don’t use speakers that are too big for the room and double check your mixes on headphones.

If you can get your mixes to sound acceptable on all of them you know your work is pretty well balanced. However, you still need to check your mixes on speakers as the perception of stereo imaging and of the level of bass differs between these two means of listening. This includes the musical arrangement and the choice of sounds, particularly electric guitar sounds and synth sounds. I use a Boss TU-10 Clip-On Chromatic Tuner on both my acoustic and electric guitars as it has always proven to be accurate and reliable. Wednesday night, finish the July issue, then get two hours of sleep; Thursday, pedal-to-the-metal from NYC to Fall River, Mass.
Newly appointed chair police at the main Custom House stage prevented attendees from saving seats for hours at a time. Seats opened up after each act and the first attendees to dash to freshly vacated chairs near the front became winners.
As usual, we arrived at the festival at about 9:00 am and the first show didna€™t begin until 11.
Liz was scheduled to perform 10 days later on July 12 at the Living Room in New York Citya€™s East Village. From the very first notes, it was obvious that we were going to want to see and hear a lot more from this brilliant 23-year-old.
I would not be jumping from tent to tent, looking for the best seats, hoping to find something near the front at the big Custom House tent. For her first eight years her family lived in West Chester, Pa., then they moved a little further west, to Downingtown. Her mother was an aspiring singer, but lacked the time and opportunity to pursue it as a career.
Through her dad, shea€™d gotten exposure to Ella Fitzgerald and Sarah Vaughan and they were her favorites, the ones she focused on.
Other events included the high schoola€™s talent show and the senior prom, with both girls performing in their prom dresses. Liz said that she entrusted major decisions in the studio to producer Glen Barrett and enlisted feedback from her parents to help her decide what, in the end, would be the right sound for her on each track.
These include a€?Little White House,a€? seemingly a farewell to her childhood, and a€?Unraveling,a€? another farewell of sorts to her grandmother, suffering from Alzheimera€™s. Her dad told her, a€?If youa€™re going to learn to have a career as a musician, youa€™d better start now.a€? Actually, performing after college was a continuation of what shea€™d been doing since high school and during her four years at Berklee. Occasionally they'd work out more modern material on the guitar but, for the most part, it was a lot of early 60's folk.
She played drums, bass and electric guitar.She did gigs in Sydney after leaving high school, singing in jazz bands.
When he got into jazz, he became self-conscious, because it felt out of place to sing the Neil Young or Stevie Wonder songs that he liked. A steady stream of jazz virtuosos came to play with Jackie and Tony stayed around to play, learn and grow. It went without saying that they bonded through of their immense talent and their respective mastery of their instruments. Glenn Patscha's keyboard work on the older house upright piano could be simply gentle or richly intricate Following jazz saxophonist John Ellis, he'd climb the keyboard up a mountain of emotion, unleashing jazz runs worthy of any club in the city claiming that genre. It went without saying that they bonded through of their immense talentA  and their respective mastery of their instruments.
It goes without saying that good music production starts with a good performance of a well-arranged song, but even a good performance can be compromised before the sound reaches the microphone so let’s start there.
While full-scale acoustic treatment is expensive, you can make a vast improvement by hanging up blankets, sleeping bags or duvets around the area you’re using to record or mix in to dry up the sound. Hanging the acoustic treatment away from walls is more effective than hanging it right against the walls. Where some quantizing is necessary to tighten up a MIDI performance, try the percentage quantize function to leave some of the natural feel intact.
If you set your average signal level to be around the -15dB mark on your computer’s record level meters you’ll avoid accidental clipping and you won’t be fighting against excess levels when you come to mix. Having said that, the bass response of small rooms is unlikely to be perfectly even so you may have to accept (and ignore) any peaks and bumps at the bass end.
With headphones, the left ear only hears the left channel and the right ear only the right channel whereas with loudspeakers, some of the sound from the left speaker reaches the right ear and vice versa. You may also find that if you record using software as most musicians do these days that your DAW includes a tuner that you can leave on screen. Then, with breathtaking suddenness it darted upward, taking the hollow in my chest along with it. The chairs were empty and there were no chair police to prevent us from saving a couple of seats for the first act. Wea€™d see her then, of course, since we never miss WFUV DJ John Platta€™s monthly a€?On Your Radara€? series. Instead, I followed Liz from one stage to the next, seeking the best photos and videos of her that I could get (below). Her earliest memories involve driving around with her father in the family VW convertible with the top down and music blasting from the car stereo. The lone cover, a€?People Get Ready,a€? demonstrates a command that allows her to take ownership of the song. While it did come up in our interview, her Facebook page states it more succinctly: a€?In high school, I was a marching band nerd.
If a fantasy film were to be made about a band of angels who get together to play gospel in a time of need, Ollabelle would fit the part perfectly. So, suddenly we had this every-Sunday-night thing, we had these gospel tunes we had to learn, they were perfect for setting up vocal harmonies.
It was really fun and it was good to do music that had nothing to do with the tongue-in-cheek bullshit that we were sick of.

Then, one night at a gig for Fiona's band, Amy sat in and, when the two sang some gospel songs, a light went on in Roger's head.
As a third grader (8 years old), for a Cub Scout project, he organized a skit where he and his friends made banjoes out of cigar boxes and elastic bands. If a fantasy film were to be made about a band of angels who get together to play gospel in a time of need, OllabelleA  would fit the part perfectly. Most computer DAWs also seem to sound cleaner when the recording levels are kept to sensible levels. Resist the temptation to use a lot of low EQ to ‘fix’ bass problems that are more likely to be due to your music production environment than to your mix.
It is important that your mix sounds right on both speakers and headphones where so-called open back headphones are generally the most accurate for mixing. As she states on her Facebook page: a€?I grew up listening to Joni Mitchell and Karla Bonoff. James Taylor, Karla Bonoff, Joni Mitchell and Sarah McLachlan were among the names she cited. I was surprised that she hadna€™t sought feedback from anyone at Berklee, but kept to the formula stated above. One is a version of Joni Mitchella€™s a€?Rivera€? in which Liz hits some high notes that Joni herself might not be able to handle anymore.
Not to turn them into saints (they are musicians, after all), but their grasp of hope and redemption, and its evocation in music is so good it's otherworldly. Their first eponymous CD contained virtuosic and innovative versions of traditional material and their second, recently released, Riverside Battle Songs stretches even further with more original material. But we didna€™t know her, so we figured it would be a good idea to get acquainted before seeing her at the Living Room. The first two use a full studio band, complete with drums, bass, lead guitar backup, pedal steel a€” the works.
The second is Van Morrisona€™s a€?Moondance,a€? which gives Liz a chance to show off her jazz vocal skills. When I wasna€™t on the field, I was writing music (on piano & guitar) and playing shows. When he came home from work, the children would rush into the bedroom, where her father would play the clarinet. Fiona was the youngest of 3 girls and her older sister played guitar, so they'd go to lessons together. A man she was romantically involved with moved to New York and Fiona came to visit him here in 1998.
Fiona found this highly amusing in light of the fact that 9C was very divey, a honky-tonk, with flames painted on the wall and vintage 50's pinups (Bettie Page, etc.) everywhere. This included a a€?concert night,a€? wherein the school invited students and parents to come to a performance solely by Liz and Sarah. In contrast, her third album, the latest, Hot Loose Wire, completed right after graduation, is stripped down a€” just her, solo, with either guitar or piano a€” pretty much what we see in concert. While she was here, she played some gigs (Sidewalk, Gaslight) and was so well-received that when her tourist visa expired, she returned home but made an immediate u-turn and came right back. After that, he began transcribing and writing things down, It was through transcribing that he learned how to read music. He noted that Jerry Garcia was influenced by Bill Monroe, Mississippi John Hurt and Skip James.
He noted that Jerry Garcia was influenced by Bill Monroe, Mississippi John HurtA  and Skip James. Theya€™d bring in a song and other students would dissect it, asking questions like why a word was used in a particular place. Drummer Tony Leone and guitarist Jimi Zhivago joined the group and they functioned as the house band with a lot of people sitting in. There were classes where songs by famous writers were analyzed, and Liz loved it all, soaking up every learning opportunity that came her way. The school had great musicians and he fell completely into music, the only one in his family to become a musician. In 2000, she had put a band together and Roger, the manager of 9C gave her the first gig with the band. Byron became the bassist in that band, and through Byron, Glenn came aboard as the keyoard player. His dad was a drummer and had showed him the rudiments -- how to hold the sticks and gave him an old 1961 set of Slingerland drums. After a while his father told him that if he was going to really learn how to play, he'd need lessons. He then went to Indiana University and studied in the jazz program, studying classical music as well.
He went to a performing arts high school and then attended the Hartt School of music in Hartford.
When he got to New York in the mid 90's the jazz scene was not exactly what he was looking for.
We had been talking about doing something with a lot of vocals, so it gave us the perfect excuse to work up a bunch of vocal arrangements.
They were all 'bop Nazis.' I was into modern acoustic jazz at the time and started playing other stuff.

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