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During World War II (1941–45), American propaganda was used to increase support for the war and commitment to an Allied victory. The Writers' War Board was privately organized for the purposes of propaganda and often acted as liaison between the government and the writers. Cover of the August 1943 issue of the 4 Favorites showing a War Bond character beating Hirohito, Adolf Hitler and Benito Mussolini.
In 1944, after being praised by Ernie Pyle, Bill Mauldin's cartoons were syndicated in the United States. Leaflets could be dropped from aircraft to populations in locations unreachable by other means; for example, when the population was afraid or unable to listen to foreign radio broadcasts. In 1942–43 Orson Welles created two CBS Radio series that are regarded as significant contributions to the war effort. At first the Japanese population could not receive propaganda by radio because short-wave receivers were prohibited in Japan. A few weeks after D-Day, crates of books were landed in Normandy to be distributed to French booksellers.
Hollywood movie studios, obviously sympathetic to the Allied cause, soon adapted standard plots and serials to feature Nazis in place of the usual gangster villains while the Japanese were depicted as being bestial, incapable of reason or human qualities.[60] Although Hollywood lost access to most foreign markets during the war, it was now able to use Germans, Italians and Japanese as villains without diplomatic protests or boycotts. In the early '40s, as war was starting to gain importance in Europe, the goal of Hollywood studios was still to entertain. Most of movies produced had a background of war, even if their story was a complete invention. The earliest Hollywood production to satirize any of the Axis governments was You Nazty Spy!, a Three Stooges short subject released on January 19, 1940, satirizing Hitler (Moe Howard as "Moe Hailstone"), Goering (Curly Howard as "Field Marshal Gallstone") and Goebbels (Larry Fine as "Larry Pebble"), nearly two years before the attack on Pearl Harbor.
Movies were also useful in that propaganda messages could be incorporated into entertainment films.[75] The 1942 film Mrs. Furthermore the 1943 film "The Negro Soldier", a government produced documentary also directed by Frank Capra, challenged racial stereotypes in the ranks. The pulp magazine industry was especially supportive, if only to prevent their being perceived as unessential to the war effort and discontinued for the duration of the war.[87] The Office of War Information distributed guides to writers for Western, adventure, detective and other pulp genres with possible story lines and themes that would help the war effort. In one speech, Henry Wallace called for post-war efforts to psychologically disarm the effect of the Axis powers, requiring schools to undo, as far as possible, the poisoning of children's minds by Hitler and the Japanese "warlords."[101] Two days later, a Dr.
A rather depressing story as Little Hans, a young German youth, is indoctrinated into the Nazi way of life, with tragic results.


This poster intended for navigation students combines instruction with caricatures of enemy leaders. Using a vast array of media, propagandists fomented hatred for the enemy and support for America's allies, urged greater public effort for war production and victory gardens, persuaded people to save some of their material so that more material could be used for the war effort, and sold war bonds.
This effort was supported by the War Department due to Mauldin's grimmer depiction of everyday military life in his cartoons.[33] Mauldin's cartoons not only publicized the efforts of the ground forces, but they made the war appear bitter and onerous, helping convince Americans that victory would not be easy. As such, the United States extensively used leaflets to convey short informational tidbits. Hello Americans was produced under the auspices of the Office of the Coordinator of Inter-American Affairs to promote inter-American understanding and friendship during World War II.
Books on submarines were suppressed, even ones drawing on public knowledge and made with naval assistance. However, there were pictures that were made especially in tie with a past event, or even a current event of that period of time that made the release of the film synchronized with the happening in real life. Miniver portrayed the experiences of an English housewife during the Battle of Britain and urged the support of both men and women for the war effort.
Prior to the war, animation was seen as a form of childish entertainment, but that perception changed after Pearl Harbor was attacked. The government issued a Magazine War Guide which included tips for supporting the war effort.[84] Women's magazines were the favored venue for propaganda aimed at housewives, particularly the Ladies' Home Journal. Patriotism became the central theme of advertising throughout the war, as large scale campaigns were launched to sell war bonds, promote efficiency in factories, reduce ugly rumors, and maintain civilian morale. Major studios kept their neutrality and showed on screen the same isolationist sentiment as their audience.
This is for example de case of Academy Award winner for Best Picture Casablanca, movie released in the context of American attitudes toward Vichy and Free French Forces. While Roosevelt was describing the Allied War goals as democratic, Walter Francis White, the executive secretary of the National Association for the Advancement of Colored People (NAACP), said that colored people had to "fight for the right to fight".[65] Many blacks were weighing their loyalty to the country against loyalty to their race. The most elaborate training film produced, Stop That Tank!, was commissioned by the Canadian Directorate of Military Training and created by Walt Disney Studios.[80] Troops became familiar with Private Snafu and Lance Corporal Schmuckatelli.
It poked fun at Hitler’s Germany by depicting Donald Duck dreaming that he is a German war worker, eating breakfast by only spraying the scent of bacon and eggs onto his breath, dipping a single coffee bean into his cup of water, and eating bread so stale or having wood in it, he had to saw a piece off.
This picture was considered as anti-Vichy, but there was a strong debate about the fact that this position was representative or not of the American government policy.[64] This movie was one of the most important productions of Hollywood during war time, and also very representative of the studios role and position during World War II.


These fictional characters were used to give soldiers safety briefs and instructions on expected behavior, while often portraying behavior that which was not recommended.
Roosevelt's concern about US foreign policy, fascism began to be reported on screen by Hollywood. Army personnel were stationed at his studio and lived there for the duration of the war.[79] A military officer was actually based in Walt Disney’s office. Cartoons such as Bugs Bunny Bond Rally and Foney Fables pushed viewers to buy war bonds, while Scrap Happy Daffy encouraged the donation of scrap metal, and Disney's The Spirit of '43 implored viewers to pay their taxes.
The short Spies depicts an intoxicated Private Snafu giving secrets to a beautiful woman who is really a Nazi spy.
Army wanted to depict Germans as living in a land that was a facade of the wonderful promises made by Hitler. After the Japanese attack on Pearl Harbor in 1941, the studios were fully supportive of the Allied cause and its demands. Producers of the cartoon also wished to show that the working conditions in German factories were not as glorious as Hitler made them sound in his speeches. Most films meant for the public included some type of propaganda, while films for the troops included training and education about a given topic. At the end, Donald awakes from his nightmare and is forever thankful he is a citizen of the United States of America.
Education for Death[83] was a very serious film based on the best-selling book of the same name by Gregor Ziemer. The film shows how a young boy in Nazi Germany is indoctrinated and brainwashed at an early age and learns to believe all that the German government tells him. However, the film is both shocking in its content and despairing in its ending, depicting the death of numerous such boys who are now German soldiers.



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