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admin | Category: Ed Treatment For Migraine | 16.12.2015
In his previous film, Sillunu Oru Kaadhal, the director Krishna lost his way in trying to balance an intimate story with the overblown must-haves of a star-driven movie. Nedunchalai is about a highway robber named Murugan (Aari), and his legend is built up right from the flashback that details the brutal circumstances of his birth. Like many films these days, Nedunchalai is set in the 1980s, but Krishna doesn’t overdo it.
The staging is atmospheric, the storytelling muscular — though as the film goes along, it loses some of its fizz. A remake of a 1930s classic, The Champ stars Jon Voight and the then nine-year-old child-actor Ricky Schroeder and tells to the story of a broke, washed-up boxer called Billy Flynn, who tries to make a comeback.
Its final scene, which sees Flynn (spoiler alert!) die in the ring in front of his young son, has been judged to be the saddest movie scene of all time.
It truly would take a heart of stone not to be affected by the sight of little TJ (Schroeder won a Golden Globe for his performance) sobbing as he hugs his dying father and wailing; "Champ, wake up, Champ!
And since US research psychologist Robert Levenson identified the scene as the saddest ever, scientists in the US and Europe have used it -- and others -- in a range of psychological experiments. Following Professor Levenson's lead, researchers have hit upon using movie scenes as the most ethical and effective way of causing patients and research subjects to feel everything from extreme sadness to fear and joy. The latest edition of the US magazine The Smithsonian confirms that The Champ is virtually the industry standard for evoking sadness in psychological research programmes worldwide. Initially, researchers used the scene to help them understand what, exactly, triggers the emotion of sadness in people and to measure empathy levels -- ranging from those who will cry at the drop of a hat to those few hard-hearted individuals who remain unmoved even by the emotional power of the young Ricky Schroeder, crying for his dying father. The Champ has been used in studies to see if depressed people are more likely to cry than non-depressed people (perhaps surprisingly, they are not).

It has helped determine whether people are more likely to spend money when they are sad (they are) and whether older people are more sensitive to grief than younger people (older people did report more sadness when they watched the scene).
Scientists in Holland have used the very same scene to study the effect of sadness on people with binge eating disorders. The idea of using movie clips to evoke emotions ranging from sadness and despair to greed and happiness in laboratory settings was first hit upon by Professor Levenson at the University of California in 1988. Over a period of years, Levenson and his team collected 250 film-clips and whittled that list down to 78 scenes which they showed to 500 viewers to determine their emotional responses.
After seven years of fine- tuning the technique, they published a list of 16 short film clips that are able to provoke a specific emotional response, ranging from anger, fear, disgust and laughter to sadness. As well as using well known film scenes, scientists also use montage clips, such as waves breaking on a beach at sunset, or abstract shapes and colours, to illicit other emotions in subjects.
Professor James Gross, who was a graduate student working with Professor Levenson when he started his research into the effects of films on emotions, says they were fascinated by the usefulness of certain scenes for research.
Meadhbh McGrath The GAZE international LGBT film festival returns to Dublin today for four days of Irish and internationally-produced features and shorts. Meadhbh McGrath In 1990, Madonna embarked on her seminal Blond Ambition World Tour and was met with international controversy - even calls for a boycott from the Pope himself.
Western reboot The Magnificent Seven, starring Denzel Washington and Chris Pratt, will close the Venice Film Festival. He doesn’t make that mistake in Nedunchalai, which is toplined by Aari and a terrific newcomer named Shivada. And the award for Most Heart-Wrenching Movie Scene of all time goes to the closing moments of 1979's The Champ.

But if you are not in the mood for an emotional punch to the gut, it is probably best to avoid what scientists have decided is the saddest movie scene of all time. These heists offer a respite from the typical action scenes, and even those, when they arrive, are staged excitingly, like the one in a field ablaze with bonfires, with sparks soaring into the air.
The word is too often yoked to films which attempt to do lofty things, but it’s really just about how you see your film, how much you work on it, how much care you lavish on every frame. But the film is more than these surface touches — it is fashioned along the lines of the cinema from that era. We brace ourselves for one of those dreadful rowdy-turns-good-through-the-power of-love contrivances, but that’s not it. The boisterous routines between Sekar (Salim Kumar) and his portly sidekick are reminiscent of the Goundamani-Senthil comedy tracks. The heroine, a spirited Malayali named Manga (Shivada) who runs a roadside dhaba, brings to mind the character played by Lakshmi in Ennuyir Kannamma.
In fact, the story itself is one of those Nallavanuku Nallavan-type essays of a rowdy mellowing into a good man.

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