First & Last Name*Telephone Number*We require a telephone number in case our response ends up in your spam folder. If you’ve ever thought about taking jazz piano lessons, this is your chance to do something really unique and special. Whether you are an adult beginner, or are keen to build on your piano experiences as a child, it will be my pleasure to help you make the most of your piano playing. My piano lessons for kids stretch their ability in a healthy way, with an encouraging style that fosters their enthusiasm and confidence.
Once I have learned what your pianistic goals are, I’ll define a pathway of study tailored to your individual needs. As you develop confidence you’ll take your first steps in improvisation, starting to establish your own individuality as a jazz pianist.
Whether you would like a structured course of piano study (for exams, auditions or concerts) or to play purely for pleasure, I’m here to help you fulfil your potential and gain maximum enjoyment from your piano playing.
Otherwise, I teach at home in Friern Barnet, North London, on a wonderfully toned Steinway upright.
My own pianistic heritage has a substantial Russian influence (please see the about section of this website), with its emphasis on physical effectiveness and beauty of sound. As musicians I believe we should always try to locate the emotional essence of every piece we play.
Although the backbone of my piano teaching is classical music, you can take jazz piano lessons with me as a self-contained subject (please see the jazz section of this website) or we can incorporate some jazz and other popular styles into your standard classical piano lessons.
Other lessons offered: music theory, music appreciation (please see the separate sections on this website). Please look at the headings on the home page to find the section(s) most appropriate to you.
The idea behind harmonizing a melody in jazz piano is pretty much the same as in other styles of music.
After playing piano for a while, your ear will surely start to develop sensitivity to recognize music intervals. Adding jazz riffs in a musical progression is relatively easy if you know how chord structures and music harmony works. When most people think of jazz piano techniques, boring exercises like scale runs, hanon workouts, arpeggios will often come to the mind of the pianist.
Besides swing and bebop styled music, swing phrasing is also commonly found in jazz genres of piano playing.
If the bass note is repeated for several bars with the chords on top changing, it's called a pedal (wikipedia link) and is used to build tension in the music. Normally jazz pianists play rootless voicings, chords without the root (the C in a C7 chord.) The reason we don't need to play the root is because the bass player is doing that, or in solo piano it's our left hand.
The main argument against using slash chords is that with effort and some creative theory, you can spell out any chord without a slash. Even though you can almost always spell a chord out scientifically, note for note, number for number, exactly as it "should be" from a jazz theory point of view, that doesn't mean you should.


The first step in improvising over slash chords is playing over the chords (improvising on the chords), not the bass notes. On the other hand, if I had something else in mind like resolving to a CM7 chord, the chord would undoubtedly be written as a C11(b9) because it would put the musician mentally in the key of C for that part of the music, giving the musician the best opportunity to jam on the music as possible without any confusion. Slash chords and especially pedal tones are useful when you want to calm the music down or go the other way and build up to a transition in your performance, to raise the potential for some kind of awesome splash-down that will drive the audience crazy. A great example of using a pedal to work things up is Monty Alexander and his trio with John Clayton on bass and Jeff Hamilton on drums playing "The Work Song" by Nat Adderly at the Montreaux Jazz Fest in the late 70's. Take a look at the tune "Beautiful Love" (a standard we should all know!) It opens with a 2-5-1 in D minor.
No matter how you feel about slash chords, the fact is you have to play them and improvise over them. The first thing you do when you see a slash chord is figure out how it relates to the music around it. When you are improvising you must know what the harmony is ahead of you and what the harmony is behind you while also focusing on your improvisation so that what you're playing is going somewhere and leading the listener to the next harmonic center in a musical way.
If you're having trouble figuring out the harmony over a slash chord (or any chord) try checking altered notes in the melody, notes that have sharps, flats, or naturals. If you don't know what notes will work when you're improvising over a certain slash chord; some of them can be tricky, then play the melody or just stop improvising and listen.
Jazz piano improvisation is like a painting- you can't see anything in the painting unless the artist puts some space around them. These lessons, on the other hand, will help you play jazz piano with sophistication and style in addition to the basics. Perfect if you are looking for piano lessons E1, EC1, piano lessons EC2, piano lessons in EC3, EC4 piano lessons. Areas of North London readily covered include: Highgate, Muswell Hill, Crouch End, Hampstead, Golders Green, Finchley, Southgate, Whetstone, Barnet, Enfield. If you are tackling advanced repertoire, my experience as a concert pianist will help you project your musical intentions with maximum impact, and overcome the most challenging difficulties.
However, my approach to piano teaching is flexible and imaginative, with my lessons being tailored to the individual student’s needs, aims, personality and aptitude.
Showing a student how to practise the piano in the most effective way is one of the greatest gifts a teacher can bestow.
As a jazz musician playing the piano, a good understanding of the jazz chords and their voicings will help greatly in your craft.
In jazz playing, being able to identify some common intervals used will help you improve in this style of music. In jazz music, a turnaround is a good method to end a particular section of the song and help lead the music into another section. Besides technical playing skills, there are a variety of jazz piano chords that need to be mastered in order to comprehend the style of music fully.
Did you know that rootless piano chords are a commonly found way of playing chords to create that distinctive jazz sound?


In this lesson, we will get you introduced with the concept of applying it in your playing. During the process of learning more songs and further developing the ones you already play, you will eventually know the architecture of jazz so well that you play the sounds you are hearing in your head without having to think at all about how.Why Do Jazz Pianists Use Slash Chords? Take a deliberate listen at the 11:05 mark of the vid below if you're not swinging out of your mind by then as Monty sets up a pedal tone that they hold for 8 bars while Monty does his thing.
Don't get caught up in the semantics of how you're going to spell the chord, argue about how the chord should be spelled and if it should have a slash or not, instead get caught up in is how to make your music the best it can be by jamming over the sound of that slash chord as it pertains to the music. That's part of always knowing what's happening ahead of you in the music and how it relates to what you're playing at that moment. It's worse to play through some harmony using guesswork; the audience knows when you are BS'ing and anyway, you don't have to fill up every moment with notes.
Most people progress much faster than they think as they get carried away with the magic of the music.
Equally, I’m adept at cultivating the talents of students at all the earlier stages of development. Adults are very welcome. Although I’m rigorous and meticulous in preparing you for your goals, I’m also patient and encouraging.
When we succeed as artists we enrich our own lives and those of our listeners, sometimes to a very powerful degree.
One common problem that many people have is that as soon as you try to add rhythms or melodies to that rhythm, everything might fall apart. The same 5th that would be in the 2-5-1 chord (link goes to LJP 2-5-1 lesson) progression of the same key. This is so you can get an idea of the harmony (which may or may not be obvious) and play appropriately.
Keep in mind that the notes you play during improvisation are only as good as the space you put around them. It’s like a switch is flipped in their brain and suddenly they find they can play something catchy and jazzy.
As long as you are trying your best, the piano lessons will always be friendly and positive. My aim will always be to inspire you in seeking what lies behind the notes on the page, so that your musical endeavours can genuinely enhance your own and other people’s emotional experience. Notice that we're playing the root of the chord, the C, in the right hand chord voicing (wikipedia link and see below).
If you are single, nothing impresses a date more than being serenaded with jazzy tune played with finesse especially for them.
Instead, you will enter a musical milieu specially designed to bring out your creative juices.




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