The successful keyboard workstation must excel as both an integral component in a professional studio and as an expressive digital instrument on stage. Power is useless unless it's easily accessible; both in setup and in operation, the powerful Motif XS8 is a walk in the park. Aside from its sequencing and arranging functions, the Yamaha Motif XS8 is a stunningly expressive instrument. The real test for any workstation, whether it's your main touring instrument or the core of your production studio, is how good it sounds.
And let's talk about effects: the Motif XS8's effects engine doesn't just model the sound of classic stompbox and rack effects, it uses Virtual Circuitry Modeling to emulate the individual transistors and capacitors that make up those effects' character. Every step of the way, from moment of inspiration, through production, to performance, the Yamaha Motif XS8 will make you, simply, better. The MOTIF XS provides an exceptionally broad selection of realistic sounds to spark your creativity, with a massive 355 MB of high-quality waveforms and samples on board. A wide selection of special Mega Voices provide even more expressive nuance, when used with sequencer tracks or the special Mega Voice Arpeggios. Other Voice-related features include a uniquely natural "half damper" effect for acoustic piano sounds. The MOTIF XS has so many sophisticated features that help jump-start your creativity and live performance potential. While you experiment and play around with Arpeggios in the Performance mode, the song ideas will come fast and fierce-maybe too many to remember. Another powerful feature is the Integrated Sampling Sequencer, which seamlessly combines audio and MIDI recording.
There's also a Slice feature that automatically chops up your rhythms and riffs into their individual beats and notes, letting you manipulate the component parts of your sample loops as MIDI data -- giving you the power to easily change tempo and rhythmic feel, without disturbing the pitch or sound quality.
Despite all the advanced technology and wealth of features packed tightly into the instrument, the MOTIF XS is exceptionally intuitive and easy to use. Other convenient operation features include the improved Category Search function, which now is organized with Dual Categories that help you find the Voice you want.
The MOTIF XS is not only exceptionally intuitive and easy to operate, it's a true joy to play -- right down to the newly designed expressive keyboards.
A full-featured music production synthesizer in every way, the MOTIF XS comes equipped with a variety of connectors and interfaces-for virtually any application and any studio situation. The comprehensive set of connectors -- Ethernet, IEEE1394 and USB TO HOST -- make interfacing with computers and your favorite software exceptionally easy.
Today's music production is highly dependent on software, and the MOTIF XS is designed to work seamlessly and transparently in your computer-based environment. If Cubase is not yet part of your software arsenal, a copy of the new Cubase AI is bundled with the instrument, letting you dive in and start using the versatile features of Studio Connections right out of the box.
I never owned a motif before this one, but I found all of the features quite convenient and useful. I had second thoughts of getting it, but after my experiment with it a few nights, it is worth every single penny. The color, the 8 valves, large color lcd screen, and the proportion just gives the motif xs a complete rich finish. One of the most usful features included with the Motif XS is the on board sequencer which runs a 16 track recorder.
Single voice instruments are very real sounding, but if you want your mix to sound like the beetles back in the 60's, you grab something in performance mode that comes close and change a guitar for instance, and the baby boomers will be asking for your autograph. The Motif XS is built solid like all Yamaha's professional instruments, definately buy a case for it if you plan to take it on the road. Usually I never get sexually arroused by mechanical objects, but the Motif has good styling otherwise. Music - CP33 Stage Piano Home Lessons Songs Styles Music Utilities Links Orders Forum Fake Books FB Songs Top Songs Pro Clinic Articles Projects Chords Yamaha CP33 Stage Piano Review by Mike Feechan June 8, 2010 Earlier this year I bought a Yamaha CP33 Stage Piano to use both as a piano and a midi controller for the PSR 3000.
Remember, on top of showing you step by step EVERYTHING you need to make money from the internet. With impressive ease of use, intimate feel, and amazing sounds, the Motif XS8 is the right instrument for both environments.
The eight layers of simultaneous playback are represented as eight physical sliders and knobs along the left side of the control panel. Its 88 semi-weighted, "Balanced Hammer" keys give the feel of a real, mechanical piano without having to worry about keeping the tuner's business card on file. Whatever source voice you use, it'll be like you're running it through a real, vintage flanger, wah-wah, reverb, envelope follower, or distortion. Using the workstation's built-in analog input, you can sample any sound, from an audio recording to your own guitar playing or voice.
Arrangement tools to make you a better songwriter, extraordinary instruments to make you a better producer, and expressive feel to make you a better performer.
A single Voice can have up to eight separate sound Elements, enabling composite sounds of remarkable complexity and nuance. Using the 8 available Elements, XA allows you to more effectively recreate realistic sound and natural performance techniques -- such as legato, staccato and key release sounds -- often used on acoustic instruments but unavailable or difficult to realize on electronic keyboards. Mega Voices are not meant to be played from the keyboard because of their complex velocity layers, but have special expressive sounds that are designed to be precisely triggered by recorded data -- for example, letting you create an acoustic guitar track with authentic sounding muted playing, slides and bell-like harmonics.
This gives you nuanced control over the sustained sound when pressing the damper pedal, depending on how far down you press the pedal.
One of the most powerful of these is Arpeggio, which lets you trigger a variety of sequenced phrases from the keyboard. Simply install optional DIMM modules (up to 1 GB) and record the audio directly to tracks on the MOTIF XS. It gives you a large, full-dot color LCD that lets you see multiple parameters at a glance, and has clear, high-resolution graphics with virtual sliders, knobs and more. Eight knobs and 8 sliders let you instantly tweak a variety of parameters and effects as you play.
Calling up the Guitar category, for instance, gives you access to the Dual (sub) Categories, such as Acoustic, Electric Clean and Electric Distortion. In particular, the new Ethernet connection gives you fast transfer of your MOTIF XS files to and from a computer on the same network. Cubase AI is a full-featured music production software that integrates fully with the MOTIF XS, and can easily be upgraded to Cubase 4. The sounds are increadable weather your after the great pianos, or want to produce any style of music that is out there now, or has been out there in the past. You can over dub and even chain your tracks together in both voice and performance mode, then edit your mix with a virtual mixer right on the LCD screen.


I had been using a semi weighted 88 key dumb controller for years, for better feel and full size keyboard, but wanted a quality piano sound, and had long decided that none of the arranger keyboards could give this.
I am Literally giving you your own website and showing you exactly how to set it up (step by step.. But making music shouldn't feel like a chore, and a keyboard workstation shouldn't feel like a cumbersome implement. They offer instant mixing access, or reassign them to tweak effects, EQ, or any other aspect of your sound. The keys are responsive to attack velocity, aftertouch and key-off actions, adding lifelike articulation to the uncanny acoustic piano voices. Thanks to the implementation of the AWM2 processor and a sound bank totaling 355MB, the Motif is capable of amazingly nuanced instrument voices.
It isn't just the resultant sound that's mimicked, it's the intrinsic behavior of the circuit that's accurately recreated. An automatic Slicer function splits your recorded loops into individual notes for rearranging and pitch-stable tempo adjustments.
Once you experience the full power of the Motif XS8, you'll wonder how you got by without it. Among the standout Voices is a resonant, meticulously recorded concert grand piano sound that is practically worth the price of admission by itself. The MOTIF XS has a full complement of effects, both insert (Insertion) and send (System), and includes a special set of VCM (Virtual Circuitry Modeling) effects that authentically model the elements in analog circuitry, realistically recreating the uniquely warm characteristics of vintage processing gear.
There are approximately 6,000 different Arpeggio phrases on board, and you can have four different Arpeggios, playing four different instrument parts, running simultaneously-in perfect sync, of course. You can capture them easily and directly by recording them to a Song or Pattern (which can be stored to the built-in flash memory).
Record your vocals or acoustic guitar (with a microphone), electric guitar or bass, or even short rhythm loops from a sample CD. The eight knobs are especially versatile, letting you use the knobs to independently control eight different parameters (out of 24 selectable), or use them to control a certain effect setting (reverb, chorus or pan) for up to 8 different parts (in a song, for example). The Mega Arpeggio Voices also have their own Dual Category for easy selection of those unique Voices. IEEE1394 interface gives you a one-cable, one-network solution for high-speed, realtime transfer of multi-channel digital audio and MIDI data over a 1394 FireWire connection.
Naturally, the editor can be used within Cubase as part of Studio Connections, and all settings can be saved with each project for instant recall.
It gives you all the tools to produce professional level recordings -- quickly and easily -- with a system that you can expand into the future.
The organ is like a leslie hammond organ where you can control the valves with the sliders and add chorus in real time with the right fader. The 61 key PSRs and Tyros are ok if you use the piano sound only as a lead line, but pretty poor for full piano keyboard playing. Embrace it, Join Us, & Live Love and Prosper with the life you and your family deserve! As you change parameters, all adjustments are displayed graphically on the Motif's luxurious 5.7-inch backlit LCD screen.
For added expression, the Motif features a set of Expanded Articulation voices, emulations of stringed instruments like acoustic guitar, and woodwinds like saxophone that add glissando, fret noise, reed bends, muted notes, and trills.
Some instruments have up to eight layers of samples for each note, delivering complex attack, sustain, and decay behavior. The Motif XS8 can support up to 1 GB of sampling memory, plenty of room for multiple sample sets for multiple songs or projects. New acoustic piano, electric piano and orchestral samples - not to mention the richly textured and distinctly electronic synthesizer waves -- give you the sonic tools to fully realize virtually any style of music and any instrumentation. Speaking of "vintage," the instrument also includes a sophisticated Vocoder effect that produces classic robotic synthesizer sounds, molded by your speaking or singing voice through a connected microphone. The knobs can also be used to change the rhythmic feel and other settings of Arpeggios and Patterns while they play back. Although there may be a set number of sounds in the presets, you can change any one of the instuments in the performance mode-usually made up of four individual parts, and that includes changing the arpeggios on each individual instrument as well. The Yamaha Motif XS8 is such an instrument, sure to become the core of your studio or stage rig and the centerpiece of your creative process. This 320 x 240 resolution, full-color display makes even the most complex and advanced functions on the Motif simple to access.
These articulations are easily accessible using either the dedicated "XA" buttons or by assigning those functions to foot pedals. The eight sliders can be used to instantly drop out or highlight each element in real time; providing sophisticated expression and unparalleled on-the-fly sound sculpting for playability that's impossible with the real instruments it's modeling. Layer various sample elements in one instrument, and add effects into the patch like any other voice on the workstation. Have a drum Voice play an automatic rhythm, add an Arpeggio bass phrase, and fly in other instrument phrases as the inspiration hits you. You can record your keyboard playing, freely calling up various Arpeggio types as you improvise, then edit the Song later as necessary. Two Assignable Function buttons give you added control over the sound of the new Expanded Articulation (XA) Voices, letting you change sounds within a Voice in real time.
What that means is you have an infinate number of choices to mix together and become a one man band.
Four pedals--two sustain style and two footswitch style--can be connected to the Motif for hands-free control over stylized playing techniques.
The XS8 includes hundreds and hundreds of voices, from acoustic and electric pianos and organs, to guitars and basses, acoustic and electronic drum kits, single woodwinds and brass sections, string instruments, and full orchestras. An advanced arpeggiator is also a single button-press away, and its over 6,000 arpeggio patterns are sure to inspire new grooves and new song ideas.
You may even want to 'keep the recorder running' as you play, then listen back later and pick out the best parts to create your final composition.
I also recorded a couple of songs so you could hear it for yourself.The first, It's Impossible, is using the CP33 as a straight solo piano. Transport controls and other sequencer functions are clearly labeled and cleverly positioned, making the Motif XS8 an intuitive songwriting and sound designing tool.
The Motif XS also makes for an unbeatable digital grand piano, supporting half-damper functions when you add a Yamaha FC3 sustain pedal. Then of course there's the unreal synthesizer sounds: thick, cutting, warm, intense, and infinitely adjustable.
When the arpeggiator is combined with one of the Motif's "Mega Voices," subtle playing nuances like guitar hammer-ons and pull-offs are triggered.


You would be hard pressed to find anything out there that even comes close to this work station.
I don't think I had played this song for 25 years, but recently someone posted a nice vocal version on the PSR Tutorial, and it was rolling around in my head when I was trying to think of something to play as a demo piece.
Dedicated buttons activate the effects modules and arpeggiator; two incredible functions that wouldn't be so fun if you had to wade through menu after menu to get to them. It's like handing the world's greatest guitarist your sheet music and having them play the part perfectly, instantly. A friend of mine traded in his Kurzweil PC3X after playing on the Motif and never looked back. I played live by ear to record this and the arrangement is just what popped out of my head, but it contains some unusual harmony and key changes, so even if you are not interested in the CP33, I think its a nice piece that works well as on solo piano. The pitch bend and mod wheels offer just enough resistance for musical operation, and a premium ribbon-controller provides yet another dimension of expressive instrument interaction.
It's not hard to see where the XS8's arpeggiator will come in handy in every aspect of the creative process, from initial creative spark all the way to recording and performing. The second piece, I Should Care, is a piano jazz arrangement of an old Sinatra song that is one of my favorites.
USB and dual FireWire ports allow the Motif to integrate seamlessly with your computer recording rig; use the keyboard like a plugin with your favorite DAW, as a MIDI controller to trigger software instruments, or even as a control surface, triggering record and playback functions remotely. The Yamaha Motif feels like a real acoustic instrument, and it's sure to inspire authentic performances from you or anyone in your studio. All sound is reproduced in high-definition thanks to the Motif's 24-bit, 128x oversampling digital-to-analog output converters.
Computer connectivity also means easy access to Motif voice-patch editing, via the free MOTIF XS Editor software. The benefits of the Motif's audio quality in performance and production are obvious, but it will also have an impact on your creative process; think how much richer and complete your compositions will be when you're able to write with an entire orchestra at your fingertips.
I am fortunate to live in a large city and had extensive access to compare pretty much every make and model from $600 to $6,000. I found that all of the mainstream manufacturers (Roland, Korg, Yamaha, Kurzweil) had models in the $1,500 to $3,000 range that were very good. Some of the more expensive models had more bells and whistles and additional voices, rather than better piano sound and feel, and with owning the arranger I realized I would not use them much. The $6,000 Roland V piano had great sound and feel, but was not a very portable instrument, and it was not that much better than less expensive models.
The keyboard can be split, sounds layered, and there is some control of the effects.
Splitting the keyboard is also simple, and again the sliders now can control the level of each section of the keyboard. For most people this will not be an issue as this keyboard is designed primarily as a simple piano, and, thankfully, those functions are all pre-set and very easy to access.
Although some of the other voices are good particularly the electric pianos, they were not a decision maker since I already have the PSR voices. The piano sound in even the best digital pianos do not completely reproduce a top quality piano although I am told that the latest Yamaha digital piano costing about $20,000 can fool even a concert pianist.
They are all a little different – as are all pianos - and the one you like best is probably more about taste and preference than accuracy in reproducing a piano sound.
I thought the CP33 had a very good piano sound, with good resonance in the lower ranges, and when sustain is used. I originally thought the internal speakers were pretty good but when compared to the sound from the M-Audios (which are neat looking, and cost less than $150 for the pair) they actually sound very ‘tinny’. The M-Audios seem to have the perfect balance for a medium to large room, the bass is prominent but not overpowering, which it was on my other external speaker system. I have the speakers on stands at ear level, and there is so much ‘punch’ in hand that I suspect they would work well for small public venues, like nursing homes, restaurants etc. When buying these, I compared them to the Yamaha speakers that they sell for the Tyros and thought they sounded better, and had significantly more punch.
At first I had it set up like my dumb controller where it completely reproduces the accompaniment and LH and RH voices just as if you are playing the PSR keyboard. This has the advantage that you can layer the PSR and CP33 voices together and get some amazing sounds. I found this to be something of an unexpected bonus, because the combinations can be awesome – it’s a lot of combined sound generation. However, it has the disadvantage that to get the CP33 piano sound by itself the voices on the PSR have to be set to ‘off’. This way I can have voices set up on the PSR and change voices while playing by swapping back and forward between the two keyboards. If I want to use sounds layered from both keyboards simultaneously, I just switch to the other midi set up. When I set out to add a good digital piano to my set up, I expected to spend about $2,000, but I got the CP33 for half of that.
I expect the Kurzweil and Roland would also have been good choices, but after several months I still feel satisfied with the choice I made.
I always thought that the Clavinova was the perfect instrument for me, but it was expensive and not portable, and now I essentially have the features of the Clavinova at a fraction of the cost and portable into the bargain. THE ULTIMATE GUIDE TO MASTERINGThe Complete Bundle: Ultimate Guides to Compression, EQ, Reverb, Bass, Mix Checklist plus NEW!
This 88-note keyboard is loaded with smart functions that make it feel and sound like the real thing. The Damper Resonance DSP function digitally reproduces sympathetic string vibration when the damper pedal is depressed.
And, all 88 keys are weighted for a heavier touch in the low end and lighter on the high end, just like a real acoustic piano. The Yamaha DGX650B is definitely a great alternative to a real piano, but it's also loaded with some amazing functions that only a Yamaha keyboard could provide. For instance, it's XG-optimized for Yamaha's "You Are The Artist," meaning you can choose the song you want to play from the keyboard's song files and have an instant backing band. And, with the easy-to-use USB recording capabilities, you can easily transfer your playing to your computer and share your masterpieces with anyone.



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