Free Online Piano Lessons – Discover How To Play Piano in a Way That Fits Your Busy Lifestyle! A page of music has a lot of symbols and notations that are easily interpreted when you know a few basics.
When you learn how to read music, you also need to know the rhythm a piece should be played. Note: This simple explanation only applies when the top number is 4 and under- simple time. A sharp () is a sign which is written in front of a note and raises the pitch of that note by one half-step. The flat, sharp and natural symbols are referred to as accidentals and only affect the note in the same octave in which it has been written. There are times when a composer may want you to flat (or sharpen, #) all of the B’s, for example, in a particular piece. As you can see, the speed notation is the composer’s attempt to convey the feel at which the piece should be played.
Playing the piano seeks to express and convey emotion and feeling through the music; so many times the composer will user emotional words and leaves it up to the musician to translate that into an appropriate tempo.
The numbers above the notes on the treble staff are typically for the right hand and numbers about the notes on the bass staff. Liberace would always play his piano with ascending or descending notes or keys in a sweeping motion using his thumb or other finger running it right down or up the piano keyboard in very fast motion. I am beginner and find it damn easy to follow though I may have to read many times with practical to digest the whole lecture.
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If you haven’t done so already, I highly recommend you watch and listen as well to the video. Be sure to also scroll down to explore a bunch of extra to help you learn more about this left hand arpeggiation pattern and playing this Beatles piano song. If you want an example of how to do this please watch the video above or take a look at the first F chord in the Yesterday sheet music. Essentially, you arpeggiate a left hand chord by playing the bottom note first, then the top note, then the middle note, and then the top note again…just like we do in the video above. Often times the alberti bass features block piano chords more toward the middle of the piano. If you’re a beginner to piano and want to learn more about how to play these block chords out my lesson on lesson on the F major piano chord and the C piano chord.
If you want to learn more about how to use the 9th check out this lesson on how to decorate major chords using the 9th. I hope you had fun with this Beatles piano lesson and had fun learning the left hand arpeggio pattern. If I get enough requests I’ll teach you how to play the B section of Yesterday in another lesson. Steve many thanks for showing this tutorial on the Beatles song Yesterday hopefully you will do some more Beatles Tunes or what about Jealous Guy by John Lennon.
Hi Steve I would appreciate to send the whole song of yesterday, I’m learning a lot with their lessons. This topic is frequently asked by students be it beginners or intermediate and being a beginner myself I am full of doubts as how to start and progress !!!My previous teacher stressed many times the importance of sight-reading and say I cant progress much beyond without having learned sight-reading.
Playing piano is not quite like touch typing where there is a central place for the fingers to park. One of my biggest thrills is that finally *this time* my sight reading has improved to the point where I feel like I have crossed a *line in the sand*.
My wonderful first teacher used to say, "How do you eat a chicken?" You have to cut it up! The Staff with the Treble Clef combined with the Bass Clef make what’s called the Grand Staff.

They do not affect the same note in other octaves unless they have been labeled with an accidental.
In such a case there is a shortcut that eliminates the necessity for using a flat symbol every time a B appears. Looking at a page of music and understanding it will be easy once you know these definitions. In order to post comments, please make sure JavaScript and Cookies are enabled, and reload the page.
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Would you like to learn a super cool left hand piano pattern to help you expand your piano arrangements? I’ll show you how to play the verse (A Section) of Yesterday and teach you how to expand these chords. A very important part of learning contemporary styles is to listen as well as read the music.
This left hand arpeggio pattern I teach you in this lesson is actually quite similar to an alberti bass pattern.
Along these lines if you wanted to simplify this arrangement more you could just play block chords in your left hand and note even worry about arpeggiating. The left hand piano pattern I teach in this video could theoretically work well at different tempos but it will particularly work great on ballads.
If your hands are too small to grab the expanded left hand chords just roll your hands and use the sustain pedal to help you. Notice how the melody starts on a non chord tone (the 9th of the chord) and then eventually resolves down to the root. If you want to learn more about some pop piano techniques I also recommend you check out this piano lesson on Margaritaville.
I recommend you spend some time practicing Yesterday and also applying the left hand arpeggio pattern to other songs you enjoy. If your audio is not syncing with the video it has something to do with your current setup. I spent a lot of time using this approach and became very good at sight reading either the bass cleff or treble cleff but it in no way improved my ability to sight read the grand staff.The problem is that you start to see the two staffs as two distinct entities instead of the single entity that they are. I spent a lot of time using this approach and became very good at sight reading either the bass cleff or trebble cleff but it in no way improved my ability to sight read the grand staff.The problem is that you start to see the two staffs as two distinct entities instead of the single entity that they are. BTW:I can usually get my score up to 98% or better but there was a time when 60% was stretch treble cleff and 20% bass cleff.
Whether you are learning to play the piano through the classic method or the chord method, you’ll have to be familiar with how to read music. This is why a natural is needed, just in case you happen to need the same note again in the same octave but without any variation in tone. In some case, the dynamic level is related to the mood; in other cases the mark is much more direct. The good news is that the musical alphabet is much shorter than the English one - it's only seven letters long. Piano staff is actually two staves joined together - Treble Staff (or Treble Clef) and Bass Staff (or Bass Clef). Sound is created when a note or key is pressed down and then held for the required duration, to put it dryly. We’ll also talk about some piano technique tips to help you grab the left hand piano chords more easily.
Please also note that I simplified the melody in this arrangement to make it a little easier so everybody can play it.
If you’ve played classical music before you should be quite familiar with this concept. By starting the melody on a non chord tone Paul McCartney creates a really subtle need for resolution and it propels the arrangement forward. It’s been used in hundreds of popular songs in both rock, pop, classical, jazz, and many other genres. Take for instance, my counting falls apart totally if I have to take more time to get the next note right. To cancel a flat or sharp, a natural ( ) is placed on the staff before the note it is to affect or when a new measure begins. They are generally at the beginning of a measure (and at the beginning of the music) and usually located in the space between the treble and bass staffs.

The keyboard’s map is recognized as the Grand Staff and you should be able to read it effortlessly as you go about your daily piano practice. Make sure you’re running the latest version of your browser and restart your browser.
This helps with your note recognition.2) For each hand you are only going to find one note on the keyboard and then play the intervals. I sometimes find it helpful to clap the rhythm away from the piano (hands together) several times before trying a simple sight reading piece. If the same note is always going to be sharp or flat, music writers use key signatures to indicate once and for all (see below). Once set, it’s in effect until another dynamic symbol is display or for the entire piece. Also, the videos are in HD so there is a possibility that your internet connection may lag a bit. C sharp and D flat are the same key and will produce the same note when played on a keyboard. To help you remember where the notes go you can use mnemonics - simple techniques to assist you in remembering things. Each symbol used to identify note pitches also holds key information as to the duration such as the quarter note which is responsible for one beat of the bar.Here is a piano note chart you can print out and practice with.
You can quickly play intervals without having to perform the note translation process as described by Bill C.3) Read EVERYTHING, including tempo changes, key-signature changes, accidentals, etc.
That’s exactly what the best piano note diagram should do, inspire you to memorize the material as quickly as possible.
From what I've read on the subject (and I agree), you can play through a new piece 4-5 times and it counts as sight reading.You want the pieces to be fairly easy.
Being able to play one of those lines in any key was all about intervals and completely forgetting about notes. Reading piano notes requires you to recognize the seven main tabs such as those of a C-major scale being made of the notes CDEFGAB. You'll struggle for sure, but slowly you'll get better at it.You can "recycle" material too.
Many of the above responses seem to go to the note recognition aspect of it, but I think the more important thing to master is interval recognition.
There are always a few little tricks you can use once you have a good hang of the music intervals that we covered in Day 3 of our free piano tutorial. After 6-12 months or more, I tend to forget a piece and I consider it sight-reading for the first time at this point.
Being able to navigate the topology of the keyboard by intervals, knowing how to make the intervals with your fingers after immediately recognizing the shape of the interval on the sheet music. Intervals of thirds can be read effortlessly because they go from one line note to another line note or from one space note to another. Of course, if the piece seems too familiar, then it doesn't count as sight-reading.I don't worry at all about tempo.
This removes completely the concept of "note value" and thus, takes away "a step of translation" for the sight-reader. I think also if you master sight reading by intervals rather than note values, your ability to transpose keys and such will also be increased. The right hand usually plays the notes of the top staff which usually hold the so-called treble clef.
Of course I am still at a point where I have to take much of my own advice, it is a struggle, but I'm pretty convinced, at this stage of the game, that interval recognition and a feel based sense of the topology of the keyboard is a much more productive way of sight reading than trying to translate to a letter, and then to a spot on the keyboard, note by note. HT isn't the best way to develop technique when learn a new piece, but for strictly practice of sight-reading, I don't believe HS is productive. I tried a few lead sheets slowly but the notes are jumping from one octave to another and back.
Chang in his book (I got into a discussion of that on another thread.) Take a simple primer book and read the baby pieces hands together.

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