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Black sails character change, step ups crossfit - PDF Review

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With these new insights, Rotten Tomatoes chatted with the cast of Black Sails about their reaction to the big twist.
Fantasy and Historical novels have something in common: they often have a large ensemble cast of at least a dozen main characters, with up to hundreds of secondary characters.
Today I’d like to give a few pointers about writing a large cast of characters who are all in the same place and are forced to constantly interact. Black Sails introduces us to a cast of 11 main characters and more than 30 (named) secondary characters. The key here is to give each main character his own name, his own way of speaking, his own look (clothes), his own motivations (reasons to be in the story) and his own plotline or “story arc”. What can be helpful is writing an “ID card” for each character before or while you’re drafting: that way you can keep track of each detail and refer to the character’s card for consistency. In Black Sails, Eleanor Guthrie is one of the key characters, and she ticks all the above boxes: her speech, her clothes, her hairdos, her goals and her story arc are completely specific to her and she can’t be confused with any other character. The characters in Black Sails can roughly be put into 3 groups: one led by Captain James Flint, one led by Eleanor Guthrie and one led by Captain Charles Vane.
At the end of the first episode of Black Sails, I couldn’t tell you more than a couple of characters’ names.
Having a large cast of characters is a golden opportunity to introduce characters with diverse cultural, religious and ethnic backgrounds, from different age groups, with various sexual orientations or with disabilities.
With a large cast of characters, it’s important that each one is fully fleshed out, with qualities and flaws. My final advice when writing a large cast of characters is to remember to show them to the reader, not tell the reader about them.

In Black Sails, Long John Silver is a good example of a character we aren’t told much about.
This entry was posted in About writing and tagged Black Sails, characters, EM Castellan, fantasy writer, historical novel, large cast of characters, writing, writing tips.Bookmark the permalink.
This is a wonderful overview of the show, and such good advice about composing a large cast of characters. My only addition would be to mention the characters of Anne Bonny and Jack Rackham, who have already become one of my favorite TV couples of all time. Anne and Jack together are funny and loving in a way that’s perfectly suited to their characters. I’m currently writing a novel with three POV characters that spend a fair amount of time together, or at least in the same city. I suppose I should go back and read the second book of Joe Abercrombie’s First Law trilogy, where he has three POV characters travelling with each other for the majority of the book.
Dufresne was portrayed by Roland Reed starting in the second season, replacing actor Jannes Eiselen, who portrayed the character throughout the first season.
It is possible that, as an English pirate possessing a French surname, Dufresne may be a second-generation descendent of French Calvinist immigrants who arrived in England during the 1680's, which is roughly thirty years before the events of Black Sails.
Although GoT does have a large ensemble cast, it circumnavigates some of the challenges of writing a large cast because all the main characters are in separate places. But these groups are a great way to introduce all the characters at the beginning: a reader or viewer can’t memorize the names of 20 characters in one chapter or one episode. I could, however, tell you that Captain Flint was the main lead character, that his goal was to find a Spanish treasure galleon, and that his crew consisted of a nice and wise quartermaster, a handsome first mate, and a clever cook with a secret.

In 8 episodes, these topics weren’t fully developed, but there’s room for some interesting characters’ development in the seasons to come.
We need to understand who these characters are and to make up our mind about them through their actions, not because we’re told about them.
I think it’s a great example of giving the audience time to love the characters, both individually and as a couple. I tend to be okay writing a large cast of characters, but I find it difficult to decide who should get their POV chapters when.
Flint warns Dufresne to change course, and not to be tempted to take a new prize with their powerful new ship, as the crew was still recovering from their last battle.
In the first couple of episodes he manages to kill a nice (elderly) secondary character, to punch Eleanor in the face and to beat up Max.
I often find them acting too passively in another characters POV, or sometimes in their own.
The man put his own pistol point black into Dufresne's face, but it misfired, resulting in the two being tangled in a melee.
The reason all these people can’t seem to agree or make up their mind is because these characters are complex enough that you can’t really love them or hate them.

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