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admin | Category: What Cause Ed | 13.03.2014
The Electric Daisy Carnival returns to New York in 2014, playing host to multiple stages of electronic music and events. Check out our Electric Daisy Carnival New York Video Channel for videos from previous festivals.
Who do you want to see in the Electric Daisy Carnival New York 2014 lineup, or what rumors have you heard?
The Spacelab guide to the best indie, alternative, & electronic music festivals in 2016. For those of you not at the festival, perhaps you remembered to listen to Electric Area‘s EDC New York coverage, which featured interviews and live sets from the likes of Afrojack, Martin Garrix, Calvin Harris, and many more.
Martin Garrix stayed dry and looked sharp in a SiriusXM rain slicker during his interview with Liquid Todd … which Jay Hardway crashed.
Though it was almost forced to shut down early due to inclement weather, this year’s Electric Daisy Carnival succeeded in being bigger and better than ever.
This weekend the third annual Electric Daisy Carnival New York took over the MetLife stadium in East Rutherford, New Jersey, against a background of converging highways, swamplands, and the suspected location of Jimmy Hoffaa€™s remains.
Held on the same weekend as Mysteryland in Upstate New York and Movement in Detroit, along with Sunset Music Festival in Florida, Sasquatch in Washington State, the ongoing Piknic Electronik in Montreal and Lightning in a Bottle in the California desert, EDC has held fast to its reputation as a flagbearer of big-name festival culture in the United Statesa€”while also catering to underground house, techno, and bass music aficionados. Walking through the stadiuma€™s outer parking lot, past the bag checks and pat-downs, and into EDCa€™s inner sanctum, the muffled cries of limitless breakdowns and eternal build-ups recalled SNLa€™s recent EDM spoofa€”where a godlike DJ named Daviinci blew fansa€™ heads off as they vibrated in anticipation waiting for the bass. The excitement and anticipation of day one, however, was literally dampened by flood warnings in the morning that soon gave way to torrential downpour, transforming the MetLife parking lot into something out of Waterworld, with less Kevin Costner and more sad, struggling ravers. The stages soon opened back up and we quickly found ourselves in the more psychedelic of the four venues, the NeonGARDEN, where John Digweed was serving narcotic techno loops to the more seasoned dance music contingent. Meanwhile, the Cosmic Meadow, located on the actual football field of MetLife Stadiuma€”the location of Super Bowl XLVIIIa€”was serving HARD-curated electro variations in the form of sets from Destructo, Oliver, Alex Metric and more. As day one closed, battle lines were drawn when attendees were asked to choose between Hardwell, Afrojack, Loco Dice back to back with Carl Cox, and Bassnectar, who closed out their respective stages.


Day two was a much less hectic affair, despite an early set from Headhunterza€”the festivala€™s only hardstyle DJa€”who relentlessly distributed heavily distorted, 150 beat-per-minute kick drums for an hour as the festivala€™s resident goths emerged from the shadows to shuffle in circles around a giant mechanical owl. By the Ferris wheel we saw a mean, muscular brute with a pacifier in his mouth walking his girlfriend on a leash like a miniature Schnauzer.
Dusky sounded like Disclosure-gone-off-the-deep-end, and refreshingly, were one of the few acts to play bass heavy, UK-centric house music variations, incorporating the throat-rumbling subs of early dubstep with swinging, 4x4 high-hats and kicks. As the second night drew to a close, we tried to find the press tent that had been pointed out to us earlier, but it seems there was not one single authority figure amidst the sea of uncontrollable, libidinal monsters, so we gave up and watched TiA«sto from the safety of a picnic bench. Therea€™s been plenty of speculation recently about EDMa€™s inevitable a€?bubble bursta€?a€”a theory supported by Ultra Recordsa€™ new emphasis on deep, melodic house and the increasing popularity of labels like Anjunadeep, and it would appear that Insomniac got the memo.
Hey ravers, ragers, and dancing fiends – Insomniac released the dates for the next EDC New York! Click here to check out breaking news, lineup releases, photos, reviews, and more from the world’s premier EDM festivals.
It happens at MetLife Stadium as well as luxury hotels and low rate hotels for after hours partying in New York. Then come back during the festival weekend and after for archived performances and live sets. With headliners TiA«sto, Bassnectar, Martin Garrix, Hardwell, Carl Cox, and Green Velvet, the weekenda€™s programming also welcomed up-and-comers Dusky, French Fries, Kastle, and Rudimental, plus OGs like Boys Noize, Gina Turner and 2manydjs. Despite the incisive, high-profile parody, the crowd at EDC showed no signs of irony as they ran from the entrance towards the main stage holding their hands in the air and singing along to songs about redemption and forgiveness. Having closed the main outdoor stages, the festival directed its kandi-strung, wide-eyed attendees into the stadium, revealing flaws in the festivala€™s rain preparedness. At the CircuitGROUNDS stage, the lighting and pyrotechnics engineers invited us onto the platform with them, where amidst R3haba€™s Dutch house drops, we watched as video artist Mark Fingerhut controlled the stagea€™s gigantic lighting arrays and video platforms in real time. The cuddle-puddles and massage circles started to form on the astroturf laid out in the shadow of the stadium.


Standing on the 50 yard line, we got a€?Nectar'd,a€? as the ravers like to say, watching the longhaired festie superstar maneuver between drum & bass, heavyweight dubstep, and genres that have no name yet because theya€™re from the future.
Meanwhile at the NeonGARDEN tent, Midwestern house legend MK passed the decks to British dubstep-gone-disco party prince, who served sultry, if slightly forgettable, house grooves.
We watched 2manydjs play to a nearly empty stadium, despite being one of the most influential dance music acts of the last two decades.
Green Velvet followed up with an onslaught of alien techno, having flown in from Detroit where he played an early set at Movement.
Graduate of the Kelley School of Business at Indiana University and a fresh transplant to sunny South Florida.
Mascara and day-glo paint ran in streaks on the faces of confused teenagers, most of whom packed nothing more than the crop tops and tiny shorts they had on their bodies.
Every so often one of the guys with kandi masks would come up and ask, a€?Are you OK?a€? We couldna€™t tell if he thought we were on too many drugs or not enough. With a slew of clever references and quickfire samples that drew from classics like ODB, The Fugees, and a sprinkling of roots reggae sound bites, Bassnectar brought a distinctly American sound to the festivala€™s more globally oriented programming.
Bassjackers was on stage three spinning stark big room house with very little of the euphoric, candy-coated pop leanings you might hear from Calvin Harris or Hardwell. We wondered where the hell all the trance had gonea€”even Tommy Trasha€™s a€?Lord of the Trancea€? DJ set the previous night more was big room house hybrids than anything else.



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