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Juno Temple seen arriving at Annabel's Private Members Club to attend the Charles Finch and Chanel Pre Bafta Dinner in London. 15 year-old Lily (Juno Temple) and her best friend Alison (Kay Panabaker) live on the shores of the Salton Sea among rundown trailers parks, rotting household items, drained pools and decaying streets. When they meet a few visiting street kids, the girls' bond is finally tested and Lily convinces Alison to follow the boys back to Los Angeles.
I wound up homeless, but found a bunch of other throw-away kids and we formed a gang to protect ourselves. After more than a decade of drowning in that world, I crawled out of the criminal lifestyle and headed for Los Angeles. Acclaimed director John Hillcoat (THE ROAD, THE PROPOSITION) delivers a thrillingly vivid slice of American outlaw history in his epic gangster tale, LAWLESS. Based on a true story, THE POSSESSION is the terrifying story of how one family must unite in order to survive the wrath of an unspeakable evil.
THE BULLET VANISHES is set in 1930s Shanghai and is about a series of murders where the victims are shot but no bullets are found.
THE GRAND HEIST is a South Korean historical comedy about eleven thieves who attempt to steal ice from the royal ice storehouse and takes place during the last years of the Joseon era. JOKER is an "out of this world" comedy about an NRI (Akshay Kumar) and his beautiful wife (Sonakshi Sinha) who return home to discover that their village has dropped off the map of India. Kevi Rite Jaish is a satire on the fascination, nay, obsession of the Patels - a Gujarati farmer community -- of migrating to the USA. MUGAMOODI is a Tamil superhero film directed by Mysskin, produced by Ronnie Screwvala and Siddharth Roy Kapur and starring Jiiva, Pooja Hegde and Narain.

Actress Juno Temple arrives at the premiere of Warner Bros Pictures' "Sucker Punch" at Grauman's Chinese Theatre on March 23, 2011 in Hollywood, California. What was once an oasis for the wealthy and famous has become a near ghost town, leaving its residents fighting for breath in the deep end. Not intimidated by the journey ahead, Lily is hopelessly drawn to one of the boys and the freedoms of their lifestyle. I'd spent my life doing my best to bury any semblance of creativity or vulnerability inside myself.
Lily feels eternally claustrophobic and rebellious, living with her manic, single mother (Leslie Mann), clinging to hope for something more exciting than visits with her young and already washed up Aunt (Kate Bosworth). But in the big city, Lily and Alison quickly fall into the boys' world of scams and petty crime.
I was trying to escape the violence and misery of my home, only to end up being swallowed by it tenfold.
I met LITTLE BIRDS producer Jamie Patricof and for the first time someone saw me as more than just a gang member. Her mother is a producer, Amanda Temple, and her father is the film director, Julien Temple. At age 4, she decided she wanted to be an actor after her father showed her Belle et la Bete by Jean Cocteau. Lily is determined to stay and make it work, while Alison is overwhelmed and eager to return home.
I developed nervous tics, and found the only time they didn't occur was when I was lost in a movie.

The only places I felt safe were the local art house theaters like the Coolidge Corner and The Brattle, where I discovered older films like "Badlands" and "Days of Heaven," and newer ones like "All The Real Girls." And for those two hours I would be free. So for me, going through the screenwriter labs, and the director's lab meant more than just learning how to make a film.
The semi-autobiographical aspect of LITTLE BIRDS isn't the homeless teenage boys, but rather the two girls, Lily and Alison, and the last few days of their friendship.
When an idea is hatched to use Lily as bait for men with money to steal, things quickly escalate to a life-changing moment. I lived in a small rural town, but craved concrete and the rush of the "real world." I left home for the streets of Boston, and the "real world" was waiting with its sharp teeth bared.
Lily must decide how far she will go to grow up and Alison must decide how far she will go to protect Lily. It was on the Sundance mountain, and after a particular conversation with Robert Redford, that I took a personal vow of non violence.
There's a version of LITTLE BIRDS that I think people will expect -- gritty and sensationalistic. The story I wanted to tell, and the one my brilliant lead actresses allowed me to, was about innocence and its subsequent loss.

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