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Youa€™d think that after 25 seasons, the nutjobs behind a€?The Simpsonsa€? might be running low on silly Halloween-themed jokes. Because not only does a€?The Simpsonsa€? swing for the fences in this yeara€™s a€?Treehouse of Horrora€? episode, they knock the ball right out the park a€” three times in a row, with three warped and wacky vignettes.
A standout is the one in which Homer, Marge, Bart, Lisa and Maggie are haunted by the ghosts of their old selves a€” the animations introduced in fast-talking, crudely drawn interstitials on Foxa€™s a€?The Tracey Ullman Showa€? in 1987.
The old Bart torments his modern edition with catchphrases like a€?Dona€™t have a cow, man!a€? while the original Marge shamelessly hits on modern Homer a€” much to the chagrin of original Homer and modern Marge.
In no particular order, another vignette includes a silly tongue-in-cheek take on perennially underachieving Bart excelling in school a€” well, a certain kind of school in a fairly uncomfortably warm (as in flames licking at your feet) locale. Therea€™s even a reference so obscure that the character perpetrating it admits hea€™s clueless about it. Ita€™s nice how therea€™s always been something special about how a€?The Simpsonsa€? handles Halloween, and this one is easily the best trick-or-treat of the year.
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The classic narrative of a business launching in a suburban garage isn’t a New York story, where in many neighborhoods space goes at such a premium that finding both the room and the equipment necessary to make and create can be challenging.
Recognizing the serious implications these constraints have for economic development and the health of the city’s artistic community, shared workspaces and business incubators have proliferated in recent years.
The only node in that network on Staten Island is the Staten Island MakerSpace, a two-story, 6,000 square-foot warehouse under the tracks of the Staten Island Railroad in Stapleton, two stops south of the ferry terminal where space is (for now) affordable.
Tarleton: What is your background, and how did you come to found the Staten Island MakerSpace? Then we were flooded during Hurricane Sandy, and for a few months we were cleaning up and re-thinking what we do. Our proposal won, we got some startup funding from New York City Economic Development Corporation, and we plunged in. We are probably the only broad-based maker space among the City-sponsored incubators, which often have a specific focus. Many of our members are from this borough, but we’ve got a lot of people coming from Brooklyn and Manhattan, particularly Lower Manhattan, as well.
Staten Island is interesting — it’s got its own flavor, and we have a small, tight-knit community in Stapleton, including many people who are interested in historic preservation and fixing up the Victorians on the hillside and a solid arts community.
Beyond providing the space and equipment, how are you supporting businesses and entrepreneurs?
We have a six-month residency program for three teams of creative entrepreneurs, and we help them launch a product.
One of our members, Kevin Mahoney, is a street artist who runs a collective called Robots Will Kill.
We try to be a community space and reach out in various ways, partnering with local people and organizations. We’re helping the local branch of the New York Public Library build a book bicycle they can use for community outreach. We worked with landscape architecture studio SCAPE when they were putting together their winning Rebuild by Design proposal to create breakwaters from oyster beds on the South Shore. The North Shore is also undergoing a good bit of real estate development right now — where does the MakerSpace fit into this changing context?
The URL development is a whole different thing, because they’re building 900 apartments across the street and trying to connect it with the existing community.
DB Lampman is an artist who specializes in large-scale sculptural installations, video, and performance art.
Footer TextUrban Omnibus is the Architectural League's online publication dedicated to defining and enriching the culture of citymaking.
The pilot and development phase of Urban Omnibus was made possible by the Rockefeller Foundation.
And after dropping some of the biggest production of his career this year with the likes of Ellie Goulding and Big Sean, Noah Breakfast aka Xaphoon Jones is here yet again to serve your ears with another spicy tune. Subscribe to the mailing list and get a daily update with the most important news from NY Staten Island!

Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. If returning item(s) must be in original condition (unused in any way) and with all original packaging, manuals, and accessories. All payment has to be received within 7 working days after bid is placed, we will then mail the items to the address registered in PAYPAL. You have read and agree to the Global Shipping Program terms and conditions - opens in a new window or tab. Industrial districts that once fulfilled these demands increasingly feel the pressure to absorb residential growth just as the worldwide maker movement is on the rise and more non-professionals are seeking out space to make. The faltering of high-profile 3rd Ward in Bushwick was a setback, but the Greenpoint Manufacturing and Design Center saw such demand that it has expanded to an additional space on Atlantic Avenue.
Founded in 2013 by DB Lampman and Scott Van Campen, the MakerSpace’s members run the gamut from professional metalworkers to street artists to technologists.
I have a background in physical arts and arts administration and previously worked as a program director at a local museum.
Right about the same time the City put out a request for proposals for a small business incubator on Staten Island. We expanded into a vacant part of this building, and through a large volunteer effort cleaned it up, shifted things around, built cubicles.
There’s Harlem Biotech, food incubators, and other spaces that are more focused on high-tech electronics. We do workshops, and at our last welding class we had somebody from Connecticut and another from Long Island. I think the goal is to bring in even more creative people and contribute to this neighborhood dialogue, on a micro level, by stimulating people’s economy and work. If we don’t know how to help them on a certain issue, we connect them with partners in the community. They run a local brew club called Pour Standards, and they’re transitioning from hobby brewing into a small craft brewery. We did a kite-making workshop with Freshkills Park, and then went and flew what we made there.
They wanted to create a scale model, so we helped facilitate a public build where we invited the community to hear about the plan and spend a day drilling into oyster shells and stringing them together for the model. At the MakerSpace you have artists working alongside people in tech, and collaboration between the two. It might be beneficial to us, and we’re certainly happy about the prospect of new people that could come in and use this space. There’s been a lot of back and forth, a lot of concern about what it will mean for the community. In Williamsburg a lot of things happened all at once very quickly, so a lot of people were displaced. Her recent projects include “I Am Within,” (2011) a sculpture and performance project at Freshkills Park, and “The Dance,” (2014) a temporary large scale sculpture installed in Tappen Park, Staten Island, as part of the NYC Parks Art in the Parks program.  She is also the co-founder of Staten Island MakerSpace, a non-profit community workspace in Staten Island, where she is developing education programs for all ages that incorporate science, technology, engineering, math, and art (STEAM). Ongoing support is provided by the National Endowment for the Arts, the NYC Department of Cultural Affairs, in partnership with the City Council, the membership and board of the Architectural League, and readers like you. Angelakos’s uplifting vocals, Xaph pulls a full 360 on us by switching over to the catchy vocal edit and flow of Juicy J. If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. Import charges previously quoted are subject to change if you increase you maximum bid amount. Spaceworks, a City-created non-profit that develops affordable art studios, recently opened new spaces on the second floor of a Williamsburg library.
Here, Lampman describes the MakerSpace’s place in the changing context of the North Shore — where a giant Ferris wheel, outlet mall, and real estate developments are all in process — and its role in fostering new creative ventures through workshops, equipment provision, and business development. Scott was an architectural metal worker, so his bread and butter was building stairs, railings, et cetera. We worked with local architect David Businelli of Studio 16 Architecture to do the build out.
The Small Business Development Center at the College of Staten Island assists with business plan writing and financial advice. We’ve also got another small business called City Tree Guards, which builds tree guards out of 100% recycled plastic. He came here primarily as a painter but was interested in learning metalwork to create stencils.
And in addition to those that have dedicated studio spaces, there are always carpenters and metalworkers coming and going, building small jobs.
We partner with some local small business owners — for our class Women, Welding, and Wine we cross-promote with Honor Wines, our local wine store. Most people that come in and take welding are never going to be professional welders, but it gives them a wider view of what’s possible.

In some other parts of the country, particularly the San Francisco Bay area, tech companies and local artists are almost considered antithetical. The whole startup culture of trying to come up with ideas and launch a business is really not that different from an artist trying to develop a new idea and make it happen. On the flip side, we don’t own our building and the landlord wants to sell, so in a few years we may find ourselves in a position where we have to look for a new space.
Here, most of the development is happening along the waterfront, which is underutilized to begin with. While there isn’t a toy in a cereal box, this track is available for a free download for you to enjoy, here.
And the City’s Economic Development Corporation now supports a city-wide network of business incubators covering everything from food production to biotech engineering. He used this space as his shop for twelve or so years, and I also used it as my art studio.
We thought that our idea for turning the shop into a community workspace might actually fit what they were looking for. In addition to the wood and metal shop we had before, we now have a computer lab with 3D printers and a large format printer, a sewing studio, and meeting spaces. The two of them have begun developing a new toilet built with recycled plastic and geared toward the American consumer market.
This year the festival became a special cause, and we helped build the festival’s dragon puppets and things like that. We also work with New York Harbor School, who was also involved in that project, to build oyster cages.
Is there any fear that the City’s tech vision for the area would trump the arts community that already exists?
I know Staten Islanders are concerned about how it will influence the ferry and other transportation. It feels like we’re getting an addition to the neighborhood, rather than someone coming in and taking something existing away from people. We spent a lot of Sundays working on projects, with my son coming and working on stuff as well, and we started a conversation about how it would be interesting if other people could have access to the equipment.
Our premise was if we can teach people to make things, they can develop small businesses from there. Now about a year and a half in, we’ve got about 60 members — artists, engineers, home brewers, people tinkering with tech projects. Not being just a Staten Island-centric space helps us shape the borough — we’re bringing visibility to local residents while also bringing outside people doing creative projects here to broaden the conversation.
He’s also an IT specialist and he’s combined his artistic and technical sides in a project called COM-MON, which stands for community monitor. They had to design and prototype products that could help make a difference in the world, hackathon-style. I think they benefit each other — the tech guys benefit from a critical, visual kind of thinking, and the artists benefit from people who are more entrepreneurial. Hopefully by the time that becomes an issue we’ll be enough of an anchor here that community and political support will help us find a new space and survive. We were looking for a place that we could afford where we could raise a child, and we ended up here without really knowing much about Staten Island. It’s sort of this weird experiment — let’s see what happens if we just pile all this stuff into a corner of Staten Island. He takes recycled computer monitors and sets them up with microcomputers that broadcast emergency information and places to get shelter and food for people who don’t have reliable access to computers.
The 7th graders were reading a book about children in Sudan who have to travel miles to get drinking water, so their challenge was to design and build systems that could clean water, transport water, or use it to better serve agriculture. I don’t see Staten Island necessarily being infiltrated by Google any time soon, but it depends on how quickly that kind of tech growth happens. What I respect about the Wheel is that Rich had this crazy big idea, and he’s doing it.
The monitors will sit in storefronts and public locations, and Kevin has invited artists to design casings to house them. They came up with really creative solutions, including desalination and aquaponics systems.
I hope the artists don’t suffer for it — they have played a really big role in even giving tech companies the incentive to come here.

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