Fanservice anime with good story 2013,harbor breeze palm leaf ceiling fan turn,can i replace ceiling light with a ceiling fan,big sky ceiling fans 52 - Good Point

Just watched it and i can say it has a lot of comedy involved but its less then the first season i just loved the fanservice tho, basically that's what this anime is unique with. I have to say that the episode could have been better tho it looked allot like a filler to me.
Well it came out and I got trolled that it was the first episode I saw last time yet it was this one.
The new animal entrail penguin was funny and the fan service of Mikoto's panties was good too in the spoiler Mikoto sure wears the daring ones. Finally pretty good little scene with all the girls and Sakura in the spoiler I do wonder what good she did to them because whatever it is the bed sheaths are hiding it damn good. Cuz, who gives a shit about the plot when we have hot bishoujos kissing and doing all kinds of awesome things.
Not much of a difference from the horrible ep11 of the anime in terms of plot but still enjoyable coz of Shizuku-sama. Gotta admit, that was one of the BEST yuri kisses I've ever seen in a NON-HENTAI anime, and the best part was how they acted after they kissed. DUDE, Ichika from IS is sooooooo much worst than Natsuru, at least with Natsuru he turns into a 100% HOT bishoujo. Yeah, even though I'm starting to get tired of Rie, her random appearance was hilarious and that yuri kiss was quite something though it lacked more tongue flirting.
Meanwhile, the Captain of the King’s gaurd reveals that the Eclipse Project is almost done and that all he needs is a celestial mage. Depending on who you ask, this episode would get an A+ or a D, but my opinions are that it kind of sits in the middle for me. Yet… we got a good half chunk of this latest episode dedicated to all the female characters in sensual poses, in as little clothing as possible.
And while I appreciate a bit of fanservice as much as the next person, I have to wonder if this is really the kind of show Fairy Tail should be. Its easy to hate on Fairy Tail, when its currently airing and its easy to take for granted how luck it is for fans to be able to see that kind of thing. That said, while the first half of the episode was squarely focused on Mirajane and most of the female cast of the series in their swimsuits, the second half got back to getting things going. First of note, was obviously that Carla picked up on the fact that it seemed waaay to strange for Raven Tail to use a bunch of bandits to try and kidnap Lucy. With all that said and done, we move onto the next big battle, between Kagura Mikazuchi and Yukino Agria. Hopefully we’ll see what the audience and Mystogan are anxious about next week, why nothing has happened so far with regards to the Eclipse Project yet. Tags: fairy tail episode 163, fairy tail episode summary, fairy tail fanservice, fairy tail fanservice images, fairy tail images, fairy tail screenshots, fairy tail swimsuit episode, fairy tail swimsuit images, fairy tail. Help us pay the bills and work with us to promote your awesome product, service, website, comic or anything else you want to show off. Comments on Anime Evo are not only welcome, but the thing that we writers look forward to the most. I think the delicate balance of fanservice, action and character moments was kind of killed today. I think Lucy does every now and then, although its ussually just filler moments where we do get that stuff.
I think any reasonable human being would’ve been a bit put off by what went down in this episode. I mean, I know we got fanservice every now and then, sometimes it probably offends the female demographic, but its still kept in some degree of moderation. What I saw in this episode was blatant fetishization and a mockery of the entire female cast of character in Fairy Tail. Sorry Setsuken, this was the only series which I know from your articles and in this time I have no time or interest to pick others animes or mangas to watch, that’s not a hobby for me anymore. All images are copyright of their respective owners, no copyright infringement is intended or implied. Synopsis: Kazuma Sato after staying up for three days straight to secure a limited edition release of an upcoming, highly anticipated RPG, gives his life to save one of his classmates moments before she would have been run over by a bus. Linny: Konosuba has the curse of sounding a lot like one of the most common plots in anime. Tom: Konosuba's comedy never once lets up, rarely straying from the humor that sets it apart from so many other generic Gary Stu meets Goddess offerings.
Linny: The humour in Konosuba rises from putting a little twist or even just efficiently utilizing beloved and familiar stereotypes and turning them into comedy gold.
Linny: As Tom stressed, the characters and their quirks will make or break the show for you. Tom: Despite criticisms of Konosuba potentially being a vehicle for Light Novel promotion, something common among Light Novel adapted anime, it still has a lot of defining moments that stand out memorably, rather than fading into a mush of mediocre content I can no longer recall as some anime do every season. Linny: The animation in the show is another possible source of discontent as it fluctuates and even dips as the show progresses. Tom: Konosuba's animation is indeed inconsistent, and as Linny mentioned Episode nine is at the height of that with every character looking quite a bit off, but never actually bad, just off. Linny: Konosuba is a show that I would personally bug my friends to check out, but like most things in life, it has certain conditions and caveats attached. Tom: Konosuba is ultimately an adaptation of an existing Light Novel series, and while we thankfully have it confirmed that there will indeed be a second season, Konosuba has already skipped at least one plot line in the novels, so for anyone who's a purest with source material Konosuba isn't afraid to cut some things to cram as much as it can within its short run. Tom: Konosuba wasn't something I was expecting to be so good, in fact, I'd almost written it off before the first episode had even aired. Linny: The laughs come hard and fast in Konosuba, with the show really playing up the humour with self deprecating jokes and lightheartedness. Tom: What sells Konosuba, and the humor, are its two well-written and lovable leads Kazuma and Aqua. Linny: Talking about animation, there's also an issue with the character designs, and to be precise, with Aqua. Tom: Konosuba, it should be warned, is based off a Light Novel series, and like most adaptations, has little chance of fully adapting the work it's based off of. Tom: Schwarzes Marken is part of the Muv-Luv franchise, a spin off from the main Light Novel entity.
Linny: If you're looking for one of the most random and hamfisted PTSD breakdowns in anime, look no further than Marken's first episode.
Tom: Schwarzes Marken is classic alternate history sci-fi, aliens invading, technology advancing to counter, conspiracies abound, etc. Linny: For those looking for a battle and mech focused story, this show may disappoint you.
Tom: Marken doesn't really have a chance at becoming a show remembered much past this season, but for anyone looking for something akin to B-movie horror, with plot and dialogue MST3K would kill to make fun of, Marken is something decent to check out this Winter. Synopsis: Haruhiro finds himself mysteriously in the world of Grimgar, with not a clue as to how he got there. Linny: Grimgar is a show with an interesting hidden concept, keeping the truth about the world of Grimgar a secret, bundled with a fresh take on the loser team trope in anime. Tom: Grimgar feels substantional, an anime with meat on the bones in terms of characters and message. Linny: The world and environment of Grimgar is fascinating for several reasons, with its appearance and art style being a huge factor.
Tom: Grimgar can be somewhat direct with its fan service, blatant at times with the cast openly discussing large breasted women, particularly one girl within their trope. Linny: The focus on character building and drama provides an interesting buildup but the show tends to stumble when it starts to focus on world- building. Linny: Furthermore,Grimgar seems to have given its female characters the short end of the stick. Synopsis: Maeda is happy to be moving out on his son, but only becomes truly excited when he learns his landlord is actually just in middle school!
Tom: My Landlord is in Puberty (the actual English translated title for this series) skirts a fine line that'll make most average people uncomfortable with the implications of finding an underage girl attractive. Linny: As expected from any two minute show, the show has average animation but that's the norm. Tom: Ooya-san is based off a four-panel manga so perhaps the absurdly short run time is in order to adhere to the smaller storylines of four koma, without resorting to multiple different events filling up one episode as something like "I can't understand what my husband is saying" did.
Synopsis: Azuma lived on a floating island with his sister, his mother, and his father, an island filled with sleeping giants, titans, known as Buranki. Tom: The characters themselves, and what little we do learn about them, are adequate, but because there's so little exposition surrounding Buranki's story, it leaves us feeling uninterested in any of them. Linny: Seriously, the show tells you so little about anything that most people will probably end the show without really knowing or understanding a single character.
Tom: As a final note, there is some cool music that helps, not very well mind you, to lift the sagging script back up and at least prevent Buranki from feeling wholly unworthy of your time.
Synopsis: An ex-con, freshly released, seeks out the famous Rakugo storyteller Yakumo, who inspired him after he saw Yakumo's performance during his incarceration. Linny: Showa Genroku Rakugo Shinju has a rather unique subject matter, namely, Rakugo, a form of Japanese verbal entertainment. Tom: The art of Showa really sells the Rakugo performances, capturing the magic of a talented performer jumping between characters seamlessly. Linny: The characters of Showa really bring a lot to the show individually and help the story grow and shine. Linny: The voice actors do indeed give the performance of a lifetime, helping not only the characters to burst alive, but the Rakugo performances as well. Tom: Showa really is a treat for any anime fan who could use a break from the more classic storylines of teens, their super powers, and romantic troubles. Synopsis: Itami and his JSDF team are back as they continue their work in the fantasy realm as they try to make sure an all out war doesn't break out between Japan and the medieval kingdoms of this realm. Tom: Probably the single biggest question with any returning series is: Does it match the quality of the original run? Tom: Itami and the rest are indeed back, with a bit of screentime tossed about between the supporting members of the team just to refresh the audience on who is going to be important over the coming weeks.
Linny: The political intrigue and gambles are as intense as ever, with Itami and Princess Pina doing their best to peacefully integrate Japan's presence and entry into their world. Linny: While the episode does a good job of handling the topic of ladies of the night with respect and realism, it also needs a MAJOR TRIGGER warning. Tom: The Rape sequence really does go too far and is my only significant complaint with the 2nd Season Opener. Linny: You know you've watched a good episode when one of you starts cursing at the ending credits for cutting your fun short, cough cough, it was Tom. Synopsis: The Divine Gate opened, ushering in a new age of chaos as certain individuals gained power, power in order to try and make their dreams and desires a reality.
Linny: As a monologue narrates over the first few minutes of Divine gate, you immediately get a feel of what's laying in wait further down the road.
Tom: There's a good dark, brooding story here but, as Linny mentioned, it's completely marred by some of the most overwrought, hammy dialogue you'll ever hear. Linny: All hope isn't lost, as at the heart of it all, the concept of the actual Divine Gate in the show holds some potential. Tom: For a show trying to lay things on heavy with brooding characters, and depressing back stories, its animation tends to undermine it all. Linny: The childish look of the show also seems to have CGI- like influences and that could further deter viewers who dislike CGI animation. Tom: My hopes for Divine Gate turning into anything passable are pretty low considering it's based off of a 2013 Smart Phone game released in Japan. Linny: The mother-son dynamic in this show is noteworthy and refreshing to observe in the anime world. Tom: Building on the excellent writing for Satoru and his mother is a solid, dark color palette that sells the subdued yet dark nature of Satoru's world as things take a turn for the worse.
That’s the question posed by Alex, or as Barry affectionately calls her, “She-Wesker”, in Metamorphosis, the final episode of Resident Evil: Revelations 2. It was brief, but for one story arc, Yun, a self-admitted pretty boy, looked just as attractive as Yona.
Do you agree with this list, or do you have characters in mind that are trappier (sp) than the ones I listed? My thoughts after the first few episodes: “The OP and music is great, the art is clean and colorful, but it seems like a standard Magical Girl anime”. My thoughts after the last few episodes: ”Wow, that was a rollercoaster of emotions!  And it actually turned out to be more like a contemporary Magical girl anime”.
In The Lost Lord, the second episode of Telltale’s Game of Thrones, we check in on the prodigal Forrester son and witness the resurrection of another.
Asher, who knows nothing about what happened to Ethan, is a playful and extremely skilled sellsword; he revels in chaos, but also knows when to pull back. There you have it, my personal favorite games of 2014.  Agree or not, let me know what your favorite games of 2014 are in the comments! Premise:  Favaro is an arrogant womanizer who spends most his days capturing bounties and turning them into stone tablets for money. As for Norman Reedus, what can I say?  He's been on my radar since The Boondock Saints, a cult movie that critics back then (even now) couldn't get a handle on. However, reboots can tarnish the image of originals, but only if we allow them to.  We go into reboots with a set of expectations that we use to hold against their creators.
I hear a lot that fanservice is “distracting.” Somehow, too much panties can completely ruin an otherwise good series. Maybe, when fanservice is “distracting,” that means that, in actuality, the rest of the elements in the series just weren’t worth paying attention to.
Even with just sexually-charged fanservice, however, there’s often a backlash against shows that attempt to tell a story and have some titillating fanservice. The thing about saying that fanservice is “distracting” is that it implies that, with the fanservice removed, these series with distracting fanservice would be substantial experiences. Now take Code Geass, an anime with more intermittent fanservice and a greater focus on its story. If the fanservice of a show that’s half fanservice, half substance is “distracting,” it’s obviously not the right kind of show to be watching.
There was a written portion to the post just thought there were pictures, guess I have to actually read it. When Square Enix first started out the company known for the mega hit Final Fantasy started off as an Eroge company. I think fanservice today is so hated because there are more female fans today who consider fanservice sexist.
Look at Evangelion considered the greatest anime in history had fanservice in it, or how about the new movie redline that western otaku are praising non stop has fanservice. LOL that’s like saying Puella Magi Madoka Magica or Magical Girl Lyrical Nanoha is bad because you see the girls nude when they transform. If I was to be that shallow I’d say the Redline is garbage because it has pretty animation and nothing else going for it.
A timeless marketing tactic that is going to be around as long as humankind manages to maintain its existence.
Do you think that our social culture you know the one that proclaims sex is worse than violence be a factor in it too?
But at the same time, they can’t see the difference between a show like Strike Witches and K-On (both excellent shows, just difference approaches to fanservice). On the subject of Highschool of the Dead specifically, it’s supposed to be a trashy B movie. The problem with catering anime to the west is that anime becomes too heavily localized and becomes heavily edited to conform to American sensibilities. My point is that Anime here is still niche and the only cartoons that do well here are usually cartoons that are family friendly or adult ones filled with gag humor or social satire. For a moment, I really did question if this was the same shounen series I had come to love and enjoy week for week for week, for the last 163+ weeks. The answer, will vary from person to person, but I think what’s important to recognize is that, at least in Japan, this is what sells.
Fairy Tail has some of the strongest mages and some of the most interesting characters as a series, and a good chunk of them are definitely female. Indeed, even if she was spurred by her own vision of the future, Carla is definitely on the right track her.
I think for most of the audience, who are seeing these characters for the first time, there really wasn’t much investment in their little battle.
While I can say that I’ve been okay with it up till this point, I did think that Fairy Tail went a little bit too far. We here at Anime Evo work with our advertising partners to promote products that are actually relevant to our audience, and give you the best bang for your buck!
Anime Evo is Setsuken’s (Hassan's) proclamation of love for Anime, which he can’t seem to get enough of.
Fairy Tail is usually good at sprinkling its fanservice into episodes without being a blatant fanservice episode. In the end, given that this is Shounen and given that we rarely see too much romantic development in shounen series, I doubt we’ll get a proper conclusion to this whole thing. I think its sad because, at least in my mind, Fairy Tail is kind of above this kind of stuff. This was supposed to be a clean shounen.When is not fanservice, is glorified armor plot bullshit to Natsu.
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Please do stop by and check out seasonal anime, previews, reviews and even more coverage in the coming weeks! Kazuma, now deceased, finds himself now at the gateway to the afterlife, with a beautiful Goddess before him. Kazuma, our lead reborn into this fantasy world, is a fun, full of himself, down on his luck MC. Aqua and Darkness seem the most likely to turn viewers off the show either due to their ditsy arrogance or their sexual behaviour, respectively. Moments like the battle against an army of sentient Cabbage, or Kazuma's surprise talent at stealing panties (by accident) or even the major plot line that flows through Episode four to six that culminates in one of the most well-crafted mid-season finales, where every plot thread and development comes together perfectly.
There is an extremely noticeable change in the visuals around episode 9, and it becomes clear that animation quality and style will never be the show's strong point. The animation for Konosuba never gets truly awful, just distracting, and its quality remains a damn sight better than the likes of Garo - The Crimson Moon (oh that'll be a fun review.) but Konosuba's animation is definitely not a plus when viewed alongside shows like Myriad Colors Phantom World, perhaps one of the most visually impressive shows this season, and only rivaled by One Punch Man in the last year. First off: Konosuba has a character, Darkness, with a strong sexual undertone so if you dislike sexualized characters, you might struggle to enjoy the show. Ultimately Konosuba has become one of my favorite anime from this Winter Season, and if you don't have a problem with Darkness' sexual undertones, Episode Nine's near Ecchi genre shift, and enjoy Video Game nods, as well as Fantasy based humor, Konosuba is perfect for you. With his prize in hand, Kazuma headed back to his rural home in the early dawn in the morning. But Konosuba's story is a load of fun, watching as our hero gets reborn in a fantasy world and drags the mocking goddess along with him, much to her dismay.
I've only spent twenty-four minutes with the two of them and I already want to see more of their strugglign relationship. But their interactions and even the dynamics of their personality breath fresh air into the quibbling couple troupe. The animation works, and at times is quite nice, but periodically there are shots where the characters look slightly off, still identifiable as themselves, but not quite as perfectly depicted as one would hope from such an artistic medium. This may be a personal point, but Aqua's costume looks like an amalgamation of Lucy from Fairy Tail and Hatsune Miku. But we've got ten more episodes to see if we can get a satisfying tie off for such an enjoyable tale. In an alternate timeline a mysterious and horrific alien force, known as Beta, came down to Earth and attempted to eliminate humanity. Now, neither of us have seen Muv-Luv, so we'll be going at this without any preconceptions about Marken as an off-shoot continuation of the main franchise. PTSD is already a misunderstood and undertreated condition and Marken did a terrible job of portraying and handling the subject matter. Marken's more focused on the political drama and betrayal angle with constant allusions to spies and secret conspiracies. Attention to detail has been paid, particularly when mechs get splattered with blood from the horrific creatures they're facing.
They're disturbing and reviling in the best way possible, the kind that leaves a mental scar..


In fact, he doesn't even know what came before Grimgar, or who he is, or where he might have come from.
Haruhiro and the gang feel like generally normal people thrust into a most unlikely scenario. Right from its opening sequence, the forests and backdrops are drawn in a watercolour and pastel like style. Other times its as subtle as other anime, putting its female characters in revealing costumes that are less practical for the sake of a little eye candy. There is this one random and drawn out montage in the second episode, that occurs right after an intensely dark and emotional event. Every woman in the cast is currently a liability compared to their male counterparts, even when they all are supposedly terrible. It's a long running story, and since Grimgar seems to be aiming at only one cour in length, it's most likely we'll only receive a partial adaptation, with potential for further series hinging entirely on the success of Grimgar's run. Thankfully, the show doesn't go all out sexual, mostly choosing to stick with uncomfortable rather than perverted. On the animation side the thirty seconds of title are kinda interesting, using a slightly different artstyle than the remaining minute and half. The first episode had a decent ending punchline but it still isn't impressive enough to be recommended for its punchline.
It's so short that, maybe, it could be a good "fill in the cracks' for your day, assuming it never gets too uncomfortable for you. It chooses to play fast and loose with its timeline, making frequent time jumps that start small, and eventually leap years forward. As a set up episode, to hurl us into the world and struggle of Bubuki Buranki, it utterly fails to make us feel attached to anyone or invested in the chaos that unfolds, no matter how beautiful the explosive colors can get. While Knights of Sidonia, one of the most prominent CGI anime in recent years, was no prize pig, its CGI was at the very least competent and worked well within the confines of its story. For an entirely original show from an exclusively CGI studio, known for providing CGI to a number of big anime hits in the last few years, Buranki isn't exactly the best calling card, but here's hoping there's improvement in the coming weeks.
Begging to become Yakumo's apprentice, and learn the art of Rakugo, Comedic one man storytelling, himself, Yakumo agrees and renames the man "Yotaro." Now Yotaro begins his training in the art of Rakugo, meeting Yakumo's other charge, Konatsu, daughter of Yakumo's Rakugo rival long passed.
A rakugo is performed by a single artist, and consists of him using only his voice, gestures, a simple cloth and a folding fan to act out a humourous story, playing all the different characters, while remaining seated in the seiza position the entire time. The animation even captures the budding protagonist, Yotaro, as he struggles, but ultimately succeeds during his very first live performance. You have these elements which sound generic by description, such as the bright eyed protagonist, the strict and seasoned master, but Showa manages to insert them into a beautifully crafted story filled with drama and suspense, and make the characters shine in their own right. You can't go in expecting a lot of fast paced action, but Showa is brimming with substance.
For a decidedly down to earth show, it packs a powerful punch emotionally and artistically. The pace will certainly turn some away, but there's a lot to love about this drama that you don't normally get in the anime medium.
Not necessarily a niche crowd, but it definitely won't win any viewers who want lots of fast paced action and a modern or futuristic story.
However, dark menaces loom on the horizon as a Dark Elf continues to seek out Itami's help in saving her village, the kingdoms of the land are rocked by a sudden and deadly Earthquake, and political masterminds within their governing body seek to escalate the conflict between the JSDF and their own forces. Season 2 gives viewers a continuation of the SDF's adventures and its integration into the politics and society of the new world. Gate really does a brilliant job of making politics be a source of suspense and drama, and even comedy by using interesting characters and events to tell its story.
This episode introduces a new antagonist who is clearly meant to stir up intense hate and dislike and I really, really did not feel comfortable with how the show tries to achieve that. We understand they needed to sell us on this villain, and wanted to make us hate him, and we do, but the rape sequence goes from stiring up our ire for the villain to just plain uncomfortable levels as the sequence continues on long after it's made its point. It's so impressive how Gate manages to keep churning out episodes that have you on the edge of your seat. In response the World Council was formed, restoring peace and from there the Divine Gate, connecting us to the heavens and the underworld, become but an urban legend. There's a heavy use of thick lines and shadows that are meant to sell the darker imagery, but unlike the subtly of Erased's artwork, Divine Gate comes across as more childish than adult. There's just so many little strikes against the show, which is worrisome considering this is only the first episode. While the likes of Kantai Collection managed to pull of a very fun 1-cour series (and I am eagerly looking forward to season 2) the fact of the matter is that most Smart Phone game based anime turn out exceedingly bad. He's becoming too old for a budding Mangaka without success and he's stuck in a dead end pizza delivery job. Here is a modern, independent woman who isn't all selfless and sacrificial or downright dead as is the norm for most shows.
Vibrant colors are used during particularly violent sequences to sell the sudden and unexpected violence that ends episode 1.
The presence of large, jiggling breasts somehow rips the viewer away from the compelling things happening in the series, forcing them to focus on the dirty, creepy ecchi-service. Maybe, just maybe, fanservice by itself isn’t capable of tearing the viewer away from the story and whatnot. I’m not saying that it’s not okay to dislike fanservice, but when the issue of it being “distracting” is mentioned, it brings up the question: When fanservice becomes “distracting,” is it because fanservice actively detracts from the storyline and other elements, or is it because the storyline and other elements weren’t strong enough in the first place to remain relevant with the inclusion of fanservice? Sure, when the fanservice is there, it’s very apparent, but does it ever actively detract from or devalue the story?
Abundant fanservice, as evidenced by the character designs, and an incredibly mediocre story make for a remarkably unremarkable anime.
If the fanservice of a show that’s mostly substance, with fanservice peppered in seems “distracting,” it’s either a failure on the part of the show’s substance, failing to be interesting enough to keep the viewer engaged versus the fanservice, or it’s a failure on the part of the viewer for simply being unable to look past some fanservice to see a show for what it actually is. That is, indeed, the nature of fanservice, to excite the viewer separate from the show’s actual substance. It’s nice to see some eye candy every now and then, whether it occurs in the form of a one-off pantyshot or in the form of breasts bouncing around for half the series. It’s hypocritical because of things like shounen-ai, yaoi, and shoutacon being eaten up by female fans and is becoming extremely popular here in the US. Kodomo no Jikan is very fanservice ridden and still has an excellent plot that no one sees.
I’m so sick and tired of all those hacks and their mindsets that if a show has pantyshots or whatever, they have to try to be pretentious as possible. Instead of the fact that it contains a simple story catered to Americans with speed with no solid deep plot or character narrative which is what a lot of those old otaku’s bitch about. While there are more fanservice shows now than in times of yore, there’s also more shows PERIOD.
I’d say it is more likely a small but extremely vocal group that feels this stuff is making anime too niche and scaring off normal people.
You can’t ignore all those bible thumpers out there who preach chasity till marriage. It’s the old timey (or wannabe old timey) fans that want to act all chaste and nobel which is why Miyazaki is so pushed by those types. You don’t seem to understand that we here in the West are lucky we even get the anime we do get.
If Anime started conforming to those standards I would never associate myself with anime again. The problem with most fans today is that they make broad sweeping generalizations without looking for the gems as they did in the past.
In terms of Fairy Tail quality, its kind of in the low end for me, especially given that I respect Fairy Tail for its characters, action and battles and story, more so than for its fanservice.
A necessary evil, and one that perhaps myself and a lot of the female fans of Fairy Tail would be uncomfortable with.
The fact that she continues to ignore and run away from her visions though, is probably going to come back to haunt her.
It was interesting and a nice change of pace, to really see Yukino suggest they bet their lives in this battle.
When I watch Fairy Tail, I watch it for the awesome character moments, the epic battles and the cool plot twists. If you find any series which have cool characters, hot males (not kids please) and less stupid brainless mains, feel free in telling me! I call it a curse because it may disappoint viewers who pick it up expecting to be entertained with another serving of the previously described story, while driving away those who are not fond of that particular plot line. Not once does Konosuba take itself seriously, save for one mid-season episode that could easily be labeled as the weakest of Konosuba's short ten-episode run.
While this helps the viewers bond with the main cast, it might frustrate those who enjoy a bigger cast, or make others feel like they're missing out on parts of the whole story. However, Kazuma should be a welcome sight for those who crave a contrast to the army of generic and common fantasy adventure leads. Sadly, Konosuba stumbles a bit towards its finish line in the second half, with Episode seven, as mentioned previously, the weakest of the bunch, follow by another two episodes that feel more like OVA content, before ending with a great finale, that sadly isn't quite as strong as the mid-season conclusion. Overall, it has the look of a lower end budget series but Konosuba manages to make it work by entertaining its viewers with its story, characters and comedy. Coupled with this, Konosuba's art design is at times generic, with characters like Darkness wearing garb that bares a remarkable resemblance to Erza's armor from Fairy Tail. It also never manages to shrug off the curse of its short run and the disjointed storytelling and lower end animation quality may annoy others. And even if it isn't quite your cup of tea, it'll probably still provide enough humor so as not to waste your time. But, on his way home, Kazuma found himself compelled to save one of his classmates moments before she would have been run over by a bus. It's really very funny and what's best about Konosuba is it doesn't try to inject any real drama or poignancy into things. It helps that both having some really strong talent voicing them, with both voice actors giving performances that stand out to me as some of the better vocal talent this season. While Aqua is supposedly much more skilled than Kazuma, there's no annoying constant physical and verbal abuse, common when you have an OP magic girl and a barely average male protagonist.
It's a little disappointing because lead characters have so much more impact when they have a unique look. Konosuba is a surprise hit for me this season, and I'd recommend it as strongly as something like Erased or Showa, just, you know, for people looking for humor and not drama. In 1983 the East German Army's elite squadron "Schwarzes Marken" fights to keep the country safe from the monstrous Beta forces. While one does not expect anime to always be 100% factually reliable, it's definitely an issue when anime uses a real world issue for unjustified and unexplained reasons. Despite its range of flaws, some we haven't even covered yet, Marken is fun in a B-movie kind of way. Marken has interesting components, such as the political intrigue and its monsters, but handles these elements poorly and therein lies its downfall. That same level of detail can't be said for the traditional animation, which is often stilted, and particularly gringeworthy in long shots.
Along with Haruhiro are numerous others also unaware as to the lives they held prior to this fantastical world. The show introduces us to the usual struggling and bumbling team of misfits, but rather than the common "talented but just clumsy" angle, these characters are actually just plain terrible. The sudden and extended jump to the characters performing mundane activities, after what looked like they were having a mental breakdown, feels disjointed and detached.
They also lack the same development and focus given in comparison to Haruhiro, Ranta, or the rest. Like DanMachi, I hope we make significant progress within whatever opening arc we're in, otherwise it'll feel disappointing in the end if we never get a continuation and there's too many lose ends left undone.
Maeda can't wait to begin his life as a tenant with such an adorable little girl in charge. Otherwise the rest of the short has fairly standard animation that, thankfully, avoids some of the more "colorful" shots one might have expected from something dangerously close to catering to the loli crowd. When it comes to the western audience, this show may appeal to those who enjoy some of Japanese culture's 'quirkier' sides. Normally this wouldn't be an issue, but Buranki doesn't understand that people need context in order to follow along with the plot. It's nigh impossible for a viewer to get invested in a show when they can barely keep up with what is going on.
Unfortunately Bubuki Buranki is a step below Sidonia, unable to get character movements feeling natural.
Unlike Girls Beyond the Wasteland I'm rooting for Buranki to improve and become something I can recommend. She too wishes to become a Rakugo Storyteller and carry on in her late father's footsteps, but unfortunately born a woman such a thing is beyond her grasp. This is definitely an art form that will be alien to most western viewers, but Showa manages to spin a most delightful story. For a sequence so long, sitting at nearly ten minutes in length, its easily one of the most gripping moments in the show. To elaborate, Yotaro can be described as another down on his luck, bright eyed hero with high aspirations, aka something that's common in anime. So much hinges on the performances of Showa's VA's and they completely nail it, bringing each character to life and displaying their individuals talent, or lack there of, at the art of Rakugo. As for where Showa will go, it's hard to say, Episode 1 ended with a teaser that shows we'll be flashing back and telling the tale of Sukeroku's passing. On the other hand, Showa is a great option for someone who isn't necessarily an anime fan but would enjoy a light hearted drama. One of the biggest appeals of Gate has been the dynamics and interaction between the two different cultures and nations, and this continues to be handled in a realistic and engaging way.
The plot is just as complex and scattered as before, weaving multiple plotlines and character developments across the board, all of which will come into play down the line.
As Tom mentioned, this episode does try and fit in all the loose story lines from last season but it stumbles in the execution of one of them, namely the dark elf who had appeared at the end of last season, seeking Itami's help in saving her village from impending doom at the hands of a mighty dragon. Our very first look at this new antagonist is literally the second scene of the episode, with him very violently and aggressively violating a woman. It becomes less an exercise in introducing us to this loathsome character, and instead toying with how much they can get away with before we hit pause and walk away. To all the fans of Season 1, rest assured that this new season is going to deliver like its predecessor. A young boy named Aoto was blessed with power, power that gives him the opportunity to chase after the Divine Gate, and if reached, allow him to remake the world. He's got a sufficiantly depressing backstory, which might be moving, if not for try-hard, over melodramatic execution, leading to a painful explanation about how, because his parents never fed him warm food, he's forced to put ice cubes in all his food because his heart is now cold from the lack of love or something, it really makes zero sense. If my cliche senses are right, this Divine Gate might possible come with a fair amount of caveats and conditions for granting your wishes, and even if it doesn't , the journey to finding it could prove to be an interesting watch. The animation is pretty decent otherwise, but it's also not nearly impressive enough to recommend Divine Gate as some visual feast in spite of its questionable writing.
The overdramatic dialogue combined with bland characters is definitely one of its biggest negatives, and it's a struggle to find even a single reason to talk Divine Gate up. However, since a young age he's had a 'power.' every so often he'll jump back in time by one, maybe five minutes, and reexperience what he's experienced before. Rarely ever have I observed such a down to earth approach where the mother figure is treated as an individual with her own strong personality that interacts with her son in a respectful and caring way without being overtly sappy.
But before Archer finishes Rider, he acknowledges him as an equal.  Rider's best shot wasn't enough to defeat Archer, but it was enough to earn the respect of the arrogant king. Boy, the stories you can tell around that face; just imagine how messed up his character's psyche would be. The older definition, which applies to almost everything under the sun, from elaborately-animated fight scenes or transformation sequences, to fandom-specific references (Gundam jokes in Sgt. Without the fanservice, it’s the same standard zombie show that we’ve seen a trillion times. Those who see fanservice as a distraction are jumping to conclusions based on their contempt for it. When the substance is up to par, we get shows where the substance and the service complement each other. If a show’s made purely for fanservice, then it should be enjoyed in that perspective. When you are critical about a work you should be critical about the nuts and bolts of the work such as characterization and narrative.
And honestly, I’ve seen series as good as Fairy Tail stop midway through their adaptions, fall flat and stop. Given that its been revealed that nothing anyone does can truly change the future, the only one who’s probably going to be tortured by this whole thing is Carla herself. I’m going to stay that Lucy has plot armor, but its in intense moments like this that shounen manga can truly shock and surprise. I’m pretty sure that is actually not going to happen, but it is a nice way to raise the stakes a little bit. A writer for a number of years Hassan is also a 3D Artist, a Game Designer, a Web Designer and a Huge Anime Obsessed Enthusiast.
Most of people stuck in their OTPs or whatever and find anything else offensive what’s not inside their little worlds. Because in Kazuma's sleepy daze he'd mistaken a slow moving tractor for a bus, and in his frantic rush to save a girl, who actually didn't need any saving, shocked himself to death at the thought of being run over. For better or worse, Konosuba is an extremely fresh take on the anime approach to world swapping, that will surprise all viewers who are unfamiliar with its source material. Some might find this detrimental, as the comedy is relentless and the show strays from any truly heartwarming developments.
Megumin, the mage of the group, is a glass cannon, that basically breaks every time she uses her magic, and Darkness, well, she's easily the character that'll make or break the show for you. He struggles to survive in this fantasy world, comically stumbling and fumbling as a broke manual labourer and the lowest ranked adventurer, rather than immediately being hailed as the saviour of the land by its inhabitants. It should also be noted that despite avoiding much of the fan service other Light Novels cling to so strongly, Konosuba was just saving its load up for one big release (pun very much intended) in Episode Nine. The voice actors also deserve a shout out as their performances really helped to bring the characters to life, giving each personality that extra touch of conviction and a charm all of their own, perfectly tailored to their individual quirks. However, if you're in the mood for a comedy and are a fan of fantasy land based stories, Konosuba is definitely a worthy choice.
Sacrificing himself Kazuma died that day and found himself now at the gateway to the afterlife, with a beautiful Goddess in front of him.
It just doesn't take itself seriously, allowing comedy and absurdity to guide nearly every development allowing for a perfectly paced string of jokes.
However, Konosuba turns the story upside down by having our teenager hero and goddess have a relationship that is very different from the norm.
In fact, what's noteworthy is that the two characters seem to quickly develop a healthy rapport, one that's portrayed in a manner that seems believable and endearing. It definitely does not detract from the humour or plus points of the show itself but it would have been nice to see really unique looks for such a uniquely executed story. They'll do whatever it takes, and abandon those in need, all to make sure the country as a whole stays strong. They come off as one-dimensional and melodramatic, although Divine Gate still takes the award for hamfisted dialogue this season. It reeks of bad storytelling and what good is a show if it can't even narrate its story well? The conspiracy plotline, and the organization that opressses and hunts down its own citizens, could be interesting, but its the kind of idea that requires strong writing, something Marken just doesn't have going for it.
The mechs in the shows are rather bland and seem more like an afterthought than one of its strong points. For a show that fails to stand out much, it does have impressive monsters, especially when compared to the quality of almost everything else about and in the show. But all they know now is they must live within the medival and magical world and to do that, they must be able to survive.
They fail to accomplish even the most basic tasks, like defeating the lowest level monsters and are struggling to make ends meet. The dreamy look of the scenery also helps to sell and set up the mysterious situation our heroes have found themselves in, promoting the feeling that we truly are in a land and time very different from the norm.
The characters themselves are brought to life with such a diverse cast of voices that each sticks out in my mind as memorable, particularly the boisterous pervert of the group, Ranta, voiced by Hiroyuki Yoshino (Tarou Takanashi, Shirobako) remains a highlight for bringing yet another obnoxious character to life.


As a female viewer, it can be an issue when the female cast members only get screen time for fan service reasons and are denied character development.
Maeda is far too excited at the meer thought of Chie as his landlord, followed up by excitement over accidental indirect kisses and such.
If taken at face value, Ooya-san is simple fun, assuming it doesn't stray too far over that line.
So, Azuma's sister, seeking to take the burden from their mother, attempted to take control of the Buranki.
Sure,Bubuki has some interesting elements in the form of visually unique weapon and power systems, combining fantasy and mech like elements, but they are completely lost in the messy and inefficient story telling. Yes, a lot of the characters are meant to be young teens and this may be the first time I actually believe an anime character when they state themselves to be a teenager. I guess it shouldn't be a big surprise, seeing as the studio behind Buranki is responsible for the questionable quality of Arslan Senki's CGI.
Save for the use of pastel shades that really pop, there's not much else to rave about or recommend. Yotaro becomes enamored with Konatsu's late father's work and Yakumo begins to see it withint Yotaro, his late revival's passion and talent.
The Rakugo performances portrayed in the episode are mesmerizing and accessible even to a viewer who has never heard of Rakugo before. Showa manages to get us to care deeply about Yotaro and his efforts to become a talented performer of Rakugo, watching as he struggles to pick up the necessary traits. But he seems to have a charm all of his own and his personality feels genuine, believable and lovable from the very first episode itself. In the background the subtle but appropriate music never overtakes, but adds so much to this lowkey period drama. There is an extremely poignant scene in the episode where Konatsu breaks down about being barred from following in her father's footsteps and profession simply because of her gender. Whether the show will seek to tell a double story, jumping between the two time periods, or focus on one over the other, who can say? And last of all, if you're willing to experiment with a unique subject matter and aren't turned off by a slow paced drama, it is definitely a show to wind down with after a hectic day or week, soaking in the story and the charm of Rakugo. Starting with the animation, everything appears to be just as detailed and beautiful as the previous season. The attempts of the SDF officials to integrate into society by adopting their customs and clothing, while impressing the natives with displays of modern skills and weapons made for a fun and at times, dramatic episode. It's obvious that the show needs to include it for the sake of refreshing and addressing all the unfinished stories but due to its disconnection from the main story line, and lack of real progress in this episode, its inclusion felt really forced.
While rape in and of itself is naturally an uncomfortable topic, what pushed this particular one beyond forgivable for me was its extreme length and duration, and all the degrading and violent tones it carried. It's possible you won't have a problem with it, but for people who take rape, in the confines of your daily entertainment, more seriously than others, it'll probably be a tough sit through. To newcomers, stop reading this and go catch up with the rest of us if you want to be a part of one of the most refreshing and unique takes on interworld portals and their consequences in recent times.
But Aoto isn't interested in that, instead festering in depression, unable to move past the trauma his family inflicted on him as a child and their deaths, as rumors say, at his own hands. It's moments like this that give away that Divine Gate is simply half-baked, an underdeveloped idea that only pays lip service to its concepts.
What I did enjoy watching in the first episode itself was the show's take on the forms and manifestations of powers. If you were intending on giving it a try, proceed with lowered expectations and you might manage to come away having your expectations surpassed. Satoru has realized that in that time he has a mission, to ascertain what tragedy was going to occur and find some way to avoid it.
Something like Evangelion or Fate Stay Night maybe popular among American Otaku but they don’t sell towards the mainstream that well. Another point is that the shows I listed are contemporary works that contain little to no fanservice but the problem is that they didn’t sell all that well. Maybe they can’t change everything, but they could be more on guard against the right threat.
But the Goddess is willing to cut him a break and give a new chance at life: in a fantasy world overrun by the demon king. But if you've come into Konosuba just looking for a good, hard laugh, Konosuba has you more than covered, easily claiming the top spot as best comedy for this Winter's season.
Darkness can get a bit sexual, as she's a Masochist that takes great pleasure in casual humiliation as a Knight facing the forces of evil.
Another weak point of the show is that it comes across as a promotional vehicle for the light novel series, with its condensed and episodic story pacing. If sexual humor is something you find uncomfortable that might be the episode to skip right over.
Kazuma, selfless and kind even in death, asked about the classmate he saved, wanting to assure that she was okay. The premiere episode itself has zero action, contrary to expectations, but it is extremely engaging with its jokes and its approach to world building and character introduction.
Most shows seem to use the constant verbal or physical abuse for humour's sake, but Konosuba rises above that and instead makes good use of its story and situation as sources of humour. Everything about the story of the show is so above average that it deserves to have visuals that are amazing, rather than those that never rise beyond average. But the squad comes under scrutiny when they rescue a West German Mech Pilot and give her asylum within their own squad. But Marken has other problems, lingering questions like "Why would you ever take a pilot suffering from PSTD into battle?" The show doesn't try to cover its ass with explanations of them being the best pilot for job, or lack of capable pilots, or whatever excuse you could think up. Combine that with under explored and obnoxious characters, and you have a recipe for a disastrous first episode. Characterization is also hamstrung by this same low quality, the dialogue feeling particularly stilted.
This isn't necessarily an issue on its own but it will be a negative point for those who went in looking for a mech show. It could be a blizzard outside and it still looks as if the cast must be covered head to toe in ice melt.
Marken overall has a very low budget look artistically and it's definitely not going to earn a lot of points for its aesthetics.
Haruhiro and the rest struggle to learn the abilities of mages, priests, rogues and more in order to survive within Grimgar. The ensemble cast also provides for a variety of personalities and characters, making it likely that almost every type of viewer will find a character they enjoy or identify with. While the premise isn't exactly unique, similar in many respects to Sword Art Online or Log Horizon, what makes Grimgar feel stronger in its first episode is the lack of details surrounding the world. The only major issue I had is how dead set Grimgar is on offering fan service, with blatant references and discussion of tits in the first episode itself. Couple that with some lovely and soft music that gives a calm, yet growing tension to this world of Grimgar, and Grimgar offers a refreshing take on the "thrown into a fantasy world" plot.
It takes its time divulging informantion and that slow pace is something that might turn people off. It's only two episodes in, so I'm keeping my fingers crossed that the female half of the ensemble will be treated better in the upcoming episodes. Unfortunately, the show and its protagonist seem to spend all its time fawning over our little landlord. However, there are plenty of shows, albeit longer than two minutes an episode, that deliver better laughs and 'safer' story lines. She failed, and instead they all awoke, escaping the island and reigning hell down upon the people of the Earth below. Talking about the look of the show, this episode had a wide variety of set up and locations. If we're just talking about visuals, Buranki does have to be praised for its excellent and dazzling, spectacular explosions that blast your eyes away with vibrant and widely varrying colors. Hopefully, the show will pick up the slack in the upcoming episode (it didn't.) or this may be the show that causes my brain to shut down from frustration. The beauty and charm of the performances is further backed up by the art style, which helps evoke a nostalgic vibe and makes one want to sit back and enjoy this new yet old art. Yotaro is an easily lovable character and you can't help but feel bad for him when his Rakugo ambitions take a sour turn. The music, and performances, keep the entire thing grounded in a realism not often seen in the anime of today and that makes Showa, with its dramatic tale, all the more powerful. There is no preachiness in the show or the scene, but it was interesting to observe a show that seriously and realistically addressed the issue of sexism, something that is rarely explored in anime.
While there was one sequence with background art that didn't match the character artwork at all, the rest of Gate 2nd Season's first episode delivered perfectly on the kind of animation quality we've come to expect from this series.
Not only that, the show even offers glimpses into its myriad characters, revealing tit bits about the pasts of the lesser known members of the SDF squad. What particularly grabbed me were the plot threads focused around Itami's team bringing aid to the slum districts of the city, and bringing aid to the local 'ladies of the night,' which all ties in with the episode's cliffhanger. Yes, we are supposed to despise the antagonist for his sadistic ways but for me, it just made me feel extremely uncomfortable and want to stop watching. Otherwise, Gate 2nd season's first episode ends just like every episode of the first season ended: it leaves you wanting more and cursing the show for only lasting twenty some odd minutes. Now the World Council and their chosen agents, follow young girls and boys with the Divine Gate's power, seek to recruit Aoto and use him to reach the gate. You get the perky newbie heroes who just want a third team member and then you get the mysterious, creepy character who pops up and engages in riddle like conversations with our jaded Aoto that triggers tragic flashbacks.
The power weilders wielding swords of flame made for an eye catching visual and something that stood out in an otherwise hamfisted and generic show.
If this is the first time you've heard of this show, it might be a good idea to try something else.
He doesn't know why this happens to him, or how, just that he must take it upon himself to right what wrongs he can. When he claims he does not understand why he continues to risk his life for the sake of others, he sounds both genuinely curious and detached, and strangely duty bound, at the same time.
It knows its audience and endeavours to produce entertainment for that audience, in the form of violent zombie dismemberment and high-powered action, coupled with large, bouncy breasts and pantyshots.
When the substance is lacking, we get shows that are only good for fanservice, like Divergence Eve. You need to understand that the current primary audience for anime is the otaku fanbase in Japan, and they enjoy fanservice, so you’re going to see fanservice anime. As Anubis stated, anime is targeted towards Japanese Otaku and America has proven that it really doesn’t care about anime. While moe, ecchi,, and harem titles sold extremely well so while it isn’t a bad thing to diversify anime for everyone anime at the end of the day is a business product meant to make money.
Kazuma, reeling from the Goddess' mockery of his death, chooses to take her along as his one bonus to resurrect with. Konosuba uses subversion of expectations, as well as predictable cliches in a refreshing manner and excels as a show for those tired of Mary Sues and Gary Stus.
Being only 10 episodes long, Konosuba clearly struggles to match the depth of longer running series. It divulges information without droning on, filling almost every scene with a chuckle or two.
Not to mention, Aqua has got to be one of the best female protagonists to come along in recent times. Still, unless you're a cinephile or someone who wants breathtaking imagery in their anime shows, Konosuba cannot be ignored.
As a more minor complaint, the series features loads of screaming as men and women are assaulted by the horrific aliens.
Marken still has plenty of violence and action with bloody dismemberment and death scenes, and lots of stomach turning monsters so maybe there is still enough to placate less demanding viewers.
As someone completyely oblivious of the Muv-Luv franchise, I am most likely misjudging this show. But they have a long way to go and must fight to get better, because right now they are not even as strong as the weakest Goblin in all the land. The show does have a strange approach to exploring these characters individually, relying on montages and scandalous conversations to let viewers get a feel for its characters. All we know is these people found themselves suddenly within the world of Grimgar, no past memories, no concrete reasons for any of this. When you have a male character straight up criticize a female character based on her breasts, it tends to raise questions about the quantity and quality of sleaziness in the show. Other than that, the story, while slow, seems to hold potential as it constantly hints at dark secrets and developments in an enticing manner. Beyond the troublesome portrayal of Maeda and his interest in Chie, it's hard to get a grasp on a show this short, clocking in at exactly two minutes in length (with a thirty second title animation for some odd reason.). If you're uncomfortable with that premise, be prepared to constantly be on the edge of your seat, stressing about the show crossing the line, and face palming every time the protagonist has a thought that crosses western sensibilities. Now, 10 years later, Azuma finds himself hunted by a corrupt Japanese government and along with another group of Bubuki users, those able to controls pieces of the Buranki, seek to clear Azuma's mother's name and restore the world to the way it use to be. The episode starts in a jungle -like rural area, which turns out to be an island in the sky.
If you're still certain you want to try this show, just brace yourself for the lack of answers and you may make it out with your sanity and patience intact. He is simply a young man who fell in love with Rakugo and now wishes to dedicate his life to mastering it.
The first episode was also a whopping 47 minutes long, unnatural for any animated series, so its unclear if the show will continue this format, or switch back to a half-hour length from here on. While we aren't given a huge amount of information, it did help to bring a layer of personality and dimension to the smaller characters. I wouldn't be surprised if it was something that shocks people into either disliking and dropping the show itself, or reduces Gate to a sexually violent show in some people's eyes. Outside of a lengthy and uncomfortable rape scene, I'm very much sold on watching how the rest of this season progresses.
I know this is getting annoying, but I really want to help people avoid the only flaw with this episode and ensure that Gate can be enjoyed for all the great and good it has to offer otherwise. While Divine Gate is already cursed with a predictable storyline, it makes matters so much worse by having some of the most hammed up dialogue in an attempt to sound deep and enigmatic.
And, hopefully, I'm not the only one but the colour coordination of the character's outfits to their 'element' colour had me making pokemon references nonstop. After getting injured during one such instance, Satoru's mother comes to visit and reminds him of the trauma he suffered as a child, when one of the kids in his school was abducted. But Satoru's character is saved by one facet and the series' mcguffin: his selfless heroism and the power that springs from. Yes, lethargic and reluctant heroes have been done before but Erased manages to refresh the formula by introducing intriguing supporting characters and a heart pounding mystery to the mix.
Both the violence and the ecchi come together to make one whole package, and removing either would result in half an anime. It’s not that the fanservice is distracting, it’s that the story isn’t worth paying attention to against the fanservice. Also not every anime is going to be like Morbito, Ristorante Paradiso, Death Note, or the Miyazaki films. The Goddess, Aqua, is completely caught off guard when it turns out that request is totally within the rules! It's these characters that make the show as strong as it is, assuming their absurd quirks are concepts you find interesting, and not forced or inane.
Character and story development start to take giant and sudden leaps in the second half of the season, making the show feel rushed and a bit lacking in substance. She explained that of course she was okay, because in Kazuma's sleep gaze he'd mistaken a slow moving tractor for a bus, and in his frantic rush to save a girl, who actually didn't need any saving, shocked himself to death at the thought of being mowed over by a bus. Whether the show will continue to keep action levels low , or whether it will start amping it up as the story progresses, one thing is for sure, this show is THE comedy watch of the season and is probably a show that will entertain the widest range of viewers.
It has some of the best jokes this season, lovable leading characters and is guaranteed to have you laughing out loud.
But for a show looking to be taken seriously, any realism damaging flaw like this mares the experience. However, many of the women have such high-pitched screams, and indeed scream so often, one has trouble believing any of them to be real soldiers that went through real training in order to find themselves as part of this elite mech unit.
However, for everyone else in the same naive boat as me, this show is only worth a try if you are in the mood for B grade horror, and overly emotional or overly emotionally stunted 'soldiers'. We suspect they're in a game, as characters have used that word, unsure anymore of what it means, but Grimgar keeps us guessing by withholding even the most basic of information surrounding the set up. The slow pacing and fan service treatment of the females are the only major issues against the show so far, and aside from those, the show does offer breath taking visuals and a fresh take on dungeon crawling adventures. Chie is undoubtedly cute, and the other characters are defined in the basics of what two minutes can give you: Maeda is a bit too hard up, straying close to pedo, and Reiko is our resident busty girl who rightly intervenes between creepy Maeda and adorable Chie. It then moves to a populated city, Japan, which looks like your standard city for the most part. But Buranki isn't a show that will win over CGI naysayers, and even may make some supporters retract their support for CGI based anime. The daughter of the late Sukeroku, Konatsu, is equally as compelling, wanting to follow in her father's footsteps, but unable to because of the rolls assigned to women during this period in time. There's something so innocent and sincere about his love for Rakugo that you find yourself cheering him on wholeheartedly throughout the episode, despite having just met him. When your character's school uniform just happens to be blue and he wields water based powers, my childish brain immediately starts screaming squirtle, squirtle.
With Satoru jumping back five minutes and putting himself in harms way to save others, it helps to negate a lot of his other more disappointing aspects. I usually hate zombie media, but I won’t say, “Highschool of the Dead was great despite the zombies.” That’s half of what the series is about.
Now, trapped in a fantasy world where the demon king slowly conquers the land, Aqua and Kazuma must work together to defeat the Demon King and make something of themselves, otherwise Aqua never gets to be a goddess again.
Unlike Sword Art Online, Grimgar is much slower and more methodical in its pacing and development of the cast, but at the same time it remains less technical than Log Horizon, choosing rather than pouring all its energy into world building, to use its time to develop and grow each member of the primary cast.
If you have the time and the interest, Grimgar could prove to be the answer to your cravings for a slow build, dramatic take on the SAO and Log Horizon type genre. Or even the Rakugo master himself, Yakumo, makes for an intriguing character as we're teased around the significant events of his earlier days. Satoru is a complex character, and despite his overly negative introduction, he's a welcome change from the plucky or 2D emotionless heroes of many an anime the past few years. Again anime has never been mainstream here and it won’t be because it is a representation of a foreign entertainment medium. But the Goddess is willing to cut him a break, give a chance at a new life: in a fantasy world.
But she is also caring, and suffers from self esteem issues, all without just being a by the numbers tsundere. If it wasn't for queues within the show itself, I'd have to believe everyone here had just enlisted a day prior.
Satoru is suspected as the killer when he finds his mother's body, but before he can be arrested Satoru jumps back, not five minutes, nor ten, but all the way back to his childhood: where it all began.
Beyond him the rest of the cast is enjoyable, particularly his mother who isn't perfect, but you can tell deep down really does care for her son. As for Bill 156, that was just a reinforcement of a previous law to protect the youth of Japan.
In another realm entirely, a demon king seeks to take over the land, and the Gods are now sending people who die in our world over, blessing us with unique powers or gifts in order to defeat the demon king. While she is dressed in skimpy clothes, the camera never pans to exploitive angles or shots.
The law has had very little effect on the industry as a whole as there are plenty of fanservice shows still being made.
So, yippee for a female character that's lovable, brimming with personality and wit, and female audience friendly. But by failing to provide so much context, these mounting questions (which aren't really addressed in Episode 2) instead make for an unsatisfying and detached viewing experience.



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23.06.2014 admin



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