Truly beautiful and sophisticated digital piano with authentic piano sound and an elegant modern cabinet - Yamaha premium design "lifestyle" digital piano!
Yamaha MODUS is a concept made real - the product of a global initiative bringing together form and function in a piano crafted for contemporary lifestyles.
Com a tonalidade e dinamica ressonante abrangente dos pianos de cauda classicos, os Yamaha Baby Grands sao uma excelente opcao para salas e orcamentos pequenos. O GB1K, piano de cauda mais compacto e acessivel da Yamaha, e ideal para locais onde o espaco e limitado, e este piano tem um tom de ressonancia completo, comparavel ao de muitos modelos consideravelmente maiores.
Com o tom ressonante abrangente que apenas um piano de cauda possui, a serie GC1 proporciona uma interpretacao superior a um preco acessivel. Com o timbre ressonante e cheio que apenas se encontra num piano de cauda, o novo GC2 proporciona um desempenho excelente a um preco acessivel.
Um som limpido, claro, puro, com uma incrivel profundidade e um excelente toque mecanica, tornam este modelo um dos mais queridos entre os pianistas.
Ao estabelecer o design de um piano que pode vibrar com o pianista, os designers da Serie CX criaram instrumentos que conseguem realmente “cantar”. A partir deste modelo, Os pianos da Serie CX apresentam um reforco estrutural, proporcionando um som mais rico e uma melhor ressonancia. O som de um piano possui uma facilidade de expressao sem limites que, com a melodia e a sobreposicao das notas, resulta numa extraordinaria harmonia. Com uma presenca poderosa e cheia de forca, os pianos da Serie CX possuem uma reverberacao rica, que capta as intencoes do pianista, refletindo-as na profundidade e projecao da propria musica. O modelo de topo da Serie CX, muito proximo de um piano de cauda inteira, que “canta” com toda a graca e requinte.
O S4 tem a musicalidade de um grande piano de concerto, e alem de elegante oferece o som que os musicos profissionais exigem. Os pianos da Serie CF sao caracterizados por uma vasta gama de sons tonais e a capacidade de criar as nuances expressivas mais subtis. Os pianos da Serie CF sao caracterizados por uma vasta gama de sons tonais, capazes de criar as mais sutis nuancias expressivas.
Os pianos da serie CF sao caracterizados por uma ampla paleta de cores tonais e a capacidade de criar as mais subtis nuances expressivas. Yamaha introduces its first harmonica and, later that year, begins exporting harmonicas worldwide.
The company's expertise in metallurgical technologies leads to the manufacture of the first Yamaha motorcycle, the YA-1. Yamaha takes advantage of its materials expertise to create a line of fiberglass-reinforced archery equipment. Following on the success of Yamaha archery equipment, the company develops and markets the first FRP skis.
Sviatoslav Teofilovich Richter comes to Japan for the first time, playing a Yamaha piano at the Osaka Expo.


Yamaha launches wind instruments developed in cooperation with the Vienna Philharmonic Orchestra. In West Germany, Yamaha sponsors the first Junior Original Concert to be held outside Japan. Yamaha synthesizes a range of proprietary technologies to produce its first industrial robots. The company name is officially changed to 'Yamaha Corporation' to mark the 100th anniversary of its founding. The Museum of Modern Art, New York, acquires the Wind MIDI Controller™ WX7 for its permanent collection. The Museum of Modern Art, New York, adds the Active Servo Processing Speaker YST-SD90 to its permanent collection. Fin Christian Jagge (Norway) wins a gold medal in the Albertville Winter Olympics with PROTO-SL skis. Yamaha debuts the Silent Piano™ series, the VL1 and VP1 Virtual Acoustic Synthesizers, and the CD-Recorder CDE-100, CDE-100H10. Denis Matsuev plays a CFIIIS concert grand to place first in the Tchaikovsky International Piano Competition. New CFIIIS is used by Ayako Uehara, first prize winner in the piano division at the 12th International Tchaikovsky Competition.
Yamaha Corporation came into being on October 1, 1987 after its predecessor Nippon Gakki Company Limited changed its official name. Larry Mullen is an instinctive drummer who, like the rest of U2, plays what comes naturally, directly from the heart. Growing up in Ireland’s capital city of Dublin, Larry started out playing piano but soon gave it up for the drums at the age of nine. The band soon graduated from playing Rolling Stones covers to writing their own songs, inspired by the brash ethos of late-1970s punk. Like most young drummers Larry started out experimenting with a more flamboyant style and gradually pared things down to the lean force he displays today. Larry and U2’s incredible success is also due to their willingness to experiment and take big risks with drum sounds and overall production.
Cada centimetro dos instrumentos compactos da Serie CX transpira a paixao da Yamaha pelo piano ideal. Os pianos da Serie CX sao pianos de cauda de qualidade superior, cujo som reflete simultaneamente potencia e sutileza. Produtos fabulosos que sao o culminar de tantos aspectos da Yamaha; a historia, a fabricacao artesanal, a linhagem de desempenho e a vontade de produzir o melhor! Simultaneamente, as teclas e seus mecanismos oferecem um controle impecavel que incentiva o interprete a alcancar novos niveis de expressao musical.
Os pianos da Serie CF conseguem «cantar» frases musicais com uma profundeza e expressividade raramente ouvidas.


Os pianos da Serie CF conseguem tocar frases musicais de uma profunda expressividade, raramente ouvida. Larry has never liked to clutter U2’s songs with busy drumming – he’s always understood the value of drama-laden space.
From the start he wanted to play his own way and was not keen on learning paradiddles and fancy technique. There’s a deceptive art in simplicity - the broad, bold statement that carries to the back of the largest arena - and Larry and U2 are the masters. They constantly worked to stretch the boundaries of stadium rock, creating their own unmistakable sound during the 1980s – the special marriage of rock and roll with technology. Estes instrumentos artesanais sao apoiados por mais de cem anos de producao de pianos de concerto de alta craveira, com extensa pesquisa sobre o que torna um piano verdadeiramente fantastico.
O de seis pes e tres polegadas de comprimentoda CF4 adapta-se a uma sala de recital ou um estudio de ums escola, mas o seu grande som e surpreendente. O som do CF6  e praticamente identico ao do piano de cauda inteira (275 cm), com o seu som rico e aberto, alem de ser rapido para executar e  responder ao que lhe e exigido. O CFX de nove pes possui um grave poderoso e todos os registros conseguem projectar-se sobre o som de uma orquestra sinfonica, mesmo em salas muito grandes.
When U2 first made it big in the 1980s Larry already had a mature style which belied his youth. Larry instigated the formation of U2 while at the Mount Temple Comprehensive School in Dublin by posting a ‘musicians wanted’ notice. Working with producers and engineers including Brian Eno, Daniel Lanois and Flood on albums stretching from The Unforgettable Fire through The Joshua Tree, Achtung Baby, Zooropa and on to 2000’s All That You Can’t Leave Behind (which immediately picked up four Grammy Awards), Larry’s willingness to embrace technology, to work alongside loops and samples, has kept the band on the cutting-edge of rock. Assim nasce esta nova serie de pianos de cauda, aumentando o legado do novo piano de concerto CFX da Yamaha. Os especialistas da Yamaha dedicaram muitas horas de ensaio, juntamente com interpretes mundiais de alto nivel, na avaliacao e evolucao dos pianos para torna-los nos instrumentos que sao hoje – pianos que sao capazes de encantar a todos os publicos. There is always a dramatic dimension to Larry’s playing, an element of traditional Irish music, melodic Celtic roots and the marching bands of his youth.
With Larry starring in the video for the latest single Electrical Storm there’s no sign of the band slowing down yet. After a childhood spent playing with the tools and instruments of his father while watching him work Torakusu was fascinated by machinery. While there he turned his hand to medical appliances, and in 1884 began visiting hospitals in Hamamatsu to repair medical equipment.



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