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Hello fellow readers, and welcome to another one of my many, many rants here at Fanboys Anonymous. So it happened I have updated to Windows 8.1, and let me tell ya, it was the biggest pain in the arse I have ever experienced. There I was, chatting to mates about trivial things, minding my own business, when I get a random pop-up from the Windows shop app saying that I can update to Windows 8.1 FOR FREE.
Then I get another pop-up saying that I can still work on my PC while it's downloading—which, to be fair, it did.
Not to mention, I lost my Skype mute button, but that was probably Skype's fault and not Windows 8.1—but Skype's a Microsoft product anyway, isn't it? If you have had grievances in the past with a Windows base product, like I have, please vent and let me know in the comments below. If you would like to sponsor a post on this website, purchase an ad, become an affiliate, or take part in any kind of promotional opportunities of the sort, please use the contact form to send us an email and we'll get in touch as soon as possible with more information.
Amazing X-Men #16 jumps straight back into the action from the previous issue and tantalizes with some great twists and excellent art. The artistic style that Jorge Fornes set up in the previous issue has matured beautifully in issue #16. As always, check back regularly to see what Chris "The Dace Man" Dace is looking at (and no, not just porn), as well as all of the other bloggers here at Fanboys Anonymous. Now the two are united again but must look to the future, for the protection and survival of mutantkind. Magneto must face personal demons in this issue and overcome his physical and emotional struggles to seek a different, if unexpected, outcome for mutantkind.
Regular artists Gabriel Hernandez Walta and Jordie Belaire return and get straight back into the swing of things.
With the recent announcement from Marvel about Secret Wars coming in a few months, I truly hope this series comes out on the other side of the All-New Marvel.
Our first look at Josh Trank's reboot of Fantastic Four was released today with the first trailer. FANTASTIC FOUR, a contemporary re-imagining of Marvel’s original and longest-running superhero team, centers on four young outsiders who teleport to an alternate and dangerous universe, which alters their physical form in shocking ways. As the reemergence of the ruby of Cyttorak occurs in Southeast Asia, Colossus and the X-Men are drawn to it to stop the rise of another Juggernaut, the avatar of destruction.
The exploration of less mainstream characters on the X-Men roster of the Jean Grey School is where the Amazing X-Men excels. The idea that DC is taking a kind of villains-first approach to their world-building has some merit. Of course, with the inclusion of Deathstroke, one notices that a number of Gotham-centric villains are on the Suicide Squad.
I'm paraphrasing what their sources reported, but it's pretty interesting and seems to be the set up for the film.
The Squad takes her back to an "underground prison" where apparently many villains are housed, including a few who might be recognizable in future franchises. Alternativ konnen Sie auch die Browser Mozilla Firefox (Download) oder Google Chrome (Download) verwenden. I swear to God, if I have to do this every day (like I had to do with my Xbox), then it will be joining my Xbox up for sale.
We are left waiting to see who will be picked as the the new Juggernaut, but the call from Cyttorak, which is answered by a variety of men and women from around the globe, provides for some nice set piece action. We get to see some of the usual humor from Rockslide and Iceman but also the determined will of Storm and the emotional instability of Colossus.
Fornes's sense of storytelling is complementary for Yost's use of characters yet adds further elements also. The profusion of color is as varied as the settings depicted in the story and justifiably this brings an element to the book that would be sorely missed otherwise. Make sure you leave a comment below or on our Facebook or Twitter and come back next time for the "Once and Future Juggernaut," part 3.


Check out Episode 84 of The Dace Man Show with hosts Dace, Gibby, Nicholas Andrew, Frank Ward, and Patty McTitties! Issue #14 presents a confrontation that Magneto may not be able to conquer in the same manner he would have previously. The great thing about this approach is that readers don't have to know a lot about the characters to enjoy the series going forward, it's user friendly like that.
Their lives irrevocably upended, the team must learn to harness their daunting new abilities and work together to save Earth from a former friend turned enemy. Does this look like the movie that you wanted to see but didn't get with the previous two films, or is it yet another example of Marvel's first family not translating well on the big screen?
Cain Marko and Colossus had both previously found ways to throw off the awesome power bestowed by Cyttorak's ruby crystal, and along with it, the manacles that bound them to that power. Life has always been hard, but the once optimistic and caring soul has been tarnished by rash and, at times, corrupting choices.
Current Amazing X-Men series writer Chris Yost is without his usual partner on this arc, Craig Kyle. Previous issues dealing with Anole, Nightcrawler, Firestar, and Northstar have been rewarding reading experiences.
Yost continues a strong interaction between Colossus and Storm, which gives a nice nod to their history in previous X-Men series and their current standing in continuity. After a whirlwind announcement of the film and then the cast, the film-in-development has seen some shakeups and some tantalizing pieces of plot and character information come to light—including news of other DC Comics characters that might show up, and what that means moving forward. Both characters, The General and Deathstroke, began as antagonists for specific characters or groups, becoming bigger threats after time, and to more heroes. Deathstroke alone is involved in a number of comic storylines that, if adapted, could certainly rival if not exceed the awesome scope of Marvel's event films. In addition to the master assassin, I've mentioned before that Deadshot and Harley Quinn both have roots in Gotham, and no villain is more iconic to Gotham City than the Joker, also featured in the film. At the start, Deadshot and Harley Quinn (Will Smith and Margot Robbie) are captured and brought before Amanda Waller, head of the Suicide Squad.
Boomerang (Jai Courtney) is already on it, and has some beef with Deadshot, who killed his father. Not much of the film is revealed beyond that opening act or two, save for mention of a riot at the prison toward the end of the film, during which the Joker escapes, killing several people. It's said that the Dark Knight will cameo at the end of Suicide Squad, investigating Joker's escape.
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Each varied contender for Cytorrak's favor has a unique set of skills that sees the X-Men pushed to their limits as they split up to stop anyone trying to get the ruby. The scene with Pixie at the Jean Grey School was a great piece art and story that provided context for the characters and an emotional attachment to the motivation for Colossus' part in this story.
There is variation in angles, panel arrangements, and choices of shots to execute the art, which ultimately makes for a keener experience for the reader. As we get ready to cross the middle of the "Once and Future Juggernaut" story and with the pending Secret Wars event on the horizon, I wonder—will we see the continuation of this series? His ability to draw out the humanity of his characters, to peel back the overtures of evil and present solid, if imperfect characters, suits the type of story this series provides. The creative team has set the series apart even further with details and art that you won't experience in other X-Men books. This team make a nice partnership that coalesces into a unique artistic expression of what is possible when Marvel takes a chance at a different kind of superhero comic. This easily could be turned into a black-and-white comic, yet Belaire enhances the visual experience by adding touches of color in places that add another level of gravitas.


With the emotional baggage and the history that Colossus brings, choosing him as the central character in this arc could allow for a story that carries a lot of weight. Both Yost and Fornes have a little fun with other characters, such as Iceman and Rockslide, who continue to build rapport using witty remarks and comedic incidents. The aim of Amazing X-Men, as a series, has always been to tell fun stories that don't get bogged down by the events of other crossover or continuity-driven series. Make sure you leave a comment below or on our Facebook or Twitter and come back next time for the "Once and Future Juggernaut," part 2. Flag works for the government as the operational leader of the group, and rumor has it that Hardy left after changes were made to his character. The General, who (in the comics, at least) becomes a villain after some questionable military experiments and activities.
I speculated too that Batman may appear to some degree, and new rumors seem to lend credence to this idea. Deadshot was tasked with assassinating an Arkham inmate, and Harley apparently was trying to free the Joker (Jared Leto). They're all sent on a mission to retrieve a package meant for Lex Luthor, which turns out to be a woman named June (Cara Delevigne) with magical abilities. Yost is using the characters in appropriate ways to really drive his story, and given that he has the use of so many, there is a fine balance in this issue. Jorge's inking in this issue was very tight, driving some fine art to a next level; the Utah scene and the return of Cain Marko in particular illustrate this.
For example, the color hues that surround different characters or scenes to convey a different emotional response from the reader, or the contrast of the X-Men's powers, which stand out on the page due to the color work compared to the background they are set in. The moody and defiant attitude of the central character seeps into the creative output, making this a highly worthwhile comic to experience. The stark contrast of flashback scenes and the present for Magneto are clearly demarcated by the use of color.
I think far too many of the choices they've made for this movie are in the opposite direction of what superhero films are right now, and not in a good, "taking this in a better direction" way. But just because they've got my $10 already doesn't mean that I'm seeing it because I'm pumped for it.
This brings a great sense of belonging as a result, with Rosenberg letting the reader fit right on in and enjoy the experience of this issue. While the Joker is featured in the film as a central character, he is said to be imprisoned, Hannibal Lecter-style, for much of the movie. Gemeinsam mit ihrem Kumpel Eric unternehmen sie eine odysseehafte Fahrt zu George Lucas, dem Schopfer der Star Wars-Serie, um dort eine Kopie des Films mitgehen zu lassen. This feels like it has more in line with Ghost Rider and Daredevil than it does with the Marvel Cinematic Universe, in that studio executives probably influenced not only the casting (targeting a younger audience) but also the tone.
Now it's reported that Joel Edgerton and Jon Bernthal have been approached to take the role. A master assassin, mercenary, and expert fighter possessed of a healing factor, Deathstroke is a bounty hunter who has come into conflict with several major DC heroes, notably Batman. Visually, this seems interesting, but this trailer does absolutely nothing to make me interested in seeing the movie. Chronicle was cool, but this is only slightly better off from what it was several days ago. Edgerton has good experience with gritty action pieces, but Bernthal worked with Suicide Squad director David Ayer on his last film, Fury. It's still fighting an uphill battle against everything that a movie like this shouldn't be facing. Poor marketing (what marketing?), nothing but bad publicity, and reports that there are already plans for rebooting it should it fail are indicators of why you shouldn't spend your money on it and be a sap like myself.



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