The SP4-7 Stage Piano delivers world-class sound quality with 128 programs migrated directly from Kurzweil PC3 sounds, including acclaimed famous Triple Strike Grand Piano, classic electric pianos, lush strings and orchestral instruments, along with top notch basses, guitars, winds, brass, percussion and drums. The Kurzweil SP4-7 nonetheless is surprisingly compact, lightweight and affordable, despite features 76-key and no compromises were made with regards to sounds quality. Keyboard workstations provide you with a greater palette for creating original sounds and effects than other types of professional keyboards. Perhaps the coolest thing about a workstation is its ability to generate multiple sounds simultaneously. Applying effects to a MIDI or audio track can turn an ordinary sound into something special. The type of synthesis depends on the type of music you want to make and also on what other sound sources you have.
By now you probably realize that there are many options to evaluate when choosing a keyboard workstation.
Teenage Engineering's OP-1 synthesizer gives you a complete sampling and synthesis workstation you can take anywhere.
These keyboard instruments all differ in the sounds they make, the number of keys they have, and how the keys a€?feela€?, especially in terms of sensitivity to touch and volume. The difference between "just playing a song" and really "making music" is knowing how to express yourself on the keys.
Learn to play the piano or keyboard, from beginner to advanced, classical, jazz & modern styles. The new Yamaha NP-30 Portable Grand is an Ultra-Portable Digital Piano keyboard due to its compact and lightweight. The NP-30 has 32 notes of polyphony and will play back 16 different parts or sounds at once (16-part multi timbre); enough for the most demanding needs. The SP4-7 features 76-key Semi-weighted keyboard, LCD display, 64 voice Polyphony, 16 parts Multi-timbral, 128 preset Programs, 128 factory setups, Timbre knob, Effects, Pitch and Modulation wheels. Weight merely 24 lbs, the portable keyboard is ideal for musicians and gigging pianists who need portability. This Sweetwater Buying Guide includes information that can help you choose a keyboard for your needs. Workstations employ different methods of sound generation, such as analog modeling (great for electronic music) and sample playback (for realistic renditions of acoustic instruments).


If you’re a film composer, for instance, you could sequence strings, brass, woodwinds, percussion, and grand piano patches for a cinematic orchestral score. With the push of just a few buttons, you can record numerous accompaniment parts of on your keyboard, except the ones you are going to perform live, and play along with the sequenced backing track. Arrangers have evolved into a necessary tool for the professional performing musician, and have even made their way into the studio.
ROM (Read-Only Memory) expansion allows you add sound cards, thus extending the sonic range and useful life of your keyboard.
If you want convincing piano, string section, brass, and percussion sounds, a sample-playback synth will work well. With many workstations offering sounds that were recorded in world-class studios with premium vintage gear, the question of sound quality becomes an issue of whether or not the sounds a particular keyboard produces inspire you. If a workstation has knobs and sliders, make sure they transmit MIDI continuous controller (CC) messages. If you are working with a computer-based DAW, a USB port that passes bi-directional MIDI allows you to use your keyboard as a master controller for your favorite software and virtual instruments. Your Sweetwater Sales Engineer can be a valuable resource, with the knowledge and training to help you make a decision. The AWM is for reproducing sound digitally and Stereo means that the piano sounds that you hear on every key of the NP-30 were recorded using two microphones.
The Ultra- Portable Digital Piano has Dual Voice Mode, meaning that you can choose and combine any two voices you like and play them both together. Like create splits and layers with the touch of a button; select presets and setups from easy to access category and program buttons, and quickly control effects parameters using the Timbre knob, so musicians can customize sound without having to dive into menus and the menu-shy can customize their sound with ease.
Many keyboards even offer full sampling functionality, so you can record any sound and reproduce it in varying pitches across your keyboard. Many feature effects that can be applied to individual tracks (insert effects) as well as to the total mix (master effects). For sampling keyboards, the amount of RAM (Random-Access Memory) determines how much sampling time you’ll have. If your genre is electronic music, a workstation with analog modeling would be more appropriate. If your keyboard needs repair, you won’t lose your settings when the keyboard is reinitialized.


A keyboard with a built-in audio interface can be a very cost-effective way to get high-quality audio in and out of the computer without having to invest in additional gear.
The 16-part Multi-timbral architecture makes the Kurzweil SP4-7 a powerful tool for writing and recording music in conjunction with an external sequencer or Desktop Audio Workstation. If you really need to cover all the bases, you should consider a top-of-the-line workstation (such as the Korg Kronos) that employs multiple synth engines. Also, if you are performing cover music and want to produce more authentic covers, workstations give you options such as pre-programmed MIDI files for reproducing the music more accurately.
Additionally, workstations that include audio recording capability usually provide important sound shaping tools such as EQ and dynamics processing. This has become a unique tool for composers who have to produce music quickly in a style they may not be familiar with.
You must determine which combination of keybed action type and number of keys will provide the best combination of feel and functionality for you. Once you determine the type of synthesis that you prefer, it will be easier to choose an instrument. You can use them to sweep filters and fade FX in the keyboard’s sound engine, and also for controlling levels in your sequencer.
Also, in time, the number of patches you create may exceed the memory capabilities of the keyboard. With a robust control set that gives you the ability to modulate hundreds of presets or build patches from scratch, the keyboard workstation makes it easy to design and shape your own sounds. This gives you even more control over the final sound that you produce with your keyboard workstation.
Even songwriters who don’t know how to program drums or play guitar can use the arranger to hear their songs being played by a band, without having to call in musicians. If you really need to cover all the bases, however, you might consider a top-of-the-line workstation (such as the Korg Kronos) that employs multiple synth engines.
Finally, for the working solo performer, the arranger can add new dimension to your sound by giving you the advantage of sounding like a full band.



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